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Tennis at Hertingfordbury
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1910
Materials & Techniques:
Oil on canvas
Dimensions:
15 15/16 x 20 inches (40.5 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
View of Chepstow Castle, Monmouthshire, from Under the Bridge
Creator:
John Varley, 1778–1842
Date:
1802
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Augustine's Gate, Canterbury
Creator:
Valentine Green, 1739–1813
Date:
1779
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 20 15/16 inches (40.5 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kennington Common
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1776
Materials & Techniques:
Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection