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The museum is reopening to the public in March 2025.
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Collection
Prints and Drawings
6
Creator
Girtin, Thomas, 1775–1802
6
Lewis, Frederick Christian the Elder, 1779–1856
4
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Harraden, Richard Banks, 1778–1862
1
Date
1803
6
On-site Access
Accessible by appointment in the Study Room
6
Image Use
Free to Use
6
Image Available
Available
6
Classification
Prints
6
Creator Gender
male
6
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
Period
19th century
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6
Materials & Techniques
aquatint
6
etching (printing process)
4
wove paper
2
hand coloring
1
soft-ground etching
1
watercolor
1
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Work Type
intaglio print
6
Genre
architectural subject
6
cityscape
4
landscape
2
Subject Terms
architectural subject
5
bridge (built work)
4
river
4
cityscape
3
boats
1
buildings
1
cottages
1
houses
1
landscape
1
water mill
1
Associated Places
Charenton-le-Pont
6
Europe
6
France
6
Pont de Charenton-le-Pont
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6
Val-de-Marne
6
Île-de-France
6
Marne
4
Paris
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
6
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Period
19th century
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Pont de Charenton-le-Pont
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28
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1
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
2
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
5
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
6
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803