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1. Aerial Group: The Tempest

Aerial Group: The Tempest
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 x 6 3/8 inches (9.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Execution of Mary Stuart

Execution of Mary Stuart
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 6 1/4 inches (15.2 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. The Plain of Troy

The Plain of Troy
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:
Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

6. Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894

Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894
Creator:
Print made by Aubrey Vincent Beardsley, 1872–1898
Date:
1894
Materials & Techniques:
Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

7. Glasgow Exhibition: From the Dome

Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

8. The Field of Waterloo from Hougoumont

The Field of Waterloo from Hougoumont
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; third state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Diavoli Pescatori

Diavoli Pescatori
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Traitor's Gate, Tower of London

Traitor's Gate, Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching; open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. At Rome

At Rome
Creator:
Placido Columbani, born ca. 1744, active 1801
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Edward V. and The Duke of York, Smothered in the Tower

Edward V. and The Duke of York, Smothered in the Tower
Creator:
Print made by Anker Smith, 1759–1819
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

16. The Death of Wat Tyler

The Death of Wat Tyler
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

17. Queen Margaret Resigning the Duke of York

Queen Margaret Resigning the Duke of York
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

18. Death of Henry V

Death of Henry V
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

19. The Death of Cardinal Wolsey

The Death of Cardinal Wolsey
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

20. The Duke of Gloucester Accusing Jane Shore of Witchcraft

The Duke of Gloucester Accusing Jane Shore of Witchcraft
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

21. The Burning of Archbishop Cranmer

The Burning of Archbishop Cranmer
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

22. Attempt to Assassinate Prince Edward in Palestine

Attempt to Assassinate Prince Edward in Palestine
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

23. Lady Elizabeth Grey's Interview with Edward IV

Lady Elizabeth Grey's Interview with Edward IV
Creator:
Print made by Anker Smith, 1759–1819
Date:
1816
Materials & Techniques:
Line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

24. Queen Margaret Protected by a Robber

Queen Margaret Protected by a Robber
Creator:
Print made by Anker Smith, 1759–1819
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

25. Becket Assassinated

Becket Assassinated
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

26. Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood

Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

27. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions

Elizabeth Barton, Commonly called The Holy Maid of Kent, Practicing her Impositions
Creator:
Print made by James Neagle, 1760–1822
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

30. Caractacus before Claudius

Caractacus before Claudius
Creator:
Print made by unknown artist
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

31. Death of Bishop Heber

Death of Bishop Heber
Creator:
Print made by James Sands, active 1813–1846
Date:
1844
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan