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1. Normandy Coast

Normandy Coast
Creator:
Attributed to Richard Parkes Bonington, 1802–1828
Date:
ca. 1825
Materials & Techniques:
Oil on panel
Dimensions:
10 7/8 x 15 1/2 inches (27.6 x 39.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
On View:
Not on view

2. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer
Creator:
Benjamin Marshall, 1768–1835
Date:
ca. 1804
Materials & Techniques:
Oil on canvas
Dimensions:
19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Torre Dos Clerigos, Oporto, Portugal

Torre Dos Clerigos, Oporto, Portugal
Creator:
James Holland, 1799–1870
Date:
1837
Materials & Techniques:
Oil on canvas
Dimensions:
21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Street Scene in Chorley, Lancashire, with a view of Chorley Hall

Street Scene in Chorley, Lancashire, with a view of Chorley Hall
Creator:
John Bird of Liverpool, 1768–1829
Date:
ca. 1795
Materials & Techniques:
Oil on canvas
Dimensions:
11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Low Tide, Honfleur

Low Tide, Honfleur
Creator:
Edward Brian Seago, 1910–1974
Date:
undated
Materials & Techniques:
Oil on board
Dimensions:
11 13/16 x 15 5/16 inches (30 x 38.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Dieppe: Looking towards Saint Jacques

Dieppe: Looking towards Saint Jacques
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1896
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/8 x 15 3/16 inches (46 x 38.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:
Not on view

7. Ingleborough from Chapel-Le-Dale

Ingleborough from Chapel-Le-Dale
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. On the Washburn

On the Washburn
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1815
Materials & Techniques:
Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 15 3/8 inches (27.3 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Upper Fall of the Reichenbach: Rainbow

Upper Fall of the Reichenbach: Rainbow
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1810
Materials & Techniques:
Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Fountain's Boarding School, Marylebone

Fountain's Boarding School, Marylebone
Creator:
James Miller, active 1773–1814
Date:
1780
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:
Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Rome in it's Original Splendor

Rome in it's Original Splendor
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The City of Ratisbon

The City of Ratisbon
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 1/4 inches (26 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
1715 to 1725
Materials & Techniques:
Etching on slightly textured, moderately thick, cream laid paper
Dimensions:
Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Showery June, Picardy

Showery June, Picardy
Creator:
Henry Moore, 1831–1895
Date:
between 1870 and 1880
Materials & Techniques:
Watercolor with some scratching out over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 15 1/4 inches (28.1 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. London Cries: A Muffin Man

London Cries: A Muffin Man
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. London Cries: A Milkmaid

London Cries: A Milkmaid
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. London Cries: Last Dying Speech and Confession

London Cries: Last Dying Speech and Confession
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. London Cries: Shoe Cleaner

London Cries: Shoe Cleaner
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. London Cries: A Fishmonger

London Cries: A Fishmonger
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Teignmouth, Devon

Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1815
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Rye House

Rye House
Creator:
John Linnell, 1792–1882
Date:
1814
Materials & Techniques:
Graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:
Sheet: 11 1/8 x 15 1/2 inches (28.3 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. North Parade, Bath

North Parade, Bath
Creator:
Humphry Repton, 1752–1818
Date:
1784
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 10 3/16 x 15 1/4in. (25.9 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Part of Roche Abbey, Yorkshire

Part of Roche Abbey, Yorkshire
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 15 1/4 inches (24.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Englishman at Paris, 1767

Englishman at Paris, 1767
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1799
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. On the Thames

On the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. Bridge of Meulan

Bridge of Meulan
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and line engraving, with chine collé and graphite; first published state, touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Loading Vraic, St. Malo

Loading Vraic, St. Malo
Creator:
Print made by Edmund Blampied, 1886–1966
Date:
1926
Materials & Techniques:
Drypoint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 15 1/2 inches (25.5 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. L'Eglise de St. Gervais et St. Protais

L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

32. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving with chine collé; 2nd state on moderatle thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Demolition of St. James's Hall, Interior

Demolition of St. James's Hall, Interior
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1906
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

34. View of the Front of the New Public Buildings, Guildford

View of the Front of the New Public Buildings, Guildford
Creator:
Print made by Robert Havell, 1769–1832
Date:
1819
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. North East View of Harlaxton Manor House, Lincolnshire

North East View of Harlaxton Manor House, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr

South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. North West View of Harlaxton Manor House, Lincolnshire

North West View of Harlaxton Manor House, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot

North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. South West View of Eastbury House, Essex

South West View of Eastbury House, Essex
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 13 3/8 × 19 3/4 inches (34 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr

South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. South East View of Wilton House

South East View of Wilton House
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Bertrand Russell, Trafalgar Square Aldermaston March

Bertrand Russell, Trafalgar Square Aldermaston March
Creator:
Lewis Morley, 1925–2013
Date:
1958
Materials & Techniques:
Toned gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

47. St. Paul's Cathedral, from St. Martin's-le-Grand, London

St. Paul's Cathedral, from St. Martin's-le-Grand, London
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London

Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 1/2 inches (30.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

49. Harrow Common, Middlesex

Harrow Common, Middlesex
Creator:
Attributed to Edward Dayes, 1763–1804
Date:
1791
Materials & Techniques:
Gray wash, blue wash, and graphite on medium, slightly textured, cream wove paper (three pieces joined)
Dimensions:
Sheet: 5 7/8 x 15 1/2 inches (14.9 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Durham Cathedral

Durham Cathedral
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 15 3/8 inches (26.4 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Launching of H.M.S. 'Hibernia' 1804

The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Drury Lane. The School for Scandal

Drury Lane. The School for Scandal
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Long Walk, Windsor

The Long Walk, Windsor
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on medium, rough, beigh wove paper
Dimensions:
Sheet: 11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light
Creator:
John Fulleylove, 1845–1908
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:
Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias
Creator:
John Fulleylove, 1845–1908
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, rough, wove paper
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire

Parish Church, Front and Partial Right View, Ayot St. Lawrence, Hertfordshire
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Classical Church, Ayot St. Lawrence, Hertfordshire

Classical Church, Ayot St. Lawrence, Hertfordshire
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire

Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Church in Knebworth Park

The Church in Knebworth Park
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Barn Elmes

Barn Elmes
Creator:
Edward Edwards, 1738–1806
Date:
1793
Materials & Techniques:
Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:
Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection