Admiral William Sidney Smith and The Seige of Acre
1804
213
Sir Robert Smirke the younger, 1781–1867
The Street of the Monte de Capucins, Lyon
1802-1804
214
Le Blond & Co., 1819–1894
Elymas Smitten Blind
215
unknown artist
St. Stephen's Hall
ca. 1820
216
Isaac Weld, 1774–1856
Hair as in Switzerland
ca. 1818
217
Print made by Henry R. Cook, active 1802–1849
Richard Grosvenor, 1st Earl Grosvenor
1806
218
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
219
Henry R. Cook, active 1802–1849
Lieutenant General, Henry Paget, the Earl of Uxbridge
1813
220
Sir Robert Smirke the younger, 1781–1867
Study of a Bridge
1802-1804
221
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Elizabeth Alexander
1806
222
Anthony Cardon, 1772–1813
Sir Ronald Craufurd Ferguson, M.P
1810
223
Samuel Freeman, 1773–1857
David Garrick Esq
1807
224
M. Gauci, 1810–1846
Alexander Morison M.D
ca.1829
225
Print made by Samuel William Reynolds, 1773–1835
Mrs. Arbuthnot
1800
226
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
227
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
228
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
229
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
230
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
231
Print made by William Miller, 1796–1882
Loch Katrine
1834
232
Print made by William Strang, 1859–1921
The Undertakers
1900
233
Print made by Percy Thomas, 1846–1922
Peter Pinder's House, Bishopsgate Street, London
1881
234
Print made by Edward Francis Finden, 1791–1857
The Castle of St. Angelo
1832
235
Print made by William Miller, 1796–1882
Skiddaw
1834
236
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
237
James McNeill Whistler, 1834–1903
Gants de Suède
1890
238
John William Waterhouse, 1849–1917
Head of a Woman
1896
239
Charles John Watson, 1846–1927
Flera S. Marino
1893
240
Print made by Sir Frank Short, 1857–1945
Putney
1894
241
Print made by Robert Anning Bell, 1863–1933
Woman with a Tambourine
undated
242
Print made by Miles Edmund Cotman, 1810–1858
Barge on the Medway with Warships Grampian and Dreadnaugh in the Background
ca. 1838
243
unknown artist
Marlow, Bucks
1805
244
Thomas Shotter Boys, 1803–1874
On the Seine
1831
245
Print made by Francesco Bartolozzi, 1728–1815
William Cobbett
1801
246
Print made by Edward Goodall, 1795–1870
Snowy Range, from Tyne or Marma
1838
247
Print made by John Cousen, 1804–1880
View near Jubbera
1838
248
Print made by John Cousen, 1804–1880
Falls near the Source of the Jumna
1838
249
Print made by Edward Francis Finden, 1791–1857
Joppa
1836
250
Print made by Edward Goodall, 1795–1870
Rocks at Colgong on the Ganges
1844
251
Print made by S. Fisher, active 1831–1844
Rhodes
1836
252
Luigi Schiavonetti, 1765–1810
William Blake
1808
253
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
254
Print made by William Miller, 1796–1882
Jerusalem
1834
255
Print made by William Miller, 1796–1882
Placenza
1834
256
Print made by William Miller, 1796–1882
Verona
1835
257
Print made by William Miller, 1796–1882
St. Cloud
1835
258
Print made by William Miller, 1796–1882
Field of Waterloo, with Lightning
1835
259
Print made by William Miller, 1796–1882
Paris from Pere-la-Chaise
1835
260
Print made by William Miller, 1796–1882
Edinburgh from St. Anthony's Chapel
1836
261
Print made by William Richardson, active 1842–1877
Rouen - Distant View
1836
262
Sir Francis Seymour Haden, 1818–1910
Ô Laborum
1865-1866
263
Print made by Edward Francis Finden, 1791–1857
The Plain of Troy
1832
264
Print made by Edward Francis Finden, 1791–1857
Corinth from the Acropolis
1832
265
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
266
Print made by William Miller, 1796–1882
Brussels, Distant View
1834
267
Print made by John Horsburgh, 1791–1869
Milan
1835
268
Print made by William Miller, 1796–1882
Stirling
1836
269
Print made by William Miller, 1796–1882
Dunstaffnage
1836
270
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Benedicte
1842
271
Print made by Edward Francis Finden, 1791–1857
St. Sophia, Constantinople
1833
272
James Duffield Harding, 1798–1863
Lane Scene
1829
273
Print made by James Tibbits Willmore, 1800–1863
Vernon
1835
274
Print made by James Tibbits Willmore, 1800–1863
Pont de l'Arche
1835
275
Print made by Edward Goodall, 1795–1870
Carlisle
1834
276
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
277
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
278
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
279
Print made by James Baylis Allen, 1803–1876
St. Germains
1835
280
Print made by William Radclyffe, 1780–1855
Mantes
1835
281
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
282
Print made by William Radclyffe, 1780–1855
Marche aux Fleurs and Pont-au-Change
1835
283
Print made by Thomas Higham, 1796–1844
Boulevards, Paris
1835
284
Print made by James Charles Armytage, 1802–1897
Troyes
1835
285
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
286
Print made by Robert Wallis, 1794–1878
Kelso
1834
287
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
288
Print made by William Miller, 1796–1882
Glencoe
1836
289
Print made by William Miller, 1796–1882
Inverness
1836
290
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
291
Print made by Thomas Goff Lupton, 1791–1873
Warkworth Castle on the River Coquet
1823 to 1827
292
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
293
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
294
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
295
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
296
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
297
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
298
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
299
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
300
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'