Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
11
Edward Lear, 1812–1888
Pacific Parrakeet (Plate 26)
1832
12
Edward Lear, 1812–1888
Lesser Sulphur-crested Cockatoo (Plate 4)
1832
13
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
14
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
15
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
16
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
17
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
18
Print made by William Blake, 1757–1827
The Pit of Disease: The Falsifiers (Plate 6)
1827
19
James S. King, 1852–1925
Jack Falstaff and Doll Tearsheet
1885
20
Samuel William Reynolds, 1773–1835
William Windham
undated
21
Charles Picart, c.1780–1837
The Right Honorable Charles Abbot
1804
22
Charles Turner, 1774–1857
Sir John Moore
1809
23
J. C. Easling, fl.1788–1815
Lieutenant General Sir Thomas Picton
1815
24
Print made by George Cruikshank, 1792–1878
Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
1835
25
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
26
Print made by George Cruikshank, 1792–1878
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
27
Henry Hoppner Meyer, ca. 1782–1847
Honorouble Charles William Steward Vane, 3rd Marquess of Londonderry
1814
28
Henry Hoppner Meyer, ca. 1782–1847
Hon. Charles William Stewart
1814
29
unknown artist
L'Ecole de Mars (View of Astley's Amphitheatre)
1808
30
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
31
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
32
Print made by Thomas Goff Lupton, 1791–1873
Dartmouth Castle, on the River Dart
1823 to 1827
33
? William Say, 1768–1834
Admiral Rt. Hon. Sir C. Cockburn, G.C.B
c.1813
34
Print made by Thomas Goff Lupton, 1791–1873
The Eddystone Lighthouse
1824-1825
35
Print made by Thomas Goff Lupton, 1791–1873
The Eddystone Lighthouse
1824
36
Print made by Thomas Goff Lupton, 1791–1873
Sunrise, Whiting Fishing at Margate
1824-1827
37
John Harris, 1811–1865
Fox-hunting: The Brook!
1844
38
James Pollard, 1792–1867
Fox-Hunting [set of three of four]: 1.Unkennelling
1822
39
Print made by Remi Parr, 1743–after 1750
The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
undated
40
Print made by Paul Fourdrinier, 1698–1758
Sweet William's Farewell to Black Eyed Susan
undated
41
Charles Williams, active 1796–1830
St. Martins in an Uproar
1801
42
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
1823
43
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
1823
44
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
1823
45
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
1823
46
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
1823
47
George Hunt, active 1820–1840
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
1823
48
John Harris, 1811–1865
Fox Hunting: The Meet
1844
49
Print made by Samuel William Reynolds, 1773–1835
James Northcote
1802
50
Print made by John Doyle ('H.B.'), 1797–1868
The (Modern) Deluge
1848
51
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
52
Print made by James C. Allen, active 1821–1831
Dunbar
1824
53
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
54
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
55
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
56
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
57
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
58
Print made by James McNeill Whistler, 1834–1903
Black Lion Wharf
1859
59
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
60
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
61
Edward Hull, 1810–1877
Riding [a pair]: 1. The Time O'Day
1820
62
James Pollard, 1792–1867
Racing [set of four]: 1. Training
1821
63
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
64
Print made by Remi Parr, 1743–after 1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
65
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
66
Print made by William Say, 1768–1834
Kirkstall Lock, on the River Aire
1823 to 1827
67
Print made by William Bernard Cooke, 1778–1855
Views in Sussex, Publisher's Printed Wrapper
1819
68
Print made by James C. Allen, active 1821–1831
Dunbar
1824
69
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
70
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832-1834
71
Print made by James C. Allen, active 1821–1831
Orfordness
ca. 1830
72
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1824
73
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1824
74
unknown artist
Sir Humphrey Davy
1803
75
William James Ward, ca. 1800–1840
Vice Admiral Sir Pulteney Malcolm
1836
76
Charles Turner, 1774–1857
Sir Henry Blackwood
1833
77
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale de l'Eglise de l'Abbaye de Tournus
1825
78
Print made by John Young, 1755–1825
George Canning
1803
79
Print made by Samuel William Reynolds, 1773–1835
Lord Keith
1800
80
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
81
Print made by Thomas Rowlandson, 1756–1827
One Tree Hill Greenwich Park
1811
82
Edward Hull, 1810–1877
Riding [a pair]: 2. Tilbury Fort
1820
83
James Pollard, 1792–1867
Racing [set of four]: 3. Preparing to Start
1821
84
Sir Francis Seymour Haden, 1818–1910
Egham
1859
85
Sir Francis Seymour Haden, 1818–1910
Out of Study Window
1859
86
Print made by Philip Gilbert Hamerton, 1834–1894
Smith's Yard at Etang
1876
87
Print made by William Miller, 1796–1882
Straits of Dover
1828
88
Print made by Thomas Jeavons, ca. 1800–1867
Lyme Regis, Norfolk
1836
89
Print made by Robert Wallis, 1794–1878
Lake Albano
1828
90
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
91
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
92
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
93
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
94
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1819-1826
95
unknown artist
A Ground Plan of Bermondsey Abbey
1822
96
Print made by William Ward, 1766–1826
Lieutenant General Bowater
1804
97
unknown artist
The Village of Clerkenwell in the Reign of Queen Elizabeth, 1560