A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
207
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
208
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
209
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
210
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
211
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
212
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
213
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
214
Print made by James Bretherton, ca. 1730–1806
Damn Mambrino
1799
215
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
216
Francesco Bartolozzi, 1728–1815
Nymphs Bathing
1783
217
Print made by Thomas Chambars, ca. 1724–1789
Lewis Francis Roubiliac
undated
218
Thomas Rowlandson, 1756–1827
A Worn Out Debauchée
between 1790 and 1795
219
James Barry, 1741–1806
Study of Hercules for 'Crowning the Victors at Olympia'
between 1777 and 1780
220
Print made by Charles Knapton, 1700–1760
Three Figures Under a Tree, One Reading a Book
1735
221
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
222
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
223
James Moore, 1762–1799
Weymouth Harbour
1791
224
James Moore, 1762–1799
Cerne Abbey, Dorset
1791
225
James Moore, 1762–1799
Milton Abbey, Dorset
1791
226
James Moore, 1762–1799
Bow & Arrow Castle, Portland, England
1791
227
James Moore, 1762–1799
Bindon Abbey, Dorset, England
1791
228
James Moore, 1762–1799
Berry Pomeroy Castle, Devon, England
1791
229
James Moore, 1762–1799
Okehampton Bridge
1791
230
James Moore, 1762–1799
Berry Pomeroy Castle Devon, England
1791
231
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
232
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
233
James Moore, 1762–1799
Christchurch Priory, Dorset
1791
234
James Moore, 1762–1799
Wimborne Minster, Dorset, Englad
1791
235
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
236
James Moore, 1762–1799
Hawarden Castle, Flintshire, Wales
1791
237
James Moore, 1762–1799
Newark Priory, Surrey
1791
238
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
239
James Moore, 1762–1799
Basingwerk Abbey, Wales
1791
240
James Moore, 1762–1799
Hawarden Castle, Flintshire, Wales
1791
241
James Moore, 1762–1799
Valle Crucis Abbey, Dinbighshire, Wales
1791
242
James Moore, 1762–1799
Conwy Castle, Wales
1791
243
James Moore, 1762–1799
Flint Castle, Wales
1791
244
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
245
James Moore, 1762–1799
Corfe Castle
1791
246
James Moore, 1762–1799
Corfe Castle
1791
247
James Moore, 1762–1799
Exeter Cathedral, Devon, England
1791
248
James Moore, 1762–1799
Buckfast Abbey, Devon, England
1791
249
James Moore, 1762–1799
The Old Parsonage, Portland, England
1791
250
James Moore, 1762–1799
Cerne Abbey
1791
251
James Moore, 1762–1799
Conwy Castle, Wales
1791
252
James Moore, 1762–1799
Grand Gate of Denbigh Castle
1791
253
James Moore, 1762–1799
Outer Gates of Denbigh Castle, Wales
1791
254
James Moore, 1762–1799
Bangor Cathedral, Wales
1791
255
James Moore, 1762–1799
Eagle Tower of Caernarfon Castle, Wales
1791
256
James Moore, 1762–1799
Caernarfon Castle, Outside of Eagle Tower
1791
257
James Moore, 1762–1799
Ludlow Castle, Shropshire
1791
258
James Moore, 1762–1799
Landscape, with Castle Ruins on Top of a Rocky Hill
ca. 1791
259
James Moore, 1762–1799
Landscape with a Large Tree, Shading a Cottage
ca. 1791
260
James Moore, 1762–1799
Montgomery Castle, Powys, Mid-Wales
1791
261
James Moore, 1762–1799
Study of Tress and Vegetaion Growing Over Ruins
ca. 1791
262
James Moore, 1762–1799
Architectural Study of a Ruined Abbey
1791
263
James Moore, 1762–1799
Cymer Abbey, Wales
1791
264
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
265
Anthony Devis, 1729–1817
Two Boys and a Dog in a Wood
undated
266
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
267
Benjamin West, 1738–1820
The Indians Giving a Talk to Colonel Bouquet in a conference at a Council Fire Near his Camp on the Banks of Muskingum in America, in October 1764, 1765
between 1765 and 1766
268
unknown artist
Design for a Ceiling
undated
269
unknown artist
Design for a Ceiling
undated
270
John Cleveley the younger, 1747–1786
Deptford Dockyard, Kent
undated
271
Francis Towne, 1740–1816
View on Lake Maggiore at Evening
1781
272
Print made by unknown artist
View of York House in Piccadilly
undated
273
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
274
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
275
Richard Wilson, 1713/4–1782
Italian sketchbook
1754
276
James Moore, 1762–1799
Study of Sections from the Church of the Holy Ghost
1791
277
James Moore, 1762–1799
Stonehenge
1791
278
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
279
James Moore, 1762–1799
Amsbury Abbey, Wiltshsire, England
1791
280
James Moore, 1762–1799
Chapel of the Holy Ghost, Basingstoke, England
1791
281
James Moore, 1762–1799
Sandsfoot Castle, Weymouth
1791
282
James Moore, 1762–1799
Part of Weymouth Harbour, Dorset, England
1791
283
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
284
James Moore, 1762–1799
Salisbury Cathedral
1791
285
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
286
James Moore, 1762–1799
Corfe Castle, Dorset, England
1791
287
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
288
James Moore, 1762–1799
The Esplanade, Weymouth
1791
289
James Moore, 1762–1799
Corfe Castle, Dorset
1791
290
James Moore, 1762–1799
St. Catherine's Chapel, Abbotsbury, Dorset, England