Genre: religious and mythological subject / Subject Terms: eyes - YCBA Collections Search Search Results

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Genre religious and mythological subject

Subject Terms eyes

1. Samson Overcome by the Philistines

Samson Overcome by the Philistines

Creator:: Print made by Johan Joseph Zoffany, 1733–1810
Date:: ca. 1758
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 10 5/8 inches (17.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Master Henry George Herbert as the 'Infant Bacchus'

Master Henry George Herbert as the 'Infant Bacchus'

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 11/16 × 16 1/4 inches (57.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Dido and Aeneas Sheltering in a Cave

Dido and Aeneas Sheltering in a Cave

Creator:: Francis Cleyn, 1582–1658
Date:: undated
Materials & Techniques:: Gray wash and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Conversion of the Proconsul

The Conversion of the Proconsul

Creator:: Print made by George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Cassandra

Creator:: Print made by Reg Butler, 1913–1981
Date:: 1952
Materials & Techniques:: Lithograph with crayon on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 10 15/16 inches (38 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund