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Period 19th century

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1. L'Enfant du Régiment

L'Enfant du Régiment
Creator:
Sir John Everett Millais, 1829–1896
Date:
1854 to 1855
Materials & Techniques:
Oil on paper, laid on canvas, mounted on board
Dimensions:
17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view at YUAG

2. Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo

Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
Creator:
Sir David Wilkie, 1785–1841
Date:
ca. 1819
Materials & Techniques:
Oil on panel
Dimensions:
10 1/2 x 17 inches (26.7 x 43.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Battle of Trafalgar

The Battle of Trafalgar
Creator:
John Christian Schetky, 1778–1874
Date:
ca. 1841
Materials & Techniques:
Oil on canvas
Dimensions:
33 1/4 x 48 1/2 inches (84.5 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Aeneas and the Sibyl

Aeneas and the Sibyl
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
40 3/8 x 55 1/4 inches (102.6 x 140.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
ca. 1840
Materials & Techniques:
Oil on canvas
Dimensions:
18 7/8 × 24 5/8 inches (47.9 × 62.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
Creator:
George Jones, 1786–1869
Date:
1815
Materials & Techniques:
oil on paper laid to card
Dimensions:
8 3/4 x 14 3/4 inches (22.2 x 37.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804
Creator:
unknown artist
Date:
ca. 1804
Materials & Techniques:
Oil on board laid down on panel
Dimensions:
15 7/8 x 20 1/16 inches (40.3 x 51 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Study for 'Battle of Waterloo'

Study for 'Battle of Waterloo'
Creator:
George Jones, 1786–1869
Date:
1815
Materials & Techniques:
Oil on paper mounted on board
Dimensions:
17 × 20 1/2 inches (43.2 × 52.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. The Walls of Jericho

The Walls of Jericho
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro

No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. No.6 Battle of Fuontes d'Ouoro, 5th July 1811

No.6 Battle of Fuontes d'Ouoro, 5th July 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Inverlochy Castle, Invernesshire

Inverlochy Castle, Invernesshire
Creator:
Henry Griffiths, 1835–1849
Date:
1836
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women

Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Creator:
Sir George Hayter, 1792–1871
Date:
1827
Materials & Techniques:
Graphite and brown wash, squared and numbered for transfer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 22 1/2 × 32 5/8 inches (57.2 × 82.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. An Episode at the Battle of Waterloo

An Episode at the Battle of Waterloo
Creator:
William Heath, 1795–1840
Date:
1817
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1827
Materials & Techniques:
Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Royal Horse Artillery, 1843

Royal Horse Artillery, 1843
Creator:
John Grant, Died 1873
Date:
1843
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Royal Artillery Repository Exercises, 1844

Royal Artillery Repository Exercises, 1844
Creator:
John Grant, Died 1873
Date:
1844
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Rocket Practice in the Marshes

Rocket Practice in the Marshes
Creator:
John Grant, Died 1873
Date:
1845
Materials & Techniques:
Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/8 x 17 11/16 inches (35.3 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Mythological Battle

A Mythological Battle
Creator:
George C. Finden, 1811–1885
Date:
1853
Materials & Techniques:
Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. The Religion of Europe: Professed and Practiced

The Religion of Europe: Professed and Practiced
Creator:
Print made by Gregory, Collins and Reynolds, active 1843
Date:
ca. 1845
Materials & Techniques:
Wood-engraving and color printed woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Fall of a City

Fall of a City
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Assault

The Assault
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Sketch for the Scene of a Battle

Sketch for the Scene of a Battle
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Pen and black ink with watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 7 7/8 x 8 inches (20 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

29. The Shah Nujeef

The Shah Nujeef
Creator:
William Simpson, 1823–1899
Date:
1861
Materials & Techniques:
Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Death of Abimelech at Thebez

Death of Abimelech at Thebez
Creator:
Richard Dadd, 1817–1886
Date:
1855
Materials & Techniques:
Watercolor, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Battle of Waterloo

No cover image available
Creator:
Print made by Henry R. Cook, active 19th century
Date:
1819
Materials & Techniques:
Colored engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 23 13/16 x 34 1/16 inches (60.5 x 86.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

33. The Battle of Waterloo

No cover image available
Creator:
Print made by John Cook, active 19th century
Date:
1819
Materials & Techniques:
Colored engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 24 3/16 x 34 5/8 inches (61.5 x 88 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell