etching begun before 1861; impression printed in 1926
2
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
3
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
4
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
5
David Simson, 1803–1874
Kilbride
1861
6
David Simson, 1803–1874
At Stirling (view of street)
1861
7
David Simson, 1803–1874
At Stirling (view of church by stream)
1861
8
David Simson, 1803–1874
At Stirling (view with tools in foreground)
1861
9
David Simson, 1803–1874
Forth at Stirling
1861
10
David Simson, 1803–1874
Bidborough Kent
1863
11
David Simson, 1803–1874
At Penshurst
between 1861and 1863
12
David Simson, 1803–1874
Ben Venue - Loch Achray
between 1861 and 1863
13
unknown artist
Newbattle Abbey, Scotland
ca. 1830
14
David Simson, 1803–1874
Southborough Common Kent
1863
15
David Simson, 1803–1874
At Tunbridge Wells (view of house)
1863
16
unknown artist
Norbury Park May 15 1805 (with ms. notes)
1805
17
Print made by Sir David Young Cameron, 1865–1945
R. 43. Arran. No. 14 in the Clyde Set
1889
18
Print made by Sir David Young Cameron, 1865–1945
R. 44. Loch Ranza. No. 15 in the Clyde Set
1889
19
Thomas Sibson, 1817–1844
Trial by Combat
undated
20
Charles Hamilton Smith, 1776–1859
Album Drawings
ca. 1820
21
Charles Hamilton Smith, 1776–1859
Views of England and Wales, Volume II
undated
22
Charles Hamilton Smith, 1776–1859
Views of Northern Europe, Volume I
undated
23
Charles Hamilton Smith, 1776–1859
Views of Northern Europe, Volume II
undated
24
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume II
undated
25
Charles Hamilton Smith, 1776–1859
Views of England and Wales, Volume I
undated
26
Charles Hamilton Smith, 1776–1859
Views of France, Volume II
undated
27
unknown artist
Sketch for Ceiling or Bed Canopy
undated
28
Henry Aston Barker, 1774–1856
View of Elba and Porto Ferrajo
1815
29
James Ward, 1769–1859
Self-Portrait
1807
30
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
31
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
32
Print made by W. R. Smith, active 1819–1851
Chain Bridge over the River Tees
1838
33
Print made by William Alfred Delamotte, 1775–1863
Resting, Men and Dogs Under a Big Tree
1802
34
Print made by unknown artist
On the Beach
1893
35
Print made by John Frederick Lewis, 1804–1876
Head of a Lion in Three-quarter Profile to Left
1824
36
Matthew Dubourg, active 1786–1838
[Coaching] The Mail Guard
1825
37
Henry Thomas Alken, 1785–1851
Sporting Anedotes. The Sporting Butcher, alais Lord Marrowbones and His Man. Plate 5
1833
38
Robert Havell, 1769–1832
The Devonport Mall near Amesbury, going Post through an Avalanche of Snow
1837
39
T. J. Rawlins, active 1837–1840
Recommendation to Farriers and Shoeing-Smiths thoughout the United Kingdom of Great Britain, In Respect to the Injurious Practice of slicing and cutting away the horn from the frogs of horses' feet
40
unknown artist
Shaftesbury House, Aldersgate Street
undated
41
Charles Hamilton Smith, 1776–1859
Marseilles from Opposite the Harbour
undated
42
Charles Hamilton Smith, 1776–1859
The Oak of Alloucille
undated
43
Charles Hamilton Smith, 1776–1859
Gate of the Abbey of Marmoutier Tours
undated
44
Charles Hamilton Smith, 1776–1859
Glacies or Natural Ice House in Grace Dieu Abby, Department du Doubs
undated
45
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
46
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
47
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld (Variant)
1803
48
Print made by Charles Williams, active 1796–1830
Boney and his Horse Talley - Returning to Paris with a Spanish Cargo
1808
49
Print made by Henry H. Meyer, 1782–1847
Henry Lord Mulgrave
1811
50
Print made by William Bond, active 1772–1831, died 1842
General Sir George Augustus Eliott, K.B
1813
51
Print made by Charles Picart, c.1780–1837
Sir Thomas Bernard, Bart. L.L.D
1815
52
Print made by Louis Haghe, 1806–1885
West Front View of Eaton Hall
ca. 1845
53
David Octavius Hill, 1802–1870
The Letter (Marion Finlay, Mrs. Margaret (Dryburgh) Lyall, and Mrs. Grace Finlay Ramsay)
ca. 1846
54
Print made by Charles Williams, active 1796–1830
Billy's Ghost, or, Seasonable Admonition
1806
55
Print made by John Doyle ('H.B.'), 1797–1868
Illustration of the Dog in the Manger
1841
56
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
57
Print made by John Doyle ('H.B.'), 1797–1868
The Rivals
1834
58
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
59
unknown artist
View of the Robert Burns Monument, Ayr
undated
60
Print made by John Samuel Agar, ca. 1773–1858
George, Earl of Egremont
1810
61
Print made by William Thomas Fry, 1789–1843
James Currie, M.D. F.R.S
1816
62
Print made by Charles Williams, active 1796–1830
Magic – The Green Bag Metamorphosed, or the Mountain in Labour
1820
63
Robert Thompson Crawshay, 1817–1879
Which Will You Have, Sir?
ca. 1870
64
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
65
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
66
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
67
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
68
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
69
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld
1803
70
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
71
Print made by Miss Frances Waring, active 1801–1826
Loch Lomond
1803
72
Print made by Miss Frances Waring, active 1801–1826
The Great Fall of the Clyde
1803
73
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
74
Print made by Richard Cooper the Younger, 1740–1814
Landscape with Fallen Tree
1806
75
Charles Hamilton Smith, 1776–1859
undated
76
Charles Hamilton Smith, 1776–1859
Ruins of the Temple of Pluto at Autun from the River Arroux
undated
77
Charles Hamilton Smith, 1776–1859
Castle of St. Michel from the Bridge of Avignon
undated
78
Charles Hamilton Smith, 1776–1859
Isle Maguleonne Near Montpellier
undated
79
Charles Hamilton Smith, 1776–1859
Pont du Gard
undated
80
Charles Hamilton Smith, 1776–1859
Ruines du Château de Petrarch at Vaucluse
undated
81
Charles Hamilton Smith, 1776–1859
Amphitheatre at Nimes
undated
82
Charles Hamilton Smith, 1776–1859
Bareges from the Revine on the Left of the Bastan
undated
83
Charles Hamilton Smith, 1776–1859
Basin of Castelnaudari
undated
84
Charles Hamilton Smith, 1776–1859
Basin of St. Ferreol from the Embarkment Montagne Noire in the Distance
undated
85
Charles Hamilton Smith, 1776–1859
Outer Gate of Ancient Carcassone or Cite with the Statue of Madame Carcasse
undated
86
Charles Hamilton Smith, 1776–1859
Bay of Hieres (Hyeres)
undated
87
Charles Hamilton Smith, 1776–1859
Roche du Cournillon with Part of the Course of the Romanche
undated
88
Charles Hamilton Smith, 1776–1859
Bridge of Gueule d' Enfer
undated
89
Charles Hamilton Smith, 1776–1859
Views on the Rhone from Near St. Vallier Towards Feroe
undated
90
Charles Hamilton Smith, 1776–1859
The Grande Chartreuse
undated
91
Charles Hamilton Smith, 1776–1859
Pont St. Esprit on the Rhone
undated
92
Charles Hamilton Smith, 1776–1859
Château de Leon Near Dinan
undated
93
Charles Hamilton Smith, 1776–1859
View of the Lavern Hills (La Verne)
undated
94
Charles Hamilton Smith, 1776–1859
Verdon Gorge of the Jura
undated
95
Charles Hamilton Smith, 1776–1859
Les Eaux Bonnes in the Valley of Ossau Pyrenees
undated
96
Charles Hamilton Smith, 1776–1859
The Tiger Rock at Bastia
undated
97
Charles Hamilton Smith, 1776–1859
Rock of Cancale & Fort Remaine
undated
98
Charles Hamilton Smith, 1776–1859
Entrance to the Grande Chartreuse
undated
99
Charles Hamilton Smith, 1776–1859
Puyre, Two Miles Distant from Panticosa with the Great Pyrenean Wall on the South