Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
2
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
3
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
4
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
5
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
6
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
7
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
8
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
9
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
10
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
11
George Cattermole, 1800–1868
Scene of Three Witches from Shakespeare's Macbeth
1840
12
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
13
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
14
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
15
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
16
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
17
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
18
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to