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1
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
2
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
3
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
4
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
5
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
6
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
7
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
8
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
9
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
10
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
11
- Frontispiece (Plate 1)
- ca. 1788
12
- Falstaff Dragging the Body of Hotspur
- 1825
13
- Falstaff Instructing Bardolph
- 1825
14
- Grandpapa's Story or The Witches Frolick
- 1838
15
- Claudio and Isabella
- 1823
16
- Ferdinand Reunited with his Father
- 1821
17
- Juliet About to Take her Sleeping Draught
- 1825
18
- Isabella and Mariana Kneeling Before the Duke
- 1822
19
- Falstaff at Herne's Oak
- 1821
20
- Christopher Sly and the Page, as His Wife
- 1821
21
- Feste, as Sir Topas, addressing Malvolio
- 1822
22
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
23
- Katherina and Grumio
- 1821
24
- Hotspur and the Plotters at Bangor
- 1825
25
- Master William Page and Sir Hugh Evans
- 1821
26
- Illustration for Don Quixote (with figures on a donkey)
- undated
27
- Malvolio Dancing
- 1827
28
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
29
- William Cavendish, Duke of Newcastle
- 1836