Associated Places: Europe - YCBA Collections Search Search Results

701. Grand Chartreuse, October 25

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

702. Passage to the Grand Chartreuse, October 25

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 3/8 inches (18.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

703. Near Vietri, September 27

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/2 inches (15.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

704. Isle of Nisida

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 x 9 3/4 inches (12.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

705. Coast of Genoa

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 10 1/8 inches (16.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

706. View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

707. Pierre de Vaivre

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

708. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

709. Cascades de Thiers, Auvergne

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/8 x 13 11/16 inches (45.4 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

710. The Opening of the Carnival at Rome

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

711. Fulham Palace, Porter's Lodge

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:: Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

712. Falls at Schaffhausen

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

713. The South Barracks, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, graphite, and collage on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

714. The Mountains of Africa, from the Hospital at Gilbraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

715. The Rock of Gibraltar from Algeciras (Spain)

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

716. O'Hara's Tower, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

717. Between Llangollen and Oswestry

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1790
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

718. Europa Lighthouse, Ceuta, Spain

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

719. Bridge over Pool at Llanrwst

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 10 1/8 × 13 inches (25.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

720. Algeciras from Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

721. Enter Malvolio, Crossgartered...

Creator:: Sir John Gilbert, 1817–1897
Date:: 1863
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

722. The Rock of Gibraltar from the Alameida at San Roque

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

723. View of Valetta, Malta

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

724. The Rock of Gibraltar, from the North Front Guard Room

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

725. A Mistica, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

726. Casemates

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

727. A Yorkshire Road

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

728. The King's Bastion, the Club House Hotel, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Pen and black ink, watercolor, graphite and scraping out on thick slightly textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

729. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

730. Greenwich

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 inches (10.5 × 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

731. Rosia Bay, Gibraltar and Algeciras, Spain

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

732. Part of the Bay of Gibraltar, the Spanish Lines

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

733. View of the East Part of Southwark, Looking Towards Greenwich

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1638
Materials & Techniques:: Pen and blue-black ink, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 12 1/8 inches (14.3 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

734. A View from St. Mary's, Southwark, Looking Towards Westminster

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1638
Materials & Techniques:: Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 12 1/8 inches (13 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

735. Landscape with a Boatshed

Creator:: Attributed to George Harley, 1791–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 1/2 inches (14.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

736. Clare College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

737. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 5/8 inches (13.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

738. Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

739. The Entrance to King John's Palace, Eltham, Kent

Creator:: John Hassell, 1767–1825
Date:: ca. 1812
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

740. Welsh Landscape

Creator:: Attributed to William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

741. The Banishment of Aristides

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

742. Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View

Creator:: Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Date:: ca. 1690
Materials & Techniques:: Pen and brown ink with brown and gray wash over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 × 20 1/8 inches (36 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

743. Crater of Vesuvius

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

744. Wreck and the Merchant Vessel, St. George, at Deal, Kent

Creator:: John Samuel Hayward, 1778–1822
Date:: 1807
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

745. Castle Acre Priory

Creator:: Thomas Hearne, 1744–1817
Date:: 1771
Materials & Techniques:: Pen and black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/8 inches (18.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

746. Leeds Castle, Kent

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

747. The Poor House, Hadley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: 1802
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

748. Windsor Castle from the Eton Playing Fields

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

749. Gundulf's Tower, Rochester Cathedral, Kent

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 7 1/4 inches (25.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

750. Brackenborough Church, Wiltshire

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 inches (31.8 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

751. Santa Maria della Salute

Creator:: Cecil Eldred Hughes, 1875–
Date:: 1929
Materials & Techniques:: Watercolor, gouache and black chalk on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

752. The Road from Santa Maria de Monte to Naples

Creator:: Thomas Jones, 1742–1803
Date:: 1781
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 10 3/4 inches (20.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

753. Study of Rocks, near Pencerrig, Wales

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1796
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

754. The Portico of St. Martin-in-the-Fields

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1862
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/2 x 13 1/2 inches (49.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

755. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

756. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

757. The Essex Chantry, Watford Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

758. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

759. Scene in Kent

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Contemporary drawn border: 11 1/2 x 17 1/8 inches (29.2 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

760. Tythrop

Creator:: John Linnell, 1792–1882
Date:: 1817
Materials & Techniques:: Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

761. Pike Pool, Beresford Hall, Derbyshire

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Black and white chalk and graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 16 7/8 x 22 inches (42.9 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

762. Landscape in North Wales

Creator:: John Linnell, 1792–1882
Date:: 1813
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, white laid paper
Dimensions:: Sheet: 9 3/8 x 14 5/8 inches (23.8 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

763. Rye House

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 11 1/8 x 15 1/2 inches (28.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

764. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

Creator:: John Linnell, 1792–1882
Date:: ca. 1816
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/2 inches (33.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

765. The Beach at Charmouth

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

766. Sidmouth

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 19 1/2 inches (31.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

767. The West Door, Rochester Cathedral, Kent

Creator:: Frederick Mackenzie, 1788–1854
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 7 3/8 inches (14.8 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

768. The Bayswater Turnpike

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card
Dimensions:: Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

769. Askeaton Abbey near Limerick, Ireland on the River Deel

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/16 x 7 1/4 inches (13.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

770. Bayswater - London

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

771. The Strand with Astley's Theatre

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

772. Painter-Stainers’ Hall

Creator:: Charles Tomkins, 1757–1823
Date:: 1799
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

773. Goodman's Field Theatre

Creator:: Charles Tomkins, 1757–1823
Date:: 1801
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/16 inches (14.6 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

774. London Bridge

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

775. Lambeth Palace

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 9/16 inches (7.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

776. An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 × 3 7/8 inches (13.2 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

777. Old Somerset House

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

778. Tintern Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and black wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

779. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

780. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

781. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

782. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

783. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

784. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

785. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

786. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

787. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

788. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

789. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

790. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, with chine collé, scraping out, and white gouache; touched engraver's proof 6(a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

791. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

792. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

793. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

794. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

795. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

796. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

797. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

798. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

799. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

800. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Associated Places Europe

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701. Grand Chartreuse, October 25

702. Passage to the Grand Chartreuse, October 25

703. Near Vietri, September 27

704. Isle of Nisida

705. Coast of Genoa

706. View near Bingen

707. Pierre de Vaivre

708. Vue Generale de l'Eglise de l'Abbaye de Tournus

709. Cascades de Thiers, Auvergne

710. The Opening of the Carnival at Rome

711. Fulham Palace, Porter's Lodge

712. Falls at Schaffhausen

713. The South Barracks, Gibraltar

714. The Mountains of Africa, from the Hospital at Gilbraltar

715. The Rock of Gibraltar from Algeciras (Spain)

716. O'Hara's Tower, Gibraltar

717. Between Llangollen and Oswestry

718. Europa Lighthouse, Ceuta, Spain

719. Bridge over Pool at Llanrwst

720. Algeciras from Gibraltar

721. Enter Malvolio, Crossgartered...

722. The Rock of Gibraltar from the Alameida at San Roque

723. View of Valetta, Malta

724. The Rock of Gibraltar, from the North Front Guard Room

725. A Mistica, Gibraltar

726. Casemates

727. A Yorkshire Road

728. The King's Bastion, the Club House Hotel, Gibraltar

729. The 48th Regiment with Casemate, Gibraltar

730. Greenwich

731. Rosia Bay, Gibraltar and Algeciras, Spain

732. Part of the Bay of Gibraltar, the Spanish Lines

733. View of the East Part of Southwark, Looking Towards Greenwich

734. A View from St. Mary's, Southwark, Looking Towards Westminster

735. Landscape with a Boatshed

736. Clare College, Cambridge

737. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

738. Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.

739. The Entrance to King John's Palace, Eltham, Kent

740. Welsh Landscape

741. The Banishment of Aristides

742. Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View

743. Crater of Vesuvius

744. Wreck and the Merchant Vessel, St. George, at Deal, Kent

745. Castle Acre Priory

746. Leeds Castle, Kent

747. The Poor House, Hadley, Hertfordshire

748. Windsor Castle from the Eton Playing Fields

749. Gundulf's Tower, Rochester Cathedral, Kent

750. Brackenborough Church, Wiltshire

751. Santa Maria della Salute

752. The Road from Santa Maria de Monte to Naples

753. Study of Rocks, near Pencerrig, Wales

754. The Portico of St. Martin-in-the-Fields

755. The Building of Waterloo Bridge

756. Interior of the Belfry, Bushey Church

757. The Essex Chantry, Watford Church

758. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

759. Scene in Kent

760. Tythrop

761. Pike Pool, Beresford Hall, Derbyshire

762. Landscape in North Wales

763. Rye House

764. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

765. The Beach at Charmouth

766. Sidmouth

767. The West Door, Rochester Cathedral, Kent

768. The Bayswater Turnpike

769. Askeaton Abbey near Limerick, Ireland on the River Deel

770. Bayswater - London

771. The Strand with Astley's Theatre

772. Painter-Stainers’ Hall

773. Goodman's Field Theatre

774. London Bridge

775. Lambeth Palace