Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
4
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
5
George Romney, 1734–1802
Daphnis and Chloe
undated
6
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
7
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
8
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
9
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
10
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
11
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
12
George Romney, 1734–1802
Unidentified Subjects
undated
13
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
14
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
15
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
27
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
28
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
29
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
32
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
33
George Romney, 1734–1802
The Banquet Scene
ca. 1792
34
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
35
George Romney, 1734–1802
Birth of Man
undated
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
39
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
42
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
43
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
44
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
45
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
46
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
47
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
48
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
49
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
50
George Romney, 1734–1802
Tempest, Version A
undated
51
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
52
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
53
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
54
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
55
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
56
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
57
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
58
George Augustus Sala, 1828–1895
Mefistofile II
1880
59
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
60
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
61
unknown artist
The Death of Cordelia
undated
62
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
63
Theodor von Holst, 1810–1844
Faust and Margaret
undated
64
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
65
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
66
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
67
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
68
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
69
Robert Smirke, 1752–1845
Prospero and Ariel
1821
70
Robert Smirke, 1752–1845
Anne Page and Slender
1821
71
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
72
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
73
Robert Smirke, 1752–1845
Katherina and Grumio
1821
74
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
75
Robert Smirke, 1752–1845
Oberon and Puck
1825
76
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
77
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
78
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
79
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
80
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
81
Robert Smirke, 1752–1845
Claudio and Isabella
1823
82
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
83
Robert Smirke, 1752–1845
Viola and Olivia
1822
84
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
85
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
86
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
87
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
88
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
89
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
90
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
91
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
92
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
93
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
94
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
95
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
96
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
97
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
98
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)