Action with the Spanish Slave Frigate 'Velos Passaheros' Captured by Boarding by H.M. Ship 'Primrose' Commander W. Boughton, off Wydah Bight of Benin, September 6, 1830
ca. 1831
305
Samuel William Reynolds, 1773–1835
Don Quixote
1833
306
Print made by David Lucas, 1802–1881
View on the Orwell
1830
307
Print made by Sir Frank Short, 1857–1945
Shipping at the Entrance of the Medway
1896
308
Print made by Sir Frank Short, 1857–1945
A Pastoral
1893
309
Print made by Thomas Goff Lupton, 1791–1873
Newcastle-on-Tyne
1823
310
Joseph Skelton, active 1820–1850
St. Mildred's Poultry
1812
311
Robert Dudley, before 1857–ca. 1893
Crosby House, Bishopsgate, Doorways and Lower Windows
312
unknown artist
North West View of St. Paul's
1801
313
unknown artist
The Southwark Iron Bridge
1822
314
unknown artist
Sir Paul Pindar's Lodge..
1819
315
S. Jenkins, active 1814–1818
St. Martin, Ludgate
1814
316
Sir Francis Seymour Haden, 1818–1910
Sawley Abbey
1873
317
Sir Francis Seymour Haden, 1818–1910
Marshes opposite Erith
1865
318
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
319
Print made by William Day, 1764–1807
The High Street, Southampton
1828
320
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
321
Sir Francis Seymour Haden, 1818–1910
A Byroad in Tipperary
1860
322
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
323
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
324
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
325
Sir Robert Smirke the younger, 1781–1867
Landscape With Mountains in the Horizon
1802-1804
326
Sir Robert Smirke the younger, 1781–1867
Ruins of Messenia
1802-1804
327
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
328
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
329
unknown artist
Handbill describing the Building and Finances of the Thames Tunnel
1828
330
William Wise, Active 1823–1876
Charing Cross
1814
331
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
332
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
333
Print made by George Cooke, 1781–1834
Brighton
1825
334
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1819
335
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1821
336
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
337
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1821
338
Print made by John Scott, 1774–1828
Aysgarth Force
1820
339
Print made by William Havell, 1782–1857
Landscape with a Seated Shepherd
1804
340
Print made by James Basire II, 1769–1822
A View of the Chapel and Hall of Oriel College, &c
1801
341
Print made by David Lucas, 1802–1881
River Stour, Suffolk
1831
342
Print made by David Lucas, 1802–1881
Old Sarum
1830
343
Print made by David Lucas, 1802–1881
A Summerland
1831
344
Print made by David Lucas, 1802–1881
A Seabeach
1830
345
unknown artist
Sir John Orde, 1st Baronet of Morpeth, Northumberland
1811
346
Charles Turner, 1774–1857
Thomas Tomkins
1805
347
William Wilkins, 1778–1839
Elevation of a Proposed Design for Cambridge Colleges
undated
348
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
349
George Clint, 1770–1854
John Wilson Croker
1812
350
Sir Robert Smirke the younger, 1781–1867
Plains of Sparta
1802-1804
351
Sir Robert Smirke the younger, 1781–1867
Ruins of Sparta
1802-1804
352
Sir Robert Smirke the younger, 1781–1867
Ruins of Messenia
1802-1804
353
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
354
George Moutard Woodward, ca. 1760–1809
Cocks & Breeches
1801
355
Benjamin Robert Haydon, 1786–1846
Study of Nude Female
undated
356
Print made by Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Old Trees by Water
1803, published 1807
357
Print made by Raphael Lamar West, 1769–1850
Study of a Tree
1802, published 1807
358
W. Preston, active 1811
St. Austin (i.e. Augustin) Watling Street
1810
359
C. John M. Whichelo, 1784–1865
Inside of Part of Cloisters, Adjoining St. Bartholomews Porch
1803
360
unknown artist
Part of the Choir wiith the remains of the South Transept of St. Barts the Great
1821
361
Print made by Sir David Young Cameron, 1865–1945
Father Ambrose
1893
362
Thomas Henwood, 1797–1861
The Procession of the Lewes Bonfire Boys
1853
363
Benjamin Robert Haydon, 1786–1846
Study of the Crucifixion
undated
364
Print made by George H. Phillips, active 1819–1825
Arundel Castle, on the River Arun
1823 to 1827
365
Print made by Frederick Christian Lewis the Elder, 1779–1856
New Weir on the Wye
1825
366
Print made by George H. Phillips, active 1819–1825
Mouth of the River Humber
1823 to 1827
367
Print made by Sir David Young Cameron, 1865–1945
St. Mark's No. 2
1900
368
Print made by John Doyle ('H.B.'), 1797–1868
Supposed Colloquy between a Top Sawyer and his Brother Labourer
1843
369
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
370
James Barry, 1741–1806
Jupiter and Juno on Mount Ida
ca. 1809
371
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
372
Print made by David Lucas, 1802–1881
A Mill
1830
373
Print made by Sir Frank Short, 1857–1945
Narcissus and Echo
1896
374
Print made by David Lucas, 1802–1881
A Lock on the Stour, Suffolk
1831
375
Print made by Louis Francais, 1814–1897
Bords de la Seine
between 1849 and 1862
376
Print made by Sir Frank Short, 1857–1945
View of a River from a Terrace, Macon
1896
377
Print made by Sir Frank Short, 1857–1945
Falls of the Rhine, Schaffhausen
1891
378
Print made by Sir Frank Short, 1857–1945
View of a Lake, Derwentwater
1891
379
Print made by David Lucas, 1802–1881
Stoke by Neyland, Suffolk
1829
380
unknown artist
Carlinan Mill, Iverary, Scotland
1811
381
after unknown artist
Glen Crowe, Western Highlands, Scotland
1811
382
Print made by William Strang, 1859–1921
Ramparts of Ypres
1898
383
unknown artist
The Upholsterer Turn'd Candidate
1802
384
Carlo Pellegrini, 1839–1889
The ablest Professor in the Cabinet of the Tact by which Power is Kept: It is his Mission to Counteract the Talk by Which it is Won and Lost, Earl Granville, from Vanity Fair, Politicians
1869
385
Print made by W. Pickett, active 1792–1820
Peaks Hole, Derbyshire
1805
386
Print made by Thomas Goff Lupton, 1791–1873
Sheerness, as Seen from the Nore
1828
387
Print made by William Radclyffe, 1780–1855
St. Julian's, Tours
1833
388
Studio of Sir Jeffry Wyatville, 1766–1840
Endsleigh Cottage, Devon: Ground Plan
ca. 1810
389
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: View of the North Entrance and of the West Front
1826
390
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: West Front
1826
391
Print made by John Thomas Smith, 1766–1833
Four Illustrations of Westminster
1804
392
Print made by Sir Francis Seymour Haden, 1818–1910
Twickenham Church
1865
393
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
394
John Buckler FSA, 1770–1851
North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr
1811
395
Richard Gilson Reeve, 1803–1889
The Mail Coach in a Thunder Storm on Newmarket Heath
396
John Buckler FSA, 1770–1851
North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
1815
397
John Buckler FSA, 1770–1851
Chimney piece in King James's Room, Hatfield House
1812
398
John Buckler FSA, 1770–1851
North West view of Charlton House, Kent; The Seat of Lady Wilson
1815
399
John Buckler FSA, 1770–1851
South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton