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1. Oberon and Titania

Oberon and Titania
Creator:
Francis Danby, 1793–1861
Date:
1837
Materials & Techniques:
Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. The Haunted Wood

The Haunted Wood
Creator:
Francis Danby, 1793–1861
Date:
undated
Materials & Techniques:
Brown wash and brown ink with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 7/8 inches (15.9 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Crescent Moon

The Crescent Moon
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Pen and sepia ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Moonlit Scene with a Winding River

A Moonlit Scene with a Winding River
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1827
Materials & Techniques:
Black and brown wash, gouache, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cornfield and Church by Moonlight

Cornfield and Church by Moonlight
Creator:
Samuel Palmer, 1805–1881
Date:
early 1830s
Materials & Techniques:
Brush and black ink on very thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Shepherd and his Flock under the Moon and Stars

A Shepherd and his Flock under the Moon and Stars
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1827
Materials & Techniques:
Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:
Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Sliema

Sliema
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

8. Karnak, 9:30 pm, 22 January 1867 (212)

Karnak, 9:30 pm, 22 January 1867 (212)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/16 x 6 3/4 inches (8.7 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Then all the Males conjoined into One Male..." (Plate 69)

"Then all the Males conjoined into One Male..." (Plate 69)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Chapter 4 Frontispiece (Plate 76)

Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Rose up against me thundering..." (Plate 8)

"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "What have I said? What have I done?..." (Plate 24)

"What have I said? What have I done?..." (Plate 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Awake! Awake Jerusalem..." (Plate 97)

"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Tailpiece (Plate 100)

Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Parable of the Wise and Foolish Virgins

The Parable of the Wise and Foolish Virgins
Creator:
William Blake, 1757–1827
Date:
ca. 1825
Materials & Techniques:
Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Street at Night with Figures at a Stall

A Street at Night with Figures at a Stall
Creator:
Attributed to James Holland, 1799–1870
Date:
1849
Materials & Techniques:
Watercolor and pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Macbeth and Banquo on the Heath

Macbeth and Banquo on the Heath
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1830
Materials & Techniques:
Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. The Spoiled Child, Scene IV

The Spoiled Child, Scene IV
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Moonlight over the Sea, Broadstairs

Moonlight over the Sea, Broadstairs
Creator:
Attributed to George Richmond, 1809–1896
Date:
1843
Materials & Techniques:
Watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 3/8 × 9 9/16 inches (16.2 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Moonlit Coastal Scene

Moonlit Coastal Scene
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite and white gouache on medium, smooth, gray wove paper
Dimensions:
Sheet: 3 7/16 × 4 3/4 inches (8.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Moonlit Scene of Castle and Ships

Moonlit Scene of Castle and Ships
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, with pen and black ink, brown ink, graphite, gouache and gum arabic on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 4 3/8 × 5 13/16 inches (11.1 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Nocturnal View of Mountainous Landscape with River

Nocturnal View of Mountainous Landscape with River
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash, sponging and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Rescue of Lot

The Rescue of Lot
Creator:
John Martin, 1789–1854
Date:
1833
Materials & Techniques:
Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Tynemouth Pier - Lighting the Lamps at Sundown

Tynemouth Pier - Lighting the Lamps at Sundown
Creator:
Alfred William Hunt, 1830–1896
Date:
1868
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. The Life of a Nobleman: Scene the Third - The Night House

The Life of a Nobleman: Scene the Third - The Night House
Creator:
Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Brown wash over graphite on medium, morderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Creation

The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Landscape with Owl and Bats

Landscape with Owl and Bats
Creator:
unknown artist
Date:
1873
Materials & Techniques:
Pen and brown ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 5/8 × 9 3/8 inches (19.4 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

31. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1818
Materials & Techniques:
Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Loch Coruisk, Isle of Skye, Dawn

Loch Coruisk, Isle of Skye, Dawn
Creator:
George Fennell Robson, 1788–1833
Date:
between 1826 and 1832
Materials & Techniques:
Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card
Dimensions:
Sheet: 17 3/4 x 25 3/4 inches (45.1 x 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Moonlight River Scene

Moonlight River Scene
Creator:
Newton Limbird Smith Fielding, 1799–1856
Date:
undated
Materials & Techniques:
Watercolor with scratching out on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Moonlit Lake

The Moonlit Lake
Creator:
attributed to Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Wrath of Elihu

The Wrath of Elihu
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. An Elopement by Moonlight

An Elopement by Moonlight
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
1834
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 14 7/16 inches (24.6 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The London-Dumphries Royal Mail

The London-Dumphries Royal Mail
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
between 1830 and 1840
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Creator:
Henry Thomas Alken, 1785–1851
Date:
1842
Materials & Techniques:
Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. The Passing of 1880

The Passing of 1880
Creator:
Thomas Danby, 1818–1886
Date:
ca. 1880
Materials & Techniques:
Watercolor with gouache and scraping out on thick, rough, cream wove paper
Dimensions:
Sheet: 12 3/8 x 19in. (31.4 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection