Exhibition History: Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) / Genre: historical subject - YCBA Collections Search Search Results

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Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

Genre historical subject

1. Hannibal Passing the Alps

Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Hannibal Passing the Alps

Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Fontainebleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Kenilworth Castle, Warwickshire

Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Simplon

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Fontainebleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection