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1. The Great Fire of London, with Ludgate and Old St. Paul's

The Great Fire of London, with Ludgate and Old St. Paul's
Creator:
unknown artist
Date:
ca. 1670
Materials & Techniques:
Oil on canvas
Dimensions:
53 × 43 5/8 inches (134.6 × 110.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. An Allegory of the Tudor Succession: The Family of Henry VIII

An Allegory of the Tudor Succession: The Family of Henry VIII
Creator:
unknown artist
Date:
ca. 1590
Materials & Techniques:
Oil on panel
Dimensions:
45 × 71 3/4 inches (114.3 × 182.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Great Fire of London

The Great Fire of London
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1797
Materials & Techniques:
Oil on canvas
Dimensions:
23 5/8 × 32 inches (60 × 81.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Restoration Procession of Charles II at Cheapside

Restoration Procession of Charles II at Cheapside
Creator:
unknown artist
Date:
mid-18th century
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 40 inches (127 x 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Piccadilly Circus

Piccadilly Circus
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1915
Materials & Techniques:
Drypoint etching
Dimensions:
Sheet: 16 x 21 15/16 inches (40.6 x 55.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
Creator:
Print made by John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and engraving, printed in color and hand-colored
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and drypoint
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Westminster, during Queen Caroline's Trial

Westminster, during Queen Caroline's Trial
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 13 15/16in. (21.9 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The City of the Pestilence

The City of the Pestilence
Creator:
Print made by John Bell, 1811–1895
Date:
between 1826 and 1852
Materials & Techniques:
Etching with chine collé on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Glasgow Exhibition: From the Dome

Glasgow Exhibition: From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

17. Bird's Eye View of [Queen Victoria's Funeral] Procession

Bird's Eye View of [Queen Victoria's Funeral] Procession
Creator:
Henry William Brewer, 1836–1903
Date:
1902
Materials & Techniques:
Pen and black ink, graphite, gray wash and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:
Sheet: 22 15/16 × 16 3/16 inches (58.3 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

18. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Track Laying by Night

Track Laying by Night
Creator:
Terence Tenison Cuneo, 1907–1996
Date:
1948
Materials & Techniques:
Lithograph on medium, smooth, beige wove paper affixed to thin, slightly textured, cream wove paper mounted on canvas
Dimensions:
Mount: 40 7/16 × 49 15/16 inches (102.7 × 126.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

24. York: See Britain by Train

York: See Britain by Train
Creator:
E. H. Spencer, active 1964
Date:
after 1948
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 39 7/8 x 49 7/8 inches (101.3 x 126.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

25. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

26. People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939

People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939
Creator:
Bill Brandt, 1904–1983
Date:
ca. 1939
Materials & Techniques:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 16 inches (50.8 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

27. Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel

Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
Creator:
Bill Brandt, 1904–1983
Date:
1940
Materials & Techniques:
Gelatin silver print on moderately thick, gloss photographic paper mounted on thick, slightly textured, white card
Dimensions:
Mount: 20 x 15 15/16 inches (50.8 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Parnassus Foundation, courtesy of Jane and Raphael Bernstein

28. From the Dome

From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD