Associated Places: Europe / Subject Terms: rivers - YCBA Collections Search Search Results

1. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Near Grindelwald

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tournon Opposite to Teint on the Rhone

Creator:: Mary Harcourt, 1750–1833
Date:: ca. 1780
Materials & Techniques:: Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Lambeth Palace

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 9/16 inches (7.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

9. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

10. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderatelythick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving, with chine collé and scratching out; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 1/8 inches (32.4 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Bishop's Bridge, Norwich

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 3/4 inches (19.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Between Ambrogiana and La Lastra

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving; second state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. San Pier d'Arena

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 x 10 3/8 inches (16.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Ascent to the Cascade of Terni

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 9 7/8 inches (18.4 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A General View of Paris taken from Chaillot

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching; engraver's proof (a) on moderately thick, slightly textured, beige wove paper mounted on cream wove paper
Dimensions:: Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Oval Hilly Landscape

Creator:: Richard Cooper the Elder, 1701–1764
Date:: ca. 1780
Materials & Techniques:: Graphite, brown wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 7/8in. (18.4 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Greenwich

Creator:: pupil of Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 9 3/4 inches (33.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. On the Thames

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on medium, rough, cream wove paper
Dimensions:: Sheet: 21 3/4 x 34 1/8 inches (55.2 x 86.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Devil's Bridge, Aberystwyth

Creator:: Rev. Charles Annesley, 1787–1863
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Associated Places Europe

Subject Terms rivers

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1. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

2. Near Grindelwald

3. Tournon Opposite to Teint on the Rhone

4. Ehrenbreitstein, During the Demolition of the Fortress in 1817

5. Lambeth Palace

6. Meuse and Sambre, from the Gate of the Sambre

7. Meuse and Sambre, from the Gate of the Sambre

8. Harfleur

9. Confluence of the Seine and Marne

10. Ehrenbreitstein, During the Demolition of the Fortress in 1817

11. Harfleur

12. Confluence of the Seine and Marne

13. Bishop's Bridge, Norwich

14. Between Ambrogiana and La Lastra

15. Harfleur

16. Harfleur

17. Harfleur

18. Confluence of the Seine and Marne

19. Confluence of the Seine and Marne

20. San Pier d'Arena

21. Ascent to the Cascade of Terni

22. Confluence of the Seine and Marne

23. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

24. A General View of Paris taken from Chaillot

25. Harfleur

26. Oval Hilly Landscape

27. Greenwich

28. On the Thames

29. The Devil's Bridge, Aberystwyth