Associated Places: England / Height [cm]: 35 - YCBA Collections Search Search Results

1. July 15 1949 (St Ives harbour)

Creator:: Ben Nicholson, 1894–1982
Date:: 1949
Materials & Techniques:: Oil and pencil on canvas
Dimensions:: 13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Vegetable Seller, Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on panel
Dimensions:: 13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Guisborough Priory

Creator:: Thomas Girtin, 1775–1802
Date:: between 1800 and 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

6. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk and white chalk with stumping on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

9. High Tor, Matlock

Creator:: Henry Moore, 1831–1895
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 15/16 x 20 3/8in. (35.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Elevation of the Ordnance Office

Creator:: unknown artist
Date:: after 1780
Materials & Techniques:: Watercolor with gouache and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 21 9/16 inches (34.7 x 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Night Watchman

Creator:: Print made by John Bogle, 1746–1804
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. An Autumn Afternoon on Hampstead Heath

Creator:: Print made by John Copley, 1875–1950
Date:: 1939
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Cottage at Deane, Hants.

Creator:: John Piper, 1903–1992
Date:: 1938
Materials & Techniques:: Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. The Garden of Buckingham Palace, seen from the terrace

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and black ink over graphite on wove paper
Dimensions:: Sheet: 13 3/4 × 23 11/16 inches (34.9 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Plymouth Dockyard after the Fire

Creator:: William Callow, 1812–1908
Date:: 1840
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 20 7/16 inches (34.8 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Newark Castle

Creator:: C. Waller, active 1785–1788
Date:: between 1785 and 1795
Materials & Techniques:: Watercolor and pen and brown ink on thick, rough, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 5/8 inches (34.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Cobham Hall, Kent: Plan of Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Cobham Hall, Kent: Plan of Parlor Floor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Cobham Hall, Kent: Elevation of the Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Watercolor with pen, black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 19 15/16 inches (34.6 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1832
Materials & Techniques:: Watercolor with pen in brown ink over graphite with gouache and arabic gum on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 10 5/8 inches (34.8 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Cobham Hall, Kent: Great Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Pen and black ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 16 1/4 inches (34.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Cobham Hall, Kent: North Elevation of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black ink on medium, modterately textured, beige laid paper
Dimensions:: Sheet: 13 7/8 x 23 1/4 inches (35.2 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Cobham Hall, Kent: Ceiling Decoration

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 20 9/16 inches (34.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Cobham Hall, Kent: Elevation and Section of New Entrance and Offices

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black and brown ink and yellow wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 21 inches (35.2 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Brass Plate for Dame Margaret Dalett and Ellen Berney, from Beckenham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 1/8 inches (35.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 11 1/8 inches (34.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. South View of Christ Church, &c. from the Meadows

Creator:: Print made by James Basire II, 1769–1822
Date:: 1799
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View of the Chapel and Hall of Oriel College, &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View of the Cathedral of Christ Church, and Part of Corpus Christi College

Creator:: Print made by James Basire II, 1769–1822
Date:: 1811
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A View of the Garden and House at Upper Winchendon, Buckinghamshire

Creator:: Attributed to Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 40 1/8 inches (34.9 × 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Queen Katherine's Dream

Creator:: George Henry Harlow, 1787–1819
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Leeds Farm

Creator:: David Bomberg, 1890–1957
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 × 19 1/8 inches (34.6 × 48.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

38. Cobham Hall, Kent: Windows in Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/4 × 21 1/2 inches (34.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Cobham Hall, Kent: Plan of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1795
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 5/8 x 21 7/8 inches (34.6 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Memorial to John Watt from Enfield Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 11 1/8 inches (34.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Brass Plate for William and Jane Smith from Enfield Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Memorial to Robert Diecrowe and Joan Diecrowe his Mother and Robert Wheter his Master from Enfield

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 1/8 inches (35.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The North-West Porch of Salisbury Cathedral

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1832
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 11 5/8 inches (35.2 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (aa) on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Memorial to Mr. Charles and Mrs. Anne Yarwood from Hayes Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 1/8 inches (35.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Brass Plate inscription Thomas Priestly the Elder and the Younger from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 11 inches (34.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Memorial to Thomas Cartwright , John Carter and John Reynolds

Creator:: attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Memorial to Elizabeth Chambers and Col. Edward James

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 1/8 inches (35.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Brass Plate for John Skevington from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Design for Grosvenor Bridge, Chester

Creator:: Thomas Harrison, 1744–1829
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

55. St. Augustine's Gate, Canterbury

Creator:: Valentine Green, 1739–1813
Date:: 1779
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Principal Entrance to the Gas Works, Westminster

Creator:: Print made by Thomas Faulkner, active 1825–1838
Date:: ca. 1830
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 7/8 x 19 inches (35.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Monument of King Henry III, in Westminster Abbey

Creator:: Jacob van Schley, 1715–1779
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, white wove paper
Dimensions:: Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

58. Canterbury Gate, Christ Church, Oxford

Creator:: Sir William Nicholson, 1872–1949
Date:: 1903
Materials & Techniques:: Watercolor, black chalk, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. St. Wendred's, March

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1922
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 9 1/2 inches (34.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

60. The Monument of King Edward III in Westminster Abbey

Creator:: Claude Du Bosc, c.1711–1740
Date:: undated, ca. 1726-1740
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of the Terrace at Windsor

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 13 15/16 x 21 13/16 inches (35.4 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite and black and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 22 3/4 inches (34.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Map of Worcestershire Showing Western and Eastern Divisions

Creator:: Print made by Robert Kearsley Dawson, 1798–1861
Date:: undated
Materials & Techniques:: Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 12 5/8 inches (35.1 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Interior of Durham Cathedral

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 13 15/16 × 9 3/4 inches (35.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A Wood Yard on the Thames at Nine Elms

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

68. Figures and Boats on the Thames

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

69. Kenilworth Castle

Creator:: Print made by Letitia Byrne, 1779–1849
Date:: 1794-1837
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 17 3/8 inches (35.2 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

70. Interior View of the Hall at Hatfield House

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1790 and 1802
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 13/16 inches (35.2 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Etching, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 14 13/16 inches (37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, brown wove paper
Dimensions:: Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Rievaulx Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Manor House, Middlewich, Cheshire

Creator:: Design by Charles Fitzroy Doll, 1850–1929
Date:: 1894
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 13 3/4 × 20 3/4 inches (34.9 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

78. Matlock Baths, Derbyshire

Creator:: William Day, 1764–1807
Date:: ca. 1789
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of Wingerworth Hall, Derbyshire

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 5/8 inches (35.2 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Slate Quarry at Widecombe, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1792
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Lake Windermere from Calgarth with Belle Isle

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1790
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper in contemporary line mount
Dimensions:: Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Norwich Cathedral: Interior of the North Aisle of the Choir, Looking East

Creator:: John Sell Cotman, 1782–1842
Date:: 1829
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 1/2 inches (34.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Study for Hay Carts, Cumberland Market

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 15/16 × 18 1/2 inches (35.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Cobham Hall, Kent: Section of a Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 20 1/8 inches (35.2 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Fire Tower, London

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 18 11/16 x 12 3/4 inches (47.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

86. Hinton St. George, Somerset: Design for a Door Frame

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on moderately textured, medium, brown laid paper
Dimensions:: Sheet: 13 3/4 × 12 1/2 inches (34.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. July 15 1949 (St Ives harbour)

2. Vegetable Seller, Covent Garden

3. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

4. Guisborough Priory

5. A Sussex Barn

6. Ivy Cottage, Shoreham

7. Wooded Slope with a Receding Road

8. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

9. High Tor, Matlock

10. Elevation of the Ordnance Office

11. Night Watchman

12. An Autumn Afternoon on Hampstead Heath

13. Cottage at Deane, Hants.

14. The Garden of Buckingham Palace, seen from the terrace

15. Plymouth Dockyard after the Fire

16. Newark Castle

17. Cobham Hall, Kent: Plan of Staircase

18. Cobham Hall, Kent: Plan of Parlor Floor

19. Cobham Hall, Kent: Elevation of the Stables

20. The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

21. Cobham Hall, Kent: Great Dressing Room

22. Cobham Hall, Kent: North Elevation of Dairy

23. Cobham Hall, Kent: Ceiling Decoration

24. Cobham Hall, Kent: Elevation and Section of New Entrance and Offices

25. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

26. Brass Plate for Dame Margaret Dalett and Ellen Berney, from Beckenham Church

27. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

28. Plymouth from Mount Batten

29. South View of Christ Church, &c. from the Meadows

30. A View of the Chapel and Hall of Oriel College, &c.

31. Inside View of the East End of Merton College Chapel

32. View of the Cathedral of Christ Church, and Part of Corpus Christi College

33. St. Agatha's Abbey, Easby

34. Maxstoke Priory

35. A View of the Garden and House at Upper Winchendon, Buckinghamshire

36. Queen Katherine's Dream

37. Leeds Farm

38. Cobham Hall, Kent: Windows in Dairy

39. Cobham Hall, Kent: Plan of Dairy

40. St. Agatha's Abbey, Easby

41. Memorial to John Watt from Enfield Church

42. Brass Plate for William and Jane Smith from Enfield Church

43. Memorial to Robert Diecrowe and Joan Diecrowe his Mother and Robert Wheter his Master from Enfield

44. The North-West Porch of Salisbury Cathedral

45. Junction of the Greta and Tees at Rokeby

46. Wycliffe, near Rokeby

47. Memorial to Mr. Charles and Mrs. Anne Yarwood from Hayes Church

48. Brass Plate inscription Thomas Priestly the Elder and the Younger from Hornsey Church

49. Memorial to Thomas Cartwright , John Carter and John Reynolds

50. Memorial to Elizabeth Chambers and Col. Edward James

51. Brass Plate for John Skevington from Hornsey Church

52. Design for Grosvenor Bridge, Chester

53. The Building

54. Turnips & Carrots ho

55. St. Augustine's Gate, Canterbury

56. Principal Entrance to the Gas Works, Westminster

57. The Monument of King Henry III, in Westminster Abbey

58. Canterbury Gate, Christ Church, Oxford

59. St. Wendred's, March

60. The Monument of King Edward III in Westminster Abbey

61. Bradwell Lodge, Bradwell Quay, Essex

62. View of the Terrace at Windsor

63. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

64. A Perspective View of the Foundling Hospital with Emblematic Figures

65. Map of Worcestershire Showing Western and Eastern Divisions

66. Interior of Durham Cathedral

67. A Wood Yard on the Thames at Nine Elms

68. Figures and Boats on the Thames

69. Kenilworth Castle

70. Interior View of the Hall at Hatfield House

71. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

72. Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

73. North East View of Henry VII Chapel Westminster

74. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration