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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
4
Creator
Girtin, Thomas, 1775–1802
4
Lewis, Frederick Christian the Elder, 1779–1856
2
Harraden, James, active 1801–1814
1
Harraden, Richard Banks, 1778–1862
1
Date
1803
4
On-site Access
Accessible by appointment in the Study Room
4
Image Use
Free to Use
4
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Available
4
Classification
Prints
4
Creator Gender
male
4
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
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4
Period
19th century
4
Materials & Techniques
aquatint
4
etching (printing process)
4
hand coloring
1
watercolor
1
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Work Type
intaglio print
4
Genre
architectural subject
4
cityscape
4
Subject Terms
architectural subject
3
bridge (built work)
3
cityscape
3
river
3
Associated Places
Charenton-le-Pont
4
Europe
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4
France
4
Pont de Charenton-le-Pont
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Val-de-Marne
4
Île-de-France
4
Marne
3
Credit Line
Yale Center for British Art, Paul Mellon Collection
4
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Europe
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Width [cm]
28
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Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
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1
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
2
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803