Period: 18th century / Width [cm]: 40 / Classification: Prints

Print made by William Hogarth, 1697–1764

Plate 11, The Idle 'Prentice Executed at Tyburn

1747

Print made by William Hogarth, 1697–1764

Plate 12, The Industrious 'Prentice Lord Mayor of London

1747

Richard Purcell, active 1746–1766

Garrick Between Tragedy and Comedy (David Garrick)

undated

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

John Dean, 1754–1798

Master Wynn in the Character of St. John

undated

John Jones, ca. 1745–1797

The Sleeping Girl

1790

William Doughty, 1757–1782

The Sleeping Child

1780

Peltro W. Tomkins, 1760–1840

Mrs Seaforth as, Tuccia - The Vestal Virgin

1798

James Watson, 1740–1790

Lady Ann Hussey (née Delaval) Stanhope

1767

Print made by James Bretherton, ca. 1730–1806

The Damnation of Obadiah

1773

Print made by John Boydell, 1720–1804

Morning

1753

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by John Boydell, 1720–1804

Noon

1753

Print made by unknown artist

A View of the Orangerie at Chiswick, Lord Burlington's Garden

ca. 1730

George Isham Parkyns, 1749/50–c.1820

Lee

1790

Print made by John Couse, active 1753–1764

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

J. Miller, active 1769–1825

Racing: "Atlas" the Property of his Grace th Duke of Devonshire

1761

Isaac Cruikshank, 1764–1811

Hell in an Uproar: or an Express from the Committee

ca. 1790

George Bickham the Younger, ca. 1706–1771

A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

unknown artist

A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick

unknown artist

A View of the Orangerie in Lord Burlington's Garden at Chiswick

Print made by Richard Earlom, 1743–1822

Thomas Pownall, Esq., Member of Parliament

1777

John S. Muller, ca. 1715–1792

A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

William Dent Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty

Print made by William Dent, active 1784–1793

Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty

1792

James Gillray, 1756–1815

Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar

1792

James Watson, 1740–1790

Sir Richard Pearson

1780

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by John Jones, ca. 1745–1797

Muscipula

1786

Print made by James Walker, 1748–1808

John Wharton Tempest

1781

Print made by Gainsborough Dupont, 1754–1797

Rev. Sir Henry Bate Dudley

undated

Print made by John Dean, 1754–1798

Mrs. Elliot

1779

Print made by Edward Fisher, 1722–1785

Lady Elizabeth Keppel and a Servant

1760s

Print made by John Raphael Smith, 1752–1812

Sir Harbord Harbord

1783

Print made by Thomas Watson, 1743–1781

The Honourable Mrs. Parker

1773

Print made by John Raphael Smith, 1752–1812

Colonel Tarleton

1782

Print made by Edward Fisher, 1722–1785

Charles Watson Wentworth, Marquess of Rockingham, K.G

c.1774

Print made by John Jones, ca. 1745–1797

Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'

1790

Print made by Robert Dunkarton, 1744–1811

Mrs. Jordan as L'Allegro

1771

Print made by Thomas Watson, 1743–1781

Catherine, Lady Bampfylde

1779

Print made by Matthew Darly, active 1754–1778

Statue Hall or the Modern Register Office

1769

Valentine Green, 1739–1813

Valentine Green

1788

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

John Raphael Smith, 1752–1812

Eloisa

1792

William Ward, 1766–1826

The Widow's Tale

1789

unknown artist

The North View of Battersea

undated

unknown artist

The South View of Barnes

undated

John Raphael Smith, 1752–1812

Joseph Deane Bourke, 3rd Earl of Mayo

1784

Print made by Elisha Kirkall, ca. 1682–1742

Marine View

between 1720 and 1730

Richard Earlom, 1743–1822

A Flower Piece

1778

Richard Newton, 1777–1798

Meditations on a Jordan

1791

unknown artist

A Batch of Peers

1792

Charles Ansell, ca.1752–active 1790

Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc

1797

Attributed to Isaac Cruikshank, 1764–1811

Saint Catharine and St. George

1791

Isaac Cruikshank How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

Print made by Isaac Cruikshank, 1764–1811

How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

1793

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by James Gillray, 1756–1815

Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

1791

James Gillray, 1756–1815

The Lover's Dream

1795

Isaac Cruikshank, 1764–1811

Buonaparte at Rome Giving Audience in State

1797

Nathaniel Parr The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Print made by Nathaniel Parr, active 1742–1751

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

between 1780-1815

Print made by Pierre Charles Canot, ca. 1710–1777

Moonlight

1745

Giovanni Piranesi, 1720–1778

Giardino Colonna nel clivo del Quirinale

undated

Print made by Johann Jacobus Haid, 1704–1767

La galante fille

undated

Print made by John Smith, the mezzotinter, 1652–1743

Diana and Acteon

1705

Elisha Kirkall, ca. 1682–1742

Mother, Child, old man with baby's walking frame on wheels

1724

Print made by Samuel Rawle, 1771–1860

North East View of Dunster Castle, Somersetshire

1800

L. Truchy Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

L. Truchy, 1721–1764

Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

1735

Pierre Charles Canot, ca. 1710–1777

6. The Death of the Fox / Mort du Renard

1770

Pierre Charles Canot, ca. 1710–1777

5. Coming at the Death / Halte de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

4. The Earthing of the Fox / Renard dans son Terrier

1770

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

1735

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

1735

Pierre Charles Canot, ca. 1710–1777

1. Going Out / Depart de Chasse

1770

Pierre Charles Canot, ca. 1710–1777

3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste

1770

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

1735

L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

L. Truchy, 1721–1764

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

1735