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Genre landscape

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Work Type watercolor

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Subject Terms fishermen

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1. Margate

Margate
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1822
Materials & Techniques:
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Hampton Court, Herefordshire, from the Southeast
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1806
Materials & Techniques:
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 12 inches (20.3 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foul by God: River Landscape with Anglers Fishing From a Weir
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1830
Materials & Techniques:
Watercolor, gouache, graphite and white chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 3/8 x 7 3/8in. (13.7 x 18.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Chepstow Castle, Monmouthshire, from Under the Bridge
Creator:
John Varley, 1778–1842
Date:
1802
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fisherman's Quarters, Robin Hood's Bay
Creator:
Joseph Powell, 1780–1834
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View at Terracina
Creator:
Jacob More, 1740–1793
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:
Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hilly Landscape with Figures Approaching a Bridge
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1763
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper, on contemporary mount
Dimensions:
Sheet: 11 x 15 inches (27.9 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, James W. and Mary C. Fosburgh Collection
River with Fishermen
Creator:
John Glover, 1767–1849
Date:
1792
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landing a Catch of Mackerel, Hastings
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Wood Stream with Angler
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 8 1/2 inches (23.2 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Upon the Aare between Unterseen and the Lake of Brientz
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection