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1. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Creator:
Christian von Mechel, 1737–1817
Date:
1792
Materials & Techniques:
Engraving on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Creator:
Christian von Mechel, 1737–1817
Date:
1792
Materials & Techniques:
Engraving on smooth, thick, cream wove paper
Dimensions:
Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Speculum Romanae Magnificentiae

Speculum Romanae Magnificentiae
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 × 14 1/4 inches (48.3 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Sir William Chambers

Sir William Chambers
Creator:
D. P. Pariset, born 1740, active in Britain from 1767
Date:
1769
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 15/16 × 7 7/8 inches (48.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Vue Generale des Ruines du Château d'Arlay

Vue Generale des Ruines du Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Design of a Ruineous Bridge for the Garden at Sion

Design of a Ruineous Bridge for the Garden at Sion
Creator:
Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Perspective View of the Bridge at Sion

Perspective View of the Bridge at Sion
Creator:
Edward Rooker, 1724–1774
Date:
1768
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 24 3/4 inches (50.5 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene

West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 1/16 × 18 7/16 inches (58.6 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene

West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/16 × 18 1/16 inches (58.9 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Difference of Opinion

A Difference of Opinion
Creator:
Print made by Auguste Boulard, 1852–1927
Date:
1897
Materials & Techniques:
Etching and drypoint on vellum
Dimensions:
Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Bryan Fuermann

13. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth
Creator:
R. F. Tringham
Date:
ca.1762
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A View of the Tomb of the Emperor Sher Shah at Sasseram in Bahar

A View of the Tomb of the Emperor Sher Shah at Sasseram in Bahar
Creator:
Thomas Morris, born 1771
Date:
1786
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 5/16 × 29 3/8 inches (56.7 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Dover Castle

Dover Castle
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Bristol High Cross

Bristol High Cross
Creator:
Print made by Samuel Buck, 1696–1779
Date:
1734
Materials & Techniques:
Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The East Front of the Library of Trinity College in the University of Cambridge

The East Front of the Library of Trinity College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1800
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. ...Plan of Windsor Park

...Plan of Windsor Park
Creator:
John Rocque, 1704?–1762
Date:
1738
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 27 7/8 inches (51.8 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I

The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 × 14 inches (53.7 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II

The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 × 14 inches (53.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III

The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/8 × 14 1/4 inches (53.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Figures Supposed to be those of King Sebert and King Henry III, Plate V

The Figures Supposed to be those of King Sebert and King Henry III, Plate V
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 14 1/4 inches (54 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI

Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 14 inches (54 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The South West Prospect of Ludlow Town & Castle

The South West Prospect of Ludlow Town & Castle
Creator:
Print made by Joseph Smith, active 1697–1732
Date:
1719
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 21 5/8 inches (50.2 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Helen Chillman

27. The North Front of the Monument of King Sebert, Plate IV

The North Front of the Monument of King Sebert, Plate IV
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 × 14 inches (53.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Mausoleum at Brocklesby

No cover image available
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1800
Materials & Techniques:
Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Kilchurn Castle, Loch Awe

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1847
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Juliet House

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 18 7/8 x 13 3/8 inches (48 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

31. The Three Swords

No cover image available
Creator:
Print made by unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund