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Period 19th century

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The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Creator:
Philip Reinagle, 1749–1833
Date:
1800
Materials & Techniques:
Oil on canvas
Dimensions:
17 7/8 x 14 3/4 inches (45.4 x 37.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Pedlar
Creator:
Sir David Wilkie, 1785–1841
Date:
1814
Materials & Techniques:
Oil on panel
Dimensions:
23 1/2 x 19 1/2 inches (59.7 x 49.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Kenilworth Castle, Warwickshire
Creator:
James Ward, 1769–1859
Date:
1840
Materials & Techniques:
Oil on panel
Dimensions:
23 5/8 x 46 5/8 inches (60 x 118.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Song of the Shirt
Creator:
Anna Elizabeth Blunden, 1829–1915
Date:
1854
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/2 × 15 1/2 inches (47 × 39.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds
Creator:
Charles Martin Powell, 1775 –1824
Date:
early 19th century
Materials & Techniques:
Oil on canvas
Dimensions:
23 3/4 × 35 7/8 inches (60.3 × 91.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
On View:
Not on view
Gentleman in the Grounds of his House
Creator:
Samuel De Wilde, 1748–1832
Date:
between 1800 and 1810
Materials & Techniques:
Oil on canvas
Dimensions:
23 3/4 x 19 3/4 inches (60.3 x 50.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Edward Hodges
Creator:
Edward Hodges Baily, 1788–1867
Date:
1820
Materials & Techniques:
Marble
Dimensions:
Overall: 23 3/4 x 14 3/4 x 8 1/2 inches (60.3 x 37.5 x 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Cypresses at the Villa d'Este, Tivoli
Creator:
Samuel Palmer, 1805–1881
Date:
1838
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 12 3/8 x 9 1/8 inches (31.4 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1840
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Project for the Monument of the Apotheosis of Nelson
Creator:
Benjamin West, 1738–1820
Date:
1806
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 12 1/2 inches (60.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Charles Hay, Lord Newton
Creator:
Charles Turner, 1774–1857
Date:
1814
Materials & Techniques:
Mezzotint, proof before all letters on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 11/16 × 17 3/8 inches (60.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
R. P. Bonington
Creator:
J. P. Quilley, active 1828
Date:
1831
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/16 × 17 inches (59.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crossing the Red Sea
Creator:
George H. Phillips, active 1819–1825
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 5/8 × 33 7/8 inches (60 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Sheridan and Her Son
Creator:
Print made by Thomas Nugent, active 1785–1798
Date:
1800
Materials & Techniques:
Stipple engraving (proof) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 3/4 × 15 15/16 inches (65.4 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; touched early engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1845
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field Marshal, The Duke of Wellington
Creator:
Print made by Charles Turner, 1774–1857
Date:
1816
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 9/16 × 17 5/8 inches (59.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Deluge
Creator:
Print made by John Martin, 1789–1854
Date:
1828
Materials & Techniques:
Mezzotint and etching; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Coronation of Queen Victoria
Creator:
Print made by Charles E. Wagstaff, 1808–
Date:
1842
Materials & Techniques:
Etching, line engraving, stipple engraving, and mezzotint on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jonah

Jonah
Creator:
James Barry, 1741–1806
Date:
ca. 1800
Materials & Techniques:
Etching
Dimensions:
Sheet: 23 1/2 x 17 3/8in. (59.7 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruined Castle on the Banks of the Rhine
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Colored chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 23 1/2 × 33 3/4 inches (59.7 × 85.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robbing a Market Girl
Creator:
Thomas Heaphy, 1775–1835
Date:
1807
Materials & Techniques:
Watercolor, white gouache, pen and ink and gum over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 5/8 × 17 7/8 inches (60 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portentous Things
Creator:
George Jones, 1786–1869
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor, brown wash, black chalk, white chalk, and graphite, with scraping out on smooth, thin, beige wove paper
Dimensions:
Sheet: 23 3/4 × 19 3/8 inches (60.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Waterloo Coursing Meeting
Creator:
Richard Ansdell, 1815–1885
Materials & Techniques:
Mixed method engraving
Dimensions:
Sheet: 23 1/2 x 42 1/8in. (59.7 x 107cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Wigram
Creator:
Print made by Charles Turner, 1774–1857
Date:
1817
Materials & Techniques:
Mezzotint (first published state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 33 3/8 × 22 1/2 inches (84.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Henry Callender
Creator:
Print made by William Ward, 1766–1826
Date:
1812
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 33 7/16 × 23 3/8 inches (84.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Stratton
Creator:
Print made by Charles Turner, 1774–1857
Date:
1833
Materials & Techniques:
Mezzotint (third state, private plate) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 5/16 × 19 1/8 inches (74.5 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Caledonian Coursing Meeting
Creator:
Richard Ansdell, 1815–1885
Materials & Techniques:
Mixed method engraving
Dimensions:
Sheet: 23 1/2 x 42 1/8in. (59.7 x 107cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Sheridan and Son
Creator:
Thomas Nugent, active 1785–1798
Date:
1800
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 26 1/4 × 17 13/16 inches (66.7 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
Creator:
Thomas Ryder, 1746–1810
Date:
1796
Materials & Techniques:
Engraving
Dimensions:
Sheet: 23 5/8 x 19 3/4in. (60 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James Gillray
Creator:
Charles Turner, 1774–1857
Date:
1819
Materials & Techniques:
Hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Unidentified Country House: Elevation of the Entrance Front
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 23 1/2 × 17 9/16 inches (59.7 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Deer Pass
Creator:
Print made by Richard Dudensing, 1833–1899
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 23 7/16 x 28 5/16in. (59.5 x 71.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
Canonteign, Devon
Creator:
John White Abbott, 1763–1851
Date:
1804
Materials & Techniques:
Watercolor with pen and gray ink on six joined sheets of medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/4 x 29 3/8 inches (60.3 x 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Leaving the Hills
Creator:
Herbert Edward Sedcole, Born 1864
Date:
1900
Materials & Techniques:
Mixed method engraving
Dimensions:
Plate: 23 3/4 x 34 3/4in. (60.3 x 88.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968
The Sepulchral Brass of Robert Braunche and His Two Wives in Saint Margaret's Church, Lynn, Norfolk, 1364
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1818
Materials & Techniques:
Graphite on medium smooth cream wove paper
Dimensions:
Sheet: 23 5/8 x 13 3/4 inches (60 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax and his Counterpart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:
Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Eugene Galleries, Inc.
The Lady in White
Creator:
Print made by Sir Hubert von Herkomer, 1849–1914
Date:
ca. 1885
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 28 3/8 × 21 7/8 inches (72.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
St. Peters Church, Clearwell, England
Creator:
H. T. Bowers, active 19th century
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 11 3/8 inches (36.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro
The Surrender of Mary Queen of Scots
Creator:
Print made by John George Murray, active 1823–1855
Date:
1845
Materials & Techniques:
Mezzotint, etching, and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 23 3/4 × 31 1/2 inches (60.3 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968
Mademoiselle Rose Nue, Vue de Dos
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1820
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
British, Régence style frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil gilding
Dimensions:
Frame: 23 3/4 × 30 1/4 × 2 3/8 inches (60.3 × 76.8 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art