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1. A View of the City of Oporto

A View of the City of Oporto
Creator:
Print made by unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811

No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811

No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811

No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811

No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. No.5 Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River.

No.5 Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River.
Creator:
Charles Turner, 1774–1857
Date:
1810-1815
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. No.3 City of Coimbra on the Mondego in 1810

No.3 City of Coimbra on the Mondego in 1810
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro

No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811

No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810

No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810
Creator:
T. St. Clair, active 1810–1815
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. No.6 Battle of Fuontes d'Ouoro, 5th July 1811

No.6 Battle of Fuontes d'Ouoro, 5th July 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
Print made by John Couse, active 1753–1764
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection