Genre: genre subject / Subject Terms: ruins - YCBA Collections Search Search Results

1. Haycart Passing a Ruined Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A Philosopher in a Moonlit Churchyard

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 34 × 27 inches (86.4 × 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Winter Landscape

Creator:: George Smith, 1714–1776
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 × 26 inches (42.5 × 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Medway at Rochester

Creator:: Francis Wheatley, 1747–1801
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 21 3/4 x 31 inches (55.2 x 78.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Kila Kona Masjid, Purana Qila, Delhi

Creator:: Robert Smith, 1787–1873
Date:: ca. 1823
Materials & Techniques:: Oil on canvas
Dimensions:: 29 1/2 x 41 3/4 inches (74.9 x 106 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Blacksmith's Shop

Creator:: Joseph Wright of Derby, 1734–1797
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/2 x 41 inches (128.3 x 104.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. View on the Medway

Creator:: Francis Wheatley, 1747–1801
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Grey Arabian mare and foal, with a family

Creator:: George Henry Laporte, 1799–1873
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/8 x 21 1/8 inches (43.5 x 53.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Streets of the Tombs, Pompeii

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, beige board
Dimensions:: Mount: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

11. Newark-upon-Trent

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2 inches (30.5 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Linlithgow Palace

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 7 3/16 inches (13.1 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A View at Terracina

Creator:: Jacob More, 1740–1793
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:: Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Figures Seated Under a Stone Arch

Creator:: William Page, 1794–1872
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 x 7 7/8 inches (10.2 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Man Sleeping Outdoors

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, blue-green laid paper
Dimensions:: Sheet: 7 1/2 x 12 1/4 inches (19.1 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Ruins of the College of Lincluden, near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1806
Materials & Techniques:: Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Ramesseum at Thebes

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A Youth in a Farmyard with Pigs and Poultry

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Offer

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Porta Nigra, Trier

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Abbot's Kitchen, Glastonbury

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: ca. 1795
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Chapel of the Greyfriars Monastery, Winchester

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Baths of Caracalla

Creator:: Andrew Wilson, 1780–1848
Date:: 1810
Materials & Techniques:: Watercolor, graphite, and gum arabic on moderately textured, cream wove paper
Dimensions:: Sheet: 30 x 46 1/2 inches (76.2 x 118.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Creator:: Peter La Cave, active 1769–1810
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:: Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Kenilworth Castle, with Figures on the Hillside

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 inches (22.9 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Tarbert Castle

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with gouache over graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1779 to 1780
Materials & Techniques:: Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Remains of the Claudian Aqueduct near Tivoli

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1786 to 1819
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 19 15/16 inches (33.7 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Coventry Cathedral Service, Good Friday, 1943

Creator:: Print made by Miriam Garratt
Date:: after 1943
Materials & Techniques:: Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 15/16 x 8 3/4 inches (30.4 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph C. Garratt

37. Sisters Contemplating on Mortality

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1770
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 1/4 inches (50.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Music Has Charms

Creator:: Print made by James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Tour aux Archives a Vernon

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Albanian Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 2 7/8 x 6 13/16 inches (7.3 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. View of a Portico by the Side of a River, with Herdsmen and Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

46. Scene of a Storm, with a Vessel Wrecked

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 16 15/16 inches (28.2 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

47. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lakenham, near Norwich

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Beeston Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Baskerville House, the Residence of John Ryland, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Bordesley Hall, the Seat of John Taylor, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Priory Old House, Thetford

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 9/16in. (23.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

61. The House of William Russell, Esq., Showell Green: English and French Text

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:: Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View of Praya Grande, Macao, through a Doorway on Penha Hill

Creator:: George Chinnery, 1774–1852
Date:: 1842
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 8 3/4 inches (24.1 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bridge and Patna Gate and Monghyr Fort

Creator:: William Daniell, 1769–1837
Date:: 1788
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 × 20 3/4 inches (36.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Landscape

Creator:: Nicholas Thomas Dall, op.1748–, d.1777
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 19 3/16 inches (34.8 x 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

68. Cattle Watering by Corinthian Columns

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 7/8 inches (15.1 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Creator:: attributed to Thomas Gainsborough, 1727–1788
Date:: 1742
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Long-Horned Cattle

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 14 15/16 inches (28.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

75. St. Andrew's Castle in the Kingdom of Fife

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 18 5/8 x 14 13/16 inches (47.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

76. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Genre genre subject

Subject Terms ruins

Search Results

1. Haycart Passing a Ruined Abbey

2. A Philosopher in a Moonlit Churchyard

3. Winter Landscape

4. The Medway at Rochester

5. The Kila Kona Masjid, Purana Qila, Delhi

6. The Blacksmith's Shop

7. View on the Medway

8. Grey Arabian mare and foal, with a family

9. The Early Ploughman

10. Streets of the Tombs, Pompeii

11. Newark-upon-Trent

12. Linlithgow Palace

13. A View at Terracina

14. Nîmes from the Tour Magne

15. Figures Seated Under a Stone Arch

16. Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793

17. Man Sleeping Outdoors

18. The Ruins of the College of Lincluden, Near Dumfries

19. The Ruins of the College of Lincluden, near Dumfries

20. The Ruins of Leiston Abbey

21. The Ramesseum at Thebes

22. A Youth in a Farmyard with Pigs and Poultry

23. The Offer

24. The Porta Nigra, Trier

25. Abbot's Kitchen, Glastonbury

26. The Chapel of the Greyfriars Monastery, Winchester

27. The Baths of Caracalla

28. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

29. Moon-Light

30. Moon-Light

31. Remains of the Priory, Beeston Regis

32. Kenilworth Castle, with Figures on the Hillside

33. Tarbert Castle

34. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

35. Remains of the Claudian Aqueduct near Tivoli

36. Coventry Cathedral Service, Good Friday, 1943

37. Sisters Contemplating on Mortality

38. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

39. Music Has Charms

40. Double Hairpin Set

41. Ruines de Château d'Arlay

42. Tour aux Archives a Vernon

43. Albanian Scenes

44. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

45. View of a Portico by the Side of a River, with Herdsmen and Cattle

46. Scene of a Storm, with a Vessel Wrecked

47. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

48. Evening

49. Lakenham, near Norwich

50. Evening

51. West Tower, Wymondham Church

52. The Greyfriars Tower, Lynn, as it appeared 1801

53. Beeston Priory, Beeston Regis

54. Thornbury Castle, Gloucestershire

55. Tynemouth Castle and Priory, Northumberland

56. The House of William Russell, Esq., Showell Green

57. Baskerville House, the Residence of John Ryland, Esq.

58. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

59. Bordesley Hall, the Seat of John Taylor, Esq.

60. Priory Old House, Thetford

61. The House of William Russell, Esq., Showell Green: English and French Text

62. A View of Praya Grande, Macao, through a Doorway on Penha Hill

63. Bridge and Patna Gate and Monghyr Fort

64. An Interior View of the Colosseum, Rome

65. Landscape

66. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

67. Taj Mahal, Agra

68. Cattle Watering by Corinthian Columns

69. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

70. Long-Horned Cattle

71. The Early Ploughman

72. The Early Ploughman

73. The Early Ploughman

74. The Early Ploughman