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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
21
Creator
Borra, Giovanni Battista, 1713–1770
21
Date
1745
21
On-site Access
Accessible by appointment in the Study Room
21
Image Use
Free to Use
21
Image Available
Available
21
Classification
Drawing & Watercolors-Architectural
21
Creator Gender
male
21
Period
18th century
21
Materials & Techniques
graphite
21
gray wash
21
laid paper
21
black ink
19
brown ink
7
gray ink
2
watercolor
1
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54
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Work Type
drawing
21
watercolor
21
Genre
architectural subject
21
landscape
5
cityscape
2
Subject Terms
architectural subject
21
columns
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21
capitals
10
ruins
9
friezes
8
theater
8
moldings
7
temple
7
ancient Greek
6
arches
6
mountains
6
scale (rule)
6
landscape
5
site plan
5
Corinthian order
4
Ionic
4
Lydian
4
amphitheater
4
entablature
4
trees
4
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Associated Places
Ege kiyilari
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21
Turkey
21
Asia
20
Denizli Ili
7
Izmir Ili
4
Mugla Ili
4
Pamukkale
4
Aydin Ili
3
Laodicea
3
Milâs
3
Pergamon
3
Manisa Ili
2
Priene
2
Sardis
2
Aizanoi
1
Ephesus
1
Halicarnassus
1
Hierapolis
1
Kutahya Ili
1
Miletus
1
Exhibition History
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Twenty-Five Years of Discovery at Sardis (Harvard Art Museums, 1983-11-03 - 1983-12-18)
2
Grecian Taste and Roman Spirit: The Society of Dilettanti (The J. Paul Getty Museum, 2008-08-07 - 2008-10-27)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
The City of Sardis : Approaches in Graphic Recording (Harvard Art Museums, 2003-08-23 - 2003-11-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
21
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columns
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1
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
2
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
3
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
4
Giovanni Battista Borra, 1713–1770
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
5
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
6
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
7
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
8
Giovanni Battista Borra, 1713–1770
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
10
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
11
Giovanni Battista Borra, 1713–1770
View of the Modern City of Pergamon
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
16
Giovanni Battista Borra, 1713–1770
View of the Ruined Theater of Aezani at Tjaden
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
19
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
20
Giovanni Battista Borra, 1713–1770
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
21
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750