Genre: literary theme / Image Available: Unavailable / Classification: Prints

1. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Colinet Rests by a Stream at Night; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Sabrina's Silvery Flood; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Thenot Remonstrates with Colinet; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Blighted Corn; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Thenot and Colinet at Supper; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

Creator:: Wood blocks engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Seventeen electrotypes taken from the original wood-engraved blocks, each in a small folio with letterpress text on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Life, and Posthumous Writings, of William Cowper (volume 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Etchings and line engravings on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Illustrations to Dante's Divine Comedy

Creator:: Prints made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Collecton of seven line engravings on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 10 5/8 x 13 15/16in. (27 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. William Cowper

Creator:: Print made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Mrs Cowper Mother of the Poet

Creator:: Print made by William Blake, 1757–1827
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Dog, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1805
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 6 1/4 inches (15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Peasants' Nest: Cowper's tame Hares

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. William Cowper, Author of "The Task"

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

Creator:: Print made by Arnold Fawcus, 1917–1979
Date:: 1972
Materials & Techniques:: Facsimile printed in color
Dimensions:: Sheet: 16 1/2 x 12 13/16in. (41.9 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Aesacus and Hesperie

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Bedford Family

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1778
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 17 1/8 inches (51.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Rosalind

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1802
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)

Creator:: A. Birrell, ca.1770–ca. 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 38 5/8 × 26 inches (98.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Tempest, Act I, Scene II. The Enchanted Island.

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Bay of Baiae - Apollo and the Sibyl

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 1/2 × 23 1/2 inches (36.8 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Boccaccio, the Bird Cage

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1830
Materials & Techniques:: Mezzotint; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 32 3/4 × 22 1/8 inches (83.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Italy - Childe Harold's Pilgrimage

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 18 3/8 inches (64.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Loch Achray

Creator:: Print made by J. Gellatly
Date:: ca. 1851
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

Creator:: Thomas Watson, 1743–1781
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 14 5/16 inches (49.2 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Mark of the Beast

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

53. John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

Creator:: Print made by Joseph Strutt, 1749–1802
Date:: 1788 to 1791
Materials & Techniques:: Stipple engravings with etching bound in blue morocco on medium, slightly textured, cream laid paper
Dimensions:: Overall: 10 1/4 × 11 3/4 × 3/4 inches (26 × 29.8 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. James Macpherson

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1775
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 10 1/2 inches (35.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Edmond Malone, Esqr.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 13/16 × 5 9/16 inches (19.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Edmond Malone, Esqr.

Creator:: Charles Knight, 1743–c.1826
Date:: undated
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 5 1/16 inches (17 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Mrs. Yates, in the Character of the Tragic-Muse

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 15 1/2 inches (62.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The late Mrs Pope as Juliet

Creator:: Print made by William Ward, 1766–1826
Date:: 1804
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Garrick in the Character of Richard, third

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Shakespeare dans sa Famille

Creator:: unknown artist
Materials & Techniques:: Mezzotint and engraving
Dimensions:: Sheet: 33 × 42 inches (83.8 × 106.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Pospero Disarming Ferdinand from The Tempest, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/4 × 17 7/8 inches (40 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. David Garrick Leaning on a bust of William Shakespeare

Creator:: Valentine Green, 1739–1813
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 24 5/16 × 15 1/8 inches (61.8 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'

Creator:: James Watson, 1740–1790
Date:: 1762-1764
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 13/16 × 16 1/4 inches (65.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Reverend William Mason

Creator:: Robert Cooper, active ca. 1800–1836
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 5 9/16 inches (17.1 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Golden Bough

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1856
Materials & Techniques:: Etching and line engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Benjamin Johnson

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1738
Materials & Techniques:: Line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/2 × 10 1/16 inches (39.4 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Samuel Johnson

Creator:: James Heath, 1757–1834
Date:: 1791
Materials & Techniques:: Stipple engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 9/16 × 8 1/16 inches (26.8 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Samuel Johnson

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1787
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/4 × 3 5/8 inches (14.6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Samuel Johnson

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1809
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 9/16 inches (18.6 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Childe Harold's Pilgrimage, Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1861
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Bay of Baiæ, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. King Henry The Fourth's Last Scene

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Heavenly Ganymede

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1804, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 9 3/4 inches (31.8 × 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Macbeth's Witches

Creator:: Print made by William Strang, 1859–1921
Date:: 1882
Materials & Techniques:: Etching on moderately thick, slightly textured, creme laid paper
Dimensions:: Plate: 9 3/8 × 7 inches (23.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

89. Illustrations to Milton's 'Paradise Lost'

Creator:: Print made by John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Bound volume of engravings on medium, slightly textured, cream laid paper
Dimensions:: Spine: 19 3/4 inches (50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Genre literary theme

Image Available Unavailable

Classification Prints

Search Results

1. Opening the Fold

2. Opening the Fold

3. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

4. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

5. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

6. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

7. Colinet Rests by a Stream at Night; Imitation of Eclogue I

8. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

9. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

10. Sabrina's Silvery Flood; Imitation of Eclogue I

11. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

12. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

13. Thenot Remonstrates with Colinet; Imitation of Eclogue I

14. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

15. The Blighted Corn; Imitation of Eclogue I

16. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

17. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

18. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

19. Thenot and Colinet at Supper; Imitation of Eclogue I

20. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

21. The Life, and Posthumous Writings, of William Cowper (volume 2)

22. Illustrations to Dante's Divine Comedy

23. William Cowper

24. Mrs Cowper Mother of the Poet

25. The Dog, Frontispiece

26. The Peasants' Nest: Cowper's tame Hares

27. William Cowper, Author of "The Task"

28. The Pilgrim's Progress Illustrated, Uncut Panorama

29. Pilgrim's Progress Illustrated, Uncut Panorama

30. Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

31. Aesacus and Hesperie

32. The Bedford Family

33. The Soul Hovering over the Body reluctantly Parting with Life

34. Death of the Strong Wicked Man

35. The Day of Judgment

36. The Descent of Man into the Vale of Death

37. The Soul Hovering over the Body reluctantly Parting with Life

38. The Death of the Good Old Man

39. Death's Door

40. The Reunion of the Soul & the Body

41. Rosalind

42. Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)

43. A Woman Sitting by the Window (Evening thou Bringest All)

44. Boccaccio, the Bird Cage

45. Tempest, Act I, Scene II. The Enchanted Island.

46. The Bay of Baiae - Apollo and the Sibyl

47. Boccaccio, the Bird Cage

48. Italy - Childe Harold's Pilgrimage

49. First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)

50. Loch Achray

51. The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

52. The Mark of the Beast

53. John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

54. James Macpherson

55. Edmond Malone, Esqr.

56. Edmond Malone, Esqr.

57. The Golden Bough

58. Mrs. Yates, in the Character of the Tragic-Muse

59. Death's Door

60. Death of the Strong Wicked Man

61. The Death of the Good Old Man

62. The Soul Exploring the Recesses of the Grave

63. Robert Blair, The Grave, Title Page

64. The Meeting of a Family in Heaven

65. The Counsellor, King, Warrior, Mother & Child, in the Tomb

66. Death's Door

67. Death of the Strong Wicked Man

68. The Soul Exploring the Recesses of the Grave

69. The Counsellor, King, Warrior, Mother & Child, in the Tomb

70. The Meeting of a Family in Heaven

71. The late Mrs Pope as Juliet

72. Garrick in the Character of Richard, third

73. Shakespeare dans sa Famille