Genre: literary theme / Height [cm]: 17 - YCBA Collections Search Search Results

1. Sylvia and the Wounded Stag

Creator:: Joseph Gott, 1786–1860
Date:: 1824
Materials & Techniques:: Terracotta
Dimensions:: Overall: 6 11/16 inches (17 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Los with the child Orc and Enitharmon (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "The Ox in the slaughter house moans..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Title Page, Visions of the Daughters of Albion (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Romeo and Juliet, Act IV, Scene V

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

19. Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Chapter V, "The globe of life blood trembled..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Praying Child and Howling Dog (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Standing Figure, Probably for Lady Macbeth

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 3 7/8 inches (16.5 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

24. Scenes from an Eastern Romance [Arabian Nights]

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and graphite on medium, moderately textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:: Sheet: 4 1/8 × 3 inches (10.5 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 3 15/16 inches (17 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Scene Illustration: Milton's 'L'Allegro'

Creator:: Print made by Benjamin Fawcett, 1808–1893
Date:: between 1860 and 1885
Materials & Techniques:: Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:: Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Humrous Farce of Jobson and Nell

Creator:: Print made by unknown artist
Date:: ca. 1743
Materials & Techniques:: Engraving
Dimensions:: Plate: 6 3/4 × 10 1/2 inches (17.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Title Page: William Hunter's Coat of Arms

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 6 13/16 × 4 15/16 inches (17.3 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

29. Portia and Bassanio

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Apollo and Daphne

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 9 1/8 inches (16.7 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Scene from Shakespeare's, Romeo and Juliet

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 9/16 inches (16.7 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Viola and Olivia

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Juliet About to Take her Sleeping Draught

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Hotspur and the Plotters at Bangor

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Design for Love's Labour's Lost

Creator:: Thomas Grieve, 1799–1882
Date:: 1839
Materials & Techniques:: Watercolor, white gouache, graphite, pen and ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Head of a Man with a Beard and Long Hair in the Wind

Creator:: Samuel De Wilde, 1748–1832
Date:: 1786
Materials & Techniques:: Graphite with black ink and brown wash, verso: pen and brown ink and graphite on moderately thick, moderately textured, light blue laid paper
Dimensions:: Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Lysander Awakening to See Helena

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Pygmalion

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 4 15/16 inches (17.1 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Comedies

Creator:: Print made by John Hall, 1739–1797
Date:: ca. 1776
Materials & Techniques:: Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 3 9/16 inches (16.9 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

42. Lycidas and Phillis

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 5 1/8 inches (16.7 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 7/8 inches (17.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Study of Two Figures on a Balcony

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 5/8 × 4 3/8 inches (16.8 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jonathan Wild Discovers Darrell in the Loft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 7 11/16 inches (24.2 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

46. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/2 × 4 1/16 inches (16.5 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 5 15/16 inches (21.6 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Golden Bough

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1875
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 4 1/8 inches (17.1 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Undertakers

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

51. Shakespeare Illustration: "Henry VIII"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

52. Nathan the Wise

Creator:: Print made by William Strang, 1859–1921
Date:: 1893
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

53. L'Allegro

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on thin, slightly textured, cream wove paper mounted to moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 1/2 × 4 7/8 inches (16.5 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Fatal Bellman

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. The Castellated Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and line engraving; third state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 inches (16.8 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Childe Harold's Pilgrimage, Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 3/4 inches (24.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The School of Homer, Scio

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 3 15/16 inches (16.8 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Smailholm Tower

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; late state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 4 inches (17.1 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Abbotsford

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834, reprinted 1851
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.

Creator:: Print possibly made by George Vertue, 1684–1756
Date:: 1713
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 1/2 × 8 5/8 inches (29.2 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

61. William Cavendish, first Duke of Newcastle-upon-Tyne

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving, and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 8 11/16 inches (29.8 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

62. Awakening of Titania

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

63. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil, pen and brown ink, and graphite on medium, lightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 3in. (11.4 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Macbeth and the Witch

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. The Peasants' Nest: Cowper's tame Hares

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Reverend William Mason

Creator:: Robert Cooper, active ca. 1800–1836
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 9/16 inches (17.1 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Edmond Malone, Esqr.

Creator:: Charles Knight, 1743–c.1826
Date:: undated
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 5 1/16 inches (17 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. In the Rukh

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 1/2 inches (22.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

78. Beyond the Pale

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

YCBA Collections Search

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Genre literary theme

Height [cm] 17

Search Results

1. Sylvia and the Wounded Stag

2. The Bellman

3. The Homeward Star

4. The Bellman

5. The Lonely Tower

6. The Lonely Tower

7. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

8. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

9. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

10. Los with the child Orc and Enitharmon (Plate 18)

11. "The Ox in the slaughter house moans..." (Plate 23)

12. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

13. Title Page, Visions of the Daughters of Albion (Plate 2)

14. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

15. "And none but Bromian can hear my lamentations..." (Plate 6)

16. "But when the morn arose, her lamentation renewd..." (Plate 8)

17. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

18. Romeo and Juliet, Act IV, Scene V

19. Frontispiece (Plate 1)

20. Chapter V, "The globe of life blood trembled..." (Plate 17)

21. Praying Child and Howling Dog (Plate 25)

22. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

23. Standing Figure, Probably for Lady Macbeth

24. Scenes from an Eastern Romance [Arabian Nights]

25. Unidentified Periodical / Play Illustration

26. Scene Illustration: Milton's 'L'Allegro'

27. The Humrous Farce of Jobson and Nell

28. Title Page: William Hunter's Coat of Arms

29. Portia and Bassanio

30. Apollo and Daphne

31. Scene from Shakespeare's, Romeo and Juliet

32. Feste, as Sir Topas, addressing Malvolio

33. Viola and Olivia

34. Juliet About to Take her Sleeping Draught

35. Hotspur and the Plotters at Bangor

36. Design for Love's Labour's Lost

37. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

38. Head of a Man with a Beard and Long Hair in the Wind

39. Lysander Awakening to See Helena

40. Pygmalion

41. Comedies

42. Lycidas and Phillis

43. Loch Katrine

44. Study of Two Figures on a Balcony

45. Jonathan Wild Discovers Darrell in the Loft

46. St. Sophia, Constantinople

47. An Old Manor House

48. The Golden Bough

49. HMS Bellerophon, Plymouth Sound

50. The Undertakers

51. Shakespeare Illustration: "Henry VIII"

52. Nathan the Wise

53. L'Allegro

54. The Fatal Bellman

55. The Castellated Rhine

56. Childe Harold's Pilgrimage, Italy

57. The School of Homer, Scio

58. Smailholm Tower

59. Abbotsford

60. William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.

61. William Cavendish, first Duke of Newcastle-upon-Tyne

62. Awakening of Titania

63. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

64. Hamlet and the Ghost

65. Macbeth and the Witch

66. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

67. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

68. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

69. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

70. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

71. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

72. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

73. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

74. The Peasants' Nest: Cowper's tame Hares