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Period 19th century

Remove constraint Period: 19th century

Work Type intaglio print

Remove constraint Work Type: intaglio print

Width [cm] 65

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Lincoln Cathedral
Creator:
Thomas Malton, 1726–1801
Date:
1800
Materials & Techniques:
Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape
Creator:
Marie C. Prestel, 1747–1794
Materials & Techniques:
Sepia aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 26 5/16 inches (50.2 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sailor's Orphans or Young Ladies' Subscription
Creator:
William Ward, 1766–1826
Date:
ca. 1800
Materials & Techniques:
Color printed mezzotint with hand coloring in watercolor
Dimensions:
Plate: 19 1/8 x 23 3/4in. (48.6 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Soldier's Widow; or Schoolboys' Collection
Creator:
Robert Dunkarton, 1744–1811
Date:
ca. 1802
Materials & Techniques:
Mezzotint, colored impression
Dimensions:
Plate: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mark's Place, Venice - Juliet and her Nurse
Creator:
Print made by George Hollis, 1792–1842
Date:
1842
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Paphian Bower
Creator:
George H. Phillips, active 1819–1825
Date:
1826
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Review of the Queens Own Regiment of the Yeomanry Cavalry
Creator:
Henry Papprill, 1816–d.after 1883
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mark's Place, Venice - Juliet and her Nurse
Creator:
Print made by George Hollis, 1792–1842
Date:
1842
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Italy
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and engraving, with graphite, white chalk, scraping out, and chine collé; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Centurion Cornelius
Creator:
Print made by James Ward, 1769–1859
Date:
1800
Materials & Techniques:
Mezzotint on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 × 28 1/16 inches (61 × 71.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sheerness Dockyard
Creator:
William Watts, 1752–1851
Date:
1803
Materials & Techniques:
Engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 15/16 × 26 13/16 inches (50.6 × 68.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Oxford
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1812
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spottiswoode Ox
Creator:
Print made by James Ward, 1769–1859
Date:
1804
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Twelfth Night, Act III, Scene IV: Olivia's House
Creator:
Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Stipple engraving on medium, smooth, cream laid paper
Dimensions:
Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ulysses Deriding Polyphemus
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968
The Last Effort and Fall of Tippoo Sultaun
Creator:
Print made by Niccoló Schiavonetti, 1771–1813
Date:
1802
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Assault and Taking of Seringapatam
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1801
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Surrender of the Sons of Tippoo Sultaun
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1802
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:
Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1847
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by George Graham, active 1786–1813
Date:
1815
Materials & Techniques:
Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1801
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund