Genre: marine art / Work Type: intaglio print / Width [cm]: 44

Etched by Joseph Mallord William Turner, 1775–1851

Flint Castle, Vessels Unloading

1807

Etched by Joseph Mallord William Turner, 1775–1851

Inverary Castle and Town, Scotland

1816

Print made by Joseph Mallord William Turner, 1775–1851

Flounder Fishing, Battersea

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Coast of Yorkshire

1811

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by William Miller, 1796–1882

St. Cloud

1835

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827-1838

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by Robert Brandard, 1805–1862

Dunstanborough Castle, Northumberland

1827-1838

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1827-1838

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Edward Francis Finden, 1791–1857

Gibraltar

1832-1834

Print made by William Miller, 1796–1882

Inverness

1836

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Dunwich

ca. 1830

Print made by William Miller, 1796–1882

The Tower of London

1831

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by Thomas Jeavons, ca. 1800–1867

Exeter

1827-1838

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by John Cousen, 1804–1880

Bridge of Meulan

1835

Print made by James Tibbits Willmore, 1800–1863

Paris from the Barriere de Passy

1835

Print made by James Charles Armytage, 1802–1897

Confluence of the Seine and Marne

1835

Print made by John Cousen, 1804–1880

Harfleur

1834

Print made by James Charles Armytage, 1802–1897

Jumièges

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by Sir Frank Short, 1857–1945

Shipping at the Entrance of the Medway

1896

Print made by Charles Turner, 1774–1857

Shields on the River Tyne

1823

Print made by Charles William Cain, 1893–1962

Basrah Creek

undated

Print made by Thomas Goff Lupton, 1791–1873

Falmouth

1828 to 1856

Print made by Thomas Jeavons, ca. 1800–1867

Devonport and Dockyard, Devonshire

1827-1838

Print made by Edward Goodall, 1795–1870

Traitor's Gate, Tower of London

1834

Print made by Sir Frank Short, 1857–1945

Moonlight at Sea off the Isle of Wight

1896

Print made by Sir Frank Short, 1857–1945

The Lost Sailor

1896

Print made by Sir Frank Short, 1857–1945

The Entrance of the Medway

1896

$William Chapman Ilfracombe, North Devon$

Print made by William Chapman, 1817–1879

Ilfracombe, North Devon

between 1853 and 1874

Print made by James McBey, 1883–1959

Laguna Veneta

1924

Print made by Charles Tomkins, 1757–1823

A French Second Rate, An:1670

1801

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Genre marine art

Work Type intaglio print

Width [cm] 44

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Genre marine art

Work Type intaglio print

Width [cm] 44

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