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Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
Bernard Lens II The Judgement of Paris
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Francesco Bartolozzi Queen Katherine's Dream - "Henry VIII"
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
James Watson Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
Print made by James Watson, 1740–1790
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
between 1762 and 1764
Bernard Lens II Venus Presenting Armour to Aeneas
Print made by Bernard Lens II, 1659–1725
Venus Presenting Armour to Aeneas
undated
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
William Richardson Ashestiel
Print made by William Richardson, active 1842–1877
Ashestiel
1835
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
Ralph Hudson Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820