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Period 20th century
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- Date:
- undated, between 1960 and 1980
- Materials & Techniques:
- Bronze
- Dimensions:
- Overall: 8 5/8 x 16 1/2 x 6 1/4 inches (21.9 x 41.9 x 15.9 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- On View:
- Not on view
- Date:
- mid-1920s
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 16 9/16 x 16 9/16 inches (42.1 x 42.1 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Iola S. Haverstick Fund
- On View:
- Not on view
- Date:
- 1999 to 2000
- Materials & Techniques:
- Oil on canvas laid to panel
- Dimensions:
- 16 1/2 x 16 1/2 inches (41.9 x 41.9 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Gift of Dorothy C. Weicker in honor and memory of her parents, Beatrice Trostel and Frederick E. Weicker, Yale, Sheffield Scientific School, Class of 1931
- On View:
- Not on view
- Date:
- 1974
- Materials & Techniques:
- Brick, steel mesh, steel
- Dimensions:
- Overall: 15 1/2 x 16 1/2 x 11 inches (39.4 x 41.9 x 27.9 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- On View:
- Not on view
- Date:
- ca. 1904
- Materials & Techniques:
- Black chalk and watercolor on medium, smooth, cream laid paper
- Dimensions:
- Sheet: 10 1/2 x 16 1/2 inches (26.7 x 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
6. I
- Date:
- 1990
- Materials & Techniques:
- Hardground and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1912
- Materials & Techniques:
- Etching and aquatint on moderately thick, slightly textured, beige laid paper
- Dimensions:
- Sheet: 23 1/4 × 16 3/8 inches (59.1 × 41.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
- Date:
- ca. 1914
- Materials & Techniques:
- Etching on wove paper
- Dimensions:
- Plate: 5 5/8 x 13 1/2in. (14.3 x 34.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
9. The Desert
- Date:
- 1909
- Materials & Techniques:
- Etching and drypoint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 12 3/8 × 16 5/8 inches (31.4 × 42.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
- Date:
- 1983
- Materials & Techniques:
- Etching on moderately thick, moderately textured, white wove Arches paper
- Dimensions:
- Sheet: 20 1/2 × 24 3/8 inches (52.1 × 61.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria
11. The Cresset
- Date:
- 1915
- Materials & Techniques:
- Etching; 1st state on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
12. Doge's Palace
- Date:
- 1902
- Materials & Techniques:
- Etching and drypoint on thin, slightly textured, cream laid paper
- Dimensions:
- Sheet: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Yale PhD 1884, Memorial Collection
- Date:
- 1958
- Materials & Techniques:
- Watercolor and ink on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 x 16 11/16in. (27.9 x 42.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
14. The Minister
- Date:
- 1918
- Materials & Techniques:
- Etching; 6th state on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
- Date:
- between 1918 and 1920
- Materials & Techniques:
- Drypoint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 10 1/2 × 16 5/8 inches (26.7 × 42.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Leonard C. Hanna Jr., Yale BA 1910, transfer from the Yale University Art Gallery
16. Antony's Palace
- Date:
- 1928
- Materials & Techniques:
- Etching, aquatint, drypoint, and roulette on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
17. Recruits
- Date:
- 1915
- Materials & Techniques:
- Lithograph on moderately thick, moderately textured, cream antique laid paper
- Dimensions:
- Sheet: 19 7/8 x 25 13/16 inches (50.5 x 65.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
18. The Foyer
- Date:
- 1935
- Materials & Techniques:
- Lithograph, printed in black
- Dimensions:
- Sheet: 22 15/16 x 16 11/16in. (58.3 x 42.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1902
- Materials & Techniques:
- Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
20. Untitled
- Date:
- 1947
- Materials & Techniques:
- Watercolor and ink; verso: watercolor, black chalk, and pen and black ink on medium, textured, cream laid paper
- Dimensions:
- Sheet: 10 3/4 x 16 1/2in. (27.3 x 41.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
21. The Wheel
- Date:
- 1927
- Materials & Techniques:
- Etching and drypoint on medium, moderately textured, cream laid paper
- Dimensions:
- Sheet: 11 5/16 x 16 11/16 inches (28.7 x 42.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
- Date:
- 1973
- Materials & Techniques:
- Lithograph in black and gray
- Dimensions:
- Sheet: 14 1/2 x 16 1/2in. (36.8 x 41.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Yale Art Gallery Collection, Bequest of Susan Morse Hilles
23. Untitled (Roses)
- Date:
- 1973
- Materials & Techniques:
- Screen print
- Dimensions:
- Sheet: 21 13/16 x 16 3/8in. (55.4 x 41.6cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.
- Date:
- 1910
- Materials & Techniques:
- Etching on medium, slightly textured, white wove paper
- Dimensions:
- Plate: 15 3/8 × 12 inches (39 × 30.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Daniel and Pearl K. Bell
25. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
26. VII
- Date:
- 1990
- Materials & Techniques:
- Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
27. VI
- Date:
- 1990
- Materials & Techniques:
- Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
28. IX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching using needle, roulette and lavender oil, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
29. VIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
30. X
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, roulette, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
31. XII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, needle, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
32. XIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
33. XI
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with needle and roulette on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
34. XIV
- Date:
- 1990
- Materials & Techniques:
- Softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
35. XV
- Date:
- 1990
- Materials & Techniques:
- Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
36. XVI
- Date:
- 1990
- Materials & Techniques:
- Openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
37. XXV
- Date:
- 1990
- Materials & Techniques:
- Openbite etching through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
38. XXVII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
39. XXX
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
40. XXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
41. XXXIV
- Date:
- 1990
- Materials & Techniques:
- Lavender oil on hardground and spitbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
42. XXXVII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
43. XXXV
- Date:
- 1990
- Materials & Techniques:
- Spitbite, openbite, softground, and creeping bite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
44. XXXVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, sugarlift, spitbite, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
45. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
46. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
47. XLIV
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, creeping aquatint bite, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
48. XLVII
- Date:
- 1990
- Materials & Techniques:
- Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
49. II
- Date:
- 1990
- Materials & Techniques:
- Softground etching with stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
50. XVII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
51. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
52. XXVIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint: the plate was cut in half after 6 states on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
53. XXVI
- Date:
- 1990
- Materials & Techniques:
- Coarse aquatint bitten in 3 states, then 5 stages of openbite etching: the plate was then cut down from a square format on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
54. XXXIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
55. XXXVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
56. XLI
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
57. XLII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
58. XLV
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint and openbite: the plate was cut in half, the other half used for plate L on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1984 to 1985
- Materials & Techniques:
- Soft-ground etching and aquatint on medium, smooth, white Hahnemuhle wove paper
- Dimensions:
- Sheet: 29 15/16 × 22 5/16 inches (76 × 56.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
60. III
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
61. V
- Date:
- 1990
- Materials & Techniques:
- Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
62. XIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground drawing, then aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
63. XXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
64. XX
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite, sugarlift, and hardground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
65. XXIII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
66. XVIII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
67. XXI
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
68. XXXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching, hardground, and hand-shaken aquatint: the plate cut down following state 12 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
69. XXXI
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
70. XLVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
71. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
72. XLIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
73. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1922
- Materials & Techniques:
- Graphite on moderately thick, moderately textured, cream wove paper
- Dimensions:
- Sheet: 14 7/8 x 12 inches (37.8 x 30.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
75. Fifty Etchings
- Date:
- 1990
- Materials & Techniques:
- Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- undated
- Materials & Techniques:
- Pen and black ink, graphite, and blue chalk on moderately thick, moderately textured, beige wove paper
- Dimensions:
- Sheet: 11 13/16 × 17 7/16 inches (30 × 44.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan
- Date:
- 1973
- Materials & Techniques:
- Inkjet print on medium, smooth, semi-gloss white wove paper
- Dimensions:
- Sheet: 13 × 19 inches (33 × 48.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of the artist
- Date:
- 1926
- Materials & Techniques:
- Etching and drypoint on medium, moderately textured, cream laid paper
- Dimensions:
- Sheet: 10 3/16 x 18 9/16 inches (25.9 x 47.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
- Date:
- 1917
- Materials & Techniques:
- Etching on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Associates in Fine Arts
- Date:
- 1920
- Materials & Techniques:
- Etching on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 10 1/4 × 16 1/2 inches (26 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
81. Seated Nude
- Date:
- 1929
- Materials & Techniques:
- Black chalk on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 20 3/4 × 16 5/8 inches (52.7 × 42.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1907
- Materials & Techniques:
- Etching and drypoint on thin, slightly textured, cream wove paper
- Dimensions:
- Sheet: 9 1/8 × 16 3/8 inches (23.2 × 41.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
83. Castle Urquhart
- Date:
- 1929
- Materials & Techniques:
- Drypoint with etching on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
- Date:
- 1981
- Materials & Techniques:
- Offset print on thin, smooth, cream wove paper
- Dimensions:
- Sheet: 21 x 16 1/2in. (53.3 x 41.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall
85. Untitled
- Date:
- 1977
- Materials & Techniques:
- Color printed aquatint from five plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
- Dimensions:
- Sheet: 19 1/2 × 27 3/8 inches (49.5 × 69.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
86. Two Figures
- Date:
- 1952
- Materials & Techniques:
- Lithograph, framed
- Dimensions:
- Sheet: 21 3/4 × 18 7/8 inches (55.2 × 47.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.
- Date:
- 20th century
- Materials & Techniques:
- Wood and compo, water gilt and patinated
- Dimensions:
- Frame: 13 3/8 × 16 5/8 × 2 1/2 inches (34 × 42.2 × 6.4 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Wood and compo; canvas, water gilt and patinated
- Dimensions:
- Frame: 18 1/2 × 16 1/2 × 2 inches (47 × 41.9 × 5.1 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art