Period: 19th century / Height [cm]: 39 - YCBA Collections Search Search Results

1. Osmington Village

Creator:: John Constable, 1776–1837
Date:: 1816 to 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/8 x 12 inches (25.7 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Study of an Ash Tree

Creator:: John Constable, 1776–1837
Date:: between 1801 and 1803 or between 1810 and 1830
Materials & Techniques:: Oil on canvas laid to artist's board
Dimensions:: 15 1/2 x 11 3/4 inches (39.4 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Calais Jetty, France

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 13 7/8 inches (29.8 x 35.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

4. Zagori, Greece

Creator:: Edward Lear, 1812–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/2 x 10 inches (39.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

5. Self-Portrait

Creator:: George Richmond, 1809–1896
Date:: ca. 1830s
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 12 3/8 inches (39.1 x 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

Creator:: George Vincent, 1796–1832
Date:: 1824
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/8 x 22 inches (39.1 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Study of an Ash Tree

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1851
Materials & Techniques:: Oil on paper on panel
Dimensions:: 15 1/2 x 11 3/4 inches (39.4 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Landscape with Wheatfield

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1850s
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/4 x 22 1/4 inches (38.7 x 56.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801

Creator:: Related to George Chinnery, 1774–1852
Date:: 1801
Materials & Techniques:: Silver
Dimensions:: Overall: 15 1/2 x 12 3/4 inches (39.4 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Ship Aground, Brighton, with the Chain Pier Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Title Page, Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Job and His Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Ciampolo the Barrator Tormented by the Devils (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Serpent Attacking Buoso Donati (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Dante Striking against Bocca Degli Abati (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Spoiled Child, Scene V

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Spoiled Child, Scene I

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Spoiled Child, Scene II

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Monastery Mill

Creator:: George Cattermole, 1800–1868
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Edinburgh Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Maya Stela at Copan, Honduras

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/16 × 21 5/8 inches (39.2 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

33. Design for Monument to Captain Hardinge

Creator:: Charles Manning, 1776–1812
Date:: 1810
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on smooth, medium, cream wove paper
Dimensions:: Sheet: 15 1/4 × 17 3/4 inches (38.7 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View of Lakes Buttermere and Crummock Water

Creator:: William Green, 1760–1823
Date:: 1803
Materials & Techniques:: Watercolor and gum over graphite on medium, smooth wove paper mounted on card
Dimensions:: Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

35. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Norwich Catherdral, Ambulatory

Creator:: Maria Turner
Date:: 1814
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 7/16 × 10 5/8 inches (39.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Principal plan of a proposed New House of Commons, by Adam Lee

Creator:: unknown artist
Date:: 1833
Dimensions:: Sheet: 15 3/8 x 11 3/4in. (39.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Prof. William H. Dunham, Jr.

38. Tired Gypsies

Creator:: Thomas Williamson, active 1802
Date:: 1805
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 17 1/2 x 20 1/2in. (44.5 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. William Shakespeare

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1849
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/4 x 17 1/8 inches (56.5 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Edinburgh from Leith Harbour

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Master Lambton

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 21 3/4 × 17 1/2 inches (55.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Lady Hamilton

Creator:: Print made by William Say, 1768–1834
Date:: 1806
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 11 inches (39.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. The Vale of Ashburnham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mortar Battery at Woolwich

Creator:: Charles Hunt, 1803–1877
Date:: undated
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

Creator:: Edward Duncan, 1803–1882
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 19 3/8in. (39.1 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Portrait of the Celebrated Short Horned Cow Bracelet / The Property of John Booth, Esquire, Killerby, Yorkshire

Creator:: Thomas Landseer, 1795–1880
Date:: ca. 1850
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 15 5/16 x 19 3/4in. (38.9 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Coaching: The Cambridge Telegraph, Starting from the White Horse

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 20 5/8in. (39.1 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The British Museum

Creator:: William Simpson, 1823–1899
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 5/16 x 18in. (38.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Reverend Hugh Blair, D.D.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A Cognocenti Contemplating ye Beauties of ye Antique

Creator:: Print made by James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:: Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

59. Mrs. Siddons

Creator:: William Holl II, 1807–1871
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/8 x 11 1/2in. (39.1 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

60. South West View of Old Burleigh Hall near Stamford, Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Henry Tresham, Esq. R. A.

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1814
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 12 5/16 inches (38.6 × 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Interior of a Rom in Samlesbury Hall; Lancashire

Creator:: John Buckler FSA, 1770–1851
Date:: 1814
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. John E. Millais

Creator:: Print made by Daniel J. Pound, active ca. 1860
Date:: 1859
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 x 11 3/8in. (38.7 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. David Roberts

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1844
Materials & Techniques:: Lithograph on thick, smooth, beige card with gray chine collé
Dimensions:: Sheet: 15 3/8 × 12 3/16 inches (39.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Brazen Image Erected on a Pedestal Wrought by Himself

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 1/4 x 9 3/8in. (38.7 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. West Highland Heifer Kyloe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 x 22 5/8 inches (48.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Priam. The Winner of the Derby Stakes at Epsom

Creator:: Edward Duncan, 1803–1882
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

Creator:: Edward Duncan, 1803–1882
Date:: 1839
Materials & Techniques:: Aquatint, hand-colored with varnish over color on horse
Dimensions:: Sheet: 15 3/16 x 19 1/4in. (38.6 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Cadland, the Winner of the Derby Stakes at Epsom, 1828

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Hand colored aquatint
Dimensions:: Sheet: 15 1/2 x 19 3/4in. (39.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Racing : "Don John" / Winner of The Great St. Leger Stakes at Doncaster, 1838, rode W. Scott. / Bred in 1835, by Mr. Garforth ...

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored with varnish over color on horse
Dimensions:: Sheet: 15 1/4 x 19 1/4in. (38.7 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 15 1/4 x 18 3/4in. (38.7 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Great Fall of the Fynach

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/2 x 21 1/4in. (39.4 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving; proof on moderately thick, slightly textured, cream wove paper, with chine collé
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. William Howitt (Better Known by the Name of Jackson the American Deer)

Creator:: William Bromley, active 1835–1888
Date:: 1845
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 1/2 x 12 3/4in. (39.4 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Short Horned White Ox

Creator:: Thomas Fairland, 1804–1852
Date:: 1843
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 15 5/16 x 19 5/8in. (38.9 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Ascot Heath Race for His Majesty's Gold Plate

Creator:: James Pollard, 1792–1867
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 26 3/8in. (38.7 x 67cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. 'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841...

Creator:: Charles Hunt, 1803–1877
Date:: 1841
Materials & Techniques:: Aquatint, printed in color
Dimensions:: Sheet: 15 1/4 x 19 1/4in. (38.7 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Crossing the Brook

Creator:: Print made by William Richardson, active 1842–1877
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Sir George Beaumont, Bart.

Creator:: Print made by John Samuel Agar, ca. 1773–1858
Date:: 1812
Materials & Techniques:: Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Charles Grey, 2nd Earl Grey

Creator:: Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 10 13/16 inches (39.4 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. South Front of St. Pauls

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 11 1/4in. (38.7 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of the Front of Sir Paul Pindar's House on the West Side of Bishopsgate Street

Creator:: Richard Sawyer, active 1820–1830
Date:: 1812
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/16 x 11 7/8in. (38.9 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of Charing Cross and Northumberland House

Creator:: Henri Gaugain, active 1833–1844
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 11 1/2in. (38.7 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Ancient Carthage - The Embarcation of Regulus

Creator:: Print made by Daniel Wilson, 1816–1892
Date:: 1840
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Bishop's Palace, Wells, Somerset: Elevations of the Great Hall

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black and violet ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 19 3/8 inches (39.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Tribunal House, Glastonbury, Somerset: Ground Floor Plan

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black ink with graphite and gray wash on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 10 3/8 inches (38.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Architectural Drawing of the Temple of Sunias Minerva

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 3/16 × 10 inches (38.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Vice Admiral Lord Hugh Seymour

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1802
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. East Front Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.7 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 1/2 × 23 3/4 inches (39.4 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Height [cm] 39

Search Results

1. Osmington Village

2. Study of an Ash Tree

3. Calais Jetty, France

4. Zagori, Greece

5. Self-Portrait

6. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

7. Study of an Ash Tree

8. Landscape with Wheatfield

9. George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801

10. Ship Aground, Brighton, with the Chain Pier Beyond

11. A Sea Piece - A Rough Sea with a Fishing Boat

12. Winchelsea, Sussex

13. Weymouth

14. Satan Smiting Job with Sore Boils

15. Job and His Family Restored to Prosperity

16. Title Page, Illustrations of The Book of Job

17. Job and His Family

18. Ciampolo the Barrator Tormented by the Devils (Plate 2)

19. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

20. The Serpent Attacking Buoso Donati (Plate 5)

21. Dante Striking against Bocca Degli Abati (Plate 7)

22. The Spoiled Child, Scene III

23. The Spoiled Child, Scene V

24. The Spoiled Child, Scene I

25. The Spoiled Child, Scene IV

26. The Spoiled Child, Scene II

27. Temple of Jupiter and Minerva, Thugga

28. A View of Worcester College &c.

29. A Monastery Mill

30. View of Oxford from the South Side of Heddington Hill

31. Edinburgh Castle

32. Maya Stela at Copan, Honduras

33. Design for Monument to Captain Hardinge

34. View of Lakes Buttermere and Crummock Water

35. High Street at Bushey, Hertfordshire

36. Norwich Catherdral, Ambulatory

37. Principal plan of a proposed New House of Commons, by Adam Lee

38. Tired Gypsies

39. Sunshine of Love

40. William Shakespeare

41. Study for The Wedding Feast of Sir Degrevaunt

42. Weathercote Cave when Half Filled with Water

43. Edinburgh from Leith Harbour

44. Master Lambton

45. Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

46. Julia, Lady Peel

47. Lady Hamilton

48. The Vale of Ashburnham

49. Hurstmonceux Castle

50. Mortar Battery at Woolwich

51. Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

52. Portrait of the Celebrated Short Horned Cow Bracelet / The Property of John Booth, Esquire, Killerby, Yorkshire

53. Coaching: The Cambridge Telegraph, Starting from the White Horse

54. Pheasant Shooting

55. Inn Yard at Calais

56. The British Museum

57. Reverend Hugh Blair, D.D.

58. A Cognocenti Contemplating ye Beauties of ye Antique

59. Mrs. Siddons

60. South West View of Old Burleigh Hall near Stamford, Lincolnshire

61. Henry Tresham, Esq. R. A.

62. Interior of a Rom in Samlesbury Hall; Lancashire

63. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

64. John E. Millais

65. David Roberts

66. The Brazen Image Erected on a Pedestal Wrought by Himself

67. West Highland Heifer Kyloe

68. Priam. The Winner of the Derby Stakes at Epsom

69. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

70. Cadland, the Winner of the Derby Stakes at Epsom, 1828

71. Racing : "Don John" / Winner of The Great St. Leger Stakes at Doncaster, 1838, rode W. Scott. / Bred in 1835, by Mr. Garforth ...

72. Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838

73. Great Fall of the Fynach

74. The Rural Cott