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1. Chain of Alps from Grenoble to Chamberi

Chain of Alps from Grenoble to Chamberi
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Water Mill

Water Mill
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Junction of Severn and Wye

Junction of Severn and Wye
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Woman and Tambourine

The Woman and Tambourine
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Bridge in Middle Distance

The Bridge in Middle Distance
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Juvenile Tricks

Juvenile Tricks
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Holy Island Cathedral

Holy Island Cathedral
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Juvenile Tricks

Juvenile Tricks
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jason

Jason
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Rev. John Caspar Lavater

Rev. John Caspar Lavater
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderatelythick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Bodiham Castle, Sussex

Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving with chine collé; modern impression on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. High Street, Oxford

High Street, Oxford
Creator:
Print made by W. E. Albutt, active 1836–1863
Date:
1828
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Strephon and Chloe

Strephon and Chloe
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1801
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Mrs. Huddesford

Mrs. Huddesford
Creator:
Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:
between 1810 and 1825
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 9/16 × 11 1/2 inches (39.5 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Mrs. Littleton

Mrs. Littleton
Creator:
Print made by Charles Turner, 1774–1857
Date:
1827
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 13/16 × 15 1/8 inches (50.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Five Horses near a Brook

Five Horses near a Brook
Creator:
John Frederick Herring, 1795–1865
Date:
1850
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 × 11 9/16 inches (25.6 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Plymouth Sound

Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Frontispiece: The Progress of a Midshipman

Frontispiece: The Progress of a Midshipman
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Mr. B seeking the Bubble reputation - Plate 5

Mr. B seeking the Bubble reputation - Plate 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bodiham Castle, Sussex

Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Ivy Bridge, Devonshire

Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Fox Hunting: Fores's Hunting Casualties - A Rare sort for the Downs

Fox Hunting: Fores's Hunting Casualties - A Rare sort for the Downs
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Fox Hunting: Fores's Hunting Casualties - A Mutual Determination

Fox Hunting: Fores's Hunting Casualties - A Mutual Determination
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Fox Hunting: Fores's Hunting Casualties - A Turn of speed over the flat

Fox Hunting: Fores's Hunting Casualties - A Turn of speed over the flat
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Fox Hunting: Fores's Hunting Casualties - Dispatched to Head Quarters

Fox Hunting: Fores's Hunting Casualties - Dispatched to Head Quarters
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Fox Hunting: Fores's Hunting Casualties - A Strange country

Fox Hunting: Fores's Hunting Casualties - A Strange country
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone

Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Donnington Castle

Donnington Castle
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
1805
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 12 3/8 inches (26.2 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Cathedral Entrance

The Cathedral Entrance
Creator:
Arthur James Turrell, 1871–1940
Date:
1889
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/2 × 16 3/8 inches (34.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

40. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Henry VII Chapel (Exterior)

Henry VII Chapel (Exterior)
Creator:
Print made by unknown artist
Date:
ca. 1890
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Brampton Church, Norfolk, from the South-East

Brampton Church, Norfolk, from the South-East
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1816
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 11 3/8 inches (22.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Errand Boy Asleep in a Church

Errand Boy Asleep in a Church
Creator:
circle of John Sell Cotman, 1782–1842
Date:
ca. 1825
Materials & Techniques:
Watercolor over graphite on medium slightly textured cream wove paper
Dimensions:
Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Study for Massacre of the Innocents

Study for Massacre of the Innocents
Creator:
Alfred Stevens, 1817–1875
Date:
undated
Materials & Techniques:
Red chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/16 x 11in. (25.9 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection