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1. Shipwreck

Shipwreck
Creator:
Francis Danby, 1793–1861
Date:
ca. 1850
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/2 x 16 inches (31.8 x 40.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Fishing Smack and Other Vessels in a Strong Breeze

Fishing Smack and Other Vessels in a Strong Breeze
Creator:
Joseph Stannard, 1797–1830
Date:
1830
Materials & Techniques:
Oil on panel
Dimensions:
12 3/4 x 17 inches (32.4 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. An Action between English Ships and Barbary Corsairs

An Action between English Ships and Barbary Corsairs
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
ca. 1695
Materials & Techniques:
Oil on canvas
Dimensions:
12 5/8 x 19 3/8 inches (32.1 x 49.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Ship on Fire at Night

Ship on Fire at Night
Creator:
Charles Brooking, 1723–1759
Date:
ca. 1756
Materials & Techniques:
Oil on canvas
Dimensions:
12 1/2 x 17 inches (31.8 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Ship and Cutter

Ship and Cutter
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1826
Materials & Techniques:
Mezzotint printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Flounder Fishing, Battersea

Flounder Fishing, Battersea
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink; modern impression (India) on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Beach at Charmouth

The Beach at Charmouth
Creator:
John Baverstock Knight, 1785–1859
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. South View of Christ Church, &c. from the Meadows

South View of Christ Church, &c. from the Meadows
Creator:
Print made by James Basire II, 1769–1822
Date:
1799
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 17 1/8 inches (32.4 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Tancarville

Tancarville
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Ramsgate, Kent

Ramsgate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (5) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Coombe-Martin, Devonshire

Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Folkstone, Kent

Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A Sailing Canoe of Otaheite

A Sailing Canoe of Otaheite
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Marine Study No. 2

Marine Study No. 2
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Marine Study No. 3

Marine Study No. 3
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 9/16 x 14 1/16 inches (31.9 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

View of Port Orotava, Tenerife, from El Limpio de Las Calaveras
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
Creator:
John William Edy, 1760–1820
Date:
1797
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Peace - Burial of Wilkie

Peace - Burial of Wilkie
Creator:
Print made by John Cousen, 1804–1880
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/4 × 8 7/8 inches (32.4 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Ragged Sails, I

Ragged Sails, I
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1925
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23. Fowl Island, Bay of Bengal, Coast of Arakan

Fowl Island, Bay of Bengal, Coast of Arakan
Creator:
Thomas Daniell, 1749–1840
Date:
1786 (?)
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 18 1/2 inches (27 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

24. Anjeer Point on Java

Anjeer Point on Java
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 20 5/8 inches (32.1 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

25. Evening, or Sun setting

Evening, or Sun setting
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Marine View

Marine View
Creator:
Print made by Elisha Kirkall, ca. 1682–1742
Date:
between 1720 and 1730
Materials & Techniques:
Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 16 5/16 inches (33.4 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840
Creator:
Print made by William Clerk, ? 19th c.
Date:
after 1840
Materials & Techniques:
Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:
Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Shields on the River Tyne

Shields on the River Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823
Materials & Techniques:
Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Squadron of Ships Sailing before the Wind

A Squadron of Ships Sailing before the Wind
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford
Creator:
Nathaniel Parr, active 1742–1751
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head

A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Study of Fishermen and Gear

Study of Fishermen and Gear
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A View of Plymouth Fort and St. Nicholas Island

A View of Plymouth Fort and St. Nicholas Island
Creator:
James Mason, 1710–1783
Date:
1755
Materials & Techniques:
Colored engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 × 23 1/8 inches (38.1 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Tancarville

Tancarville
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 18 inches (32.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Castellated Rhine

The Castellated Rhine
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 11/16 × 9 3/8 inches (32.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Tancarville

Tancarville
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection