Genre: literary theme / Width [cm]: 21 - YCBA Collections Search Search Results

1. Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. MacBeth: Banquet Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. MacBeth: Banquet Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/8 inches (14.3 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. The Banquet Scene

Creator:: George Romney, 1734–1802
Date:: ca. 1792
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/16 inches (14 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Prospero Summoning Ariel

Creator:: William Young Ottley, 1771–1836
Date:: ca. 1800
Materials & Techniques:: Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Creator:: Print made by James H. Baker, born 1829
Date:: between 1839 and 1849
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. London. A Street: 'Henry IV Part II,' Act II, Scene I

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. "Antony and Cleopatra," Act III, Scene XI

Creator:: Georg Goldberg, 1830–1894
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/8 inches (16.4 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. David Garrick Esq.

Creator:: Samuel Freeman, 1773–1857
Date:: 1807
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 8 1/4 inches (27.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Ophelia: There Is Rue for You and Here's Some for Me

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 8 7/8 inches (28.7 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. John Henderson as Iago

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1786
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 × 8 7/16 inches (27.8 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Gualtherus and Griselda

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving on medium, mdoerately textured, beige laid paper
Dimensions:: Sheet: 12 1/4 × 9 5/16 inches (31.1 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ophelia: There's Rue for You, and Here's Some for Me

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 x 8 9/16 inches (27.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Plain of Troy

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/16 inches (28.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Line engraving, third state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 8 7/16 inches (27.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Undertakers

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

20. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. John Smith, Writing Master in London

Creator:: William Faithorne the Younger, ca. 1669–1703
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Illustration to Tonson's Ovid Metamorphis (four of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 8 3/8 inches (35.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 17 5/8 inches (23.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 3/4 × 8 7/8 inches (17.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 15 1/2 inches (27 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Sophia, Honour, and the Chambermaid

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

50. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, open etching on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite, white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Berwick-upon-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with scraping out; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. John Henderson as Iago

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite, white chalk, and chine-collé; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Mrs. Abington as Thalia

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Landing of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 8 1/16 inches (34.6 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Samuel Johnson

Creator:: James Heath, 1757–1834
Date:: 1791
Materials & Techniques:: Stipple engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 9/16 × 8 1/16 inches (26.8 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Genre literary theme

Width [cm] 21

Search Results

1. Oberon and Titania

2. MacBeth: Banquet Scene

3. MacBeth: Banquet Scene

4. The Banquet Scene

5. The Tenth Day of the Decameron

6. Prospero Summoning Ariel

7. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

8. London. A Street: 'Henry IV Part II,' Act II, Scene I

9. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

10. "Antony and Cleopatra," Act III, Scene XI

11. London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

12. David Garrick Esq.

13. Ophelia: There Is Rue for You and Here's Some for Me

14. John Henderson as Iago

15. Gualtherus and Griselda

16. Ophelia: There's Rue for You, and Here's Some for Me

17. The Plain of Troy

18. St. Sophia, Constantinople

19. The Undertakers

20. Field of Waterloo, with Lightning

21. John Smith, Writing Master in London

22. Carlisle

23. Jedburgh Abbey

24. Field of Waterloo, with Lightning

25. Field of Waterloo, with Lightning

26. Melrose

27. Dryburgh Abbey

28. Illustration to Tonson's Ovid Metamorphis (four of four)

29. Illustration to Tonson's Ovid Metamorphosis (two of four)

30. Dryburgh Abbey

31. Melrose

32. Edinburgh from Blackford Hill

33. Caerlaverock Castle

34. Loch Katrine

35. Skiddaw

36. Caerlaverock Castle

37. Junction of the Greta and the Tees

38. Edinburgh from Blackford Hill

39. Berwick-upon-Tweed

40. Kelso

41. Junction of the Greta and the Tees

42. Loch Coriskin

43. Berwick-upon-Tweed

44. Kelso

45. Jedburgh Abbey

46. Loch Katrine

47. Loch Coriskin

48. Skiddaw

49. Sophia, Honour, and the Chambermaid

50. Carlisle

51. Jedburgh Abbey

52. Edinburgh from Blackford Hill

53. Caerlaverock Castle

54. Kelso

55. Dryburgh Abbey

56. Loch Katrine

57. Skiddaw

58. Junction of the Greta and the Tees

59. Berwick-upon-Tweed

60. Cortes and Pizarro

61. Dryburgh Abbey

62. Carlisle

63. Jedburgh Abbey

64. Melrose

65. Skiddaw

66. Berwick-upon-Tweed

67. Berwick-upon-Tweed

68. John Henderson as Iago

69. Loch Katrine

70. Junction of the Greta and the Tees

71. Junction of the Greta and the Tees

72. Loch Achray

73. Caerlaverock Castle

74. Carlisle