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George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810
The Colosseum
1776
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth John Wilkes, Esq.
William Hogarth, 1697–1764
John Wilkes, Esq
1763
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Benjamin West Design for a Wall of the Chapel of Revealed Religion
Benjamin West, 1738–1820
Design for a Wall of the Chapel of Revealed Religion
ca. 1780
Canaletto The City of Westminster from Near the York Water Gate
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
Sir James Thornhill Design for Ceiling Walls and Staircase
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
James Wyatt Cobham Hall, Kent: Drawing for Wall Decoration
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for Wall Decoration
ca. 1790
Charles Gore Herstmonceux
Charles Gore, 1729–1807
Herstmonceux
1787
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
Richard Wilson The Arbra Sacra on the Banks of Lake Nemi
Richard Wilson, 1713/4–1782
The Arbra Sacra on the Banks of Lake Nemi
between 1754 and 1756
Nicholas Pocock The Sailor's Departure
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
James Bruce Plan of three quarters of the amphitheatre at El Djem with descriptive notes
James Bruce, 1730–1794
Plan of three quarters of the amphitheatre at El Djem with descriptive notes
undated
James Bruce Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
James Bruce, 1730–1794
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
James Bruce XIVI Theatre at Ain Tunga Thignica
James Bruce, 1730–1794
XIVI Theatre at Ain Tunga Thignica
undated
James Bruce Temple at Thignica Modern, Ain Tunga now totally Destroyed
James Bruce, 1730–1794
Temple at Thignica Modern, Ain Tunga now totally Destroyed
undated
James Bruce Sketch of Temple Ruins
James Bruce, 1730–1794
Sketch of Temple Ruins
ca. 1768
James Bruce Corinthian Temple at Assuras
James Bruce, 1730–1794
Corinthian Temple at Assuras
undated
James Bruce XXIV Lybian Mausoleum at Dougga
James Bruce, 1730–1794
XXIV Lybian Mausoleum at Dougga
undated
James Bruce XXII Side View of Temple at Dougga
James Bruce, 1730–1794
XXII Side View of Temple at Dougga
undated
James Bruce Tomb de la Chretienne/ Juba and Cleopatra
James Bruce, 1730–1794
Tomb de la Chretienne/ Juba and Cleopatra
ca. 1769
James Bruce Cisterns at Carthage
James Bruce, 1730–1794
Cisterns at Carthage
undated
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Paul Sandby Arthur Gore, first Earl of Arran
attributed to Paul Sandby, 1731–1809
Arthur Gore, first Earl of Arran
undated
James Bruce Plan of one quarter of the amphitheatre at El Djem showing seating tiers
James Bruce, 1730–1794
Plan of one quarter of the amphitheatre at El Djem showing seating tiers
undated
James Bruce Elevation of Amphitheatre of El Djem entitled "Isrus"
James Bruce, 1730–1794
Elevation of Amphitheatre of El Djem entitled "Isrus"
undated
James Bruce Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
James Bruce, 1730–1794
Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
undated
James Bruce Rocks
James Bruce, 1730–1794
Rocks
ca. 1769
Luigi Balugani Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
Luigi Balugani, 1737–1770
Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
undated
James Bruce Temple of Jupiter and Minerva, Thugga
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
James Bruce Order of the two courts of the Temple at Baalbec
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
James Bruce Plan of upright of the semi circular Exedra of Temple at Baalbec
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
Paul Sandby View in Wales
attributed to Paul Sandby, 1731–1809
View in Wales
undated
George Morland Two Men on a Country Road
George Morland, 1763–1804
Two Men on a Country Road
1793
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Johan Joseph Zoffany A Dying Hindu Brought to the River Ganges
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
Paul Sandby The Queen Elizabeth Gate
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
James Wyatt Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
ca. 1790
Giovanni Battista Borra The Basilica at Pergamon
Giovanni Battista Borra, 1713–1770
The Basilica at Pergamon
ca. 1750
James Basire II South View of Christ Church, &c. from the Meadows
Print made by James Basire II, 1769–1822
South View of Christ Church, &c. from the Meadows
1799
Robert Adam Headfort House, Ireland: Elevation of One End of the Parlor
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of One End of the Parlor
between 1771 and 1775
George Townly Stubbs 'Volunteer'
George Townly Stubbs, 1748–1815
'Volunteer'
1794
William Woollett [Shooting] The Spanish Pointer
William Woollett, 1735–1785
[Shooting] The Spanish Pointer
1768
Richard Earlom Game Keepers. To the Right Honorable. Lord Viscount Torrington
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
William Woollett Shooting, Plate II
William Woollett, 1735–1785
Shooting, Plate II
1770
George Morland Set of Five: Five studies of Peddlers
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
George Townly Stubbs 'Protector'
George Townly Stubbs, 1748–1815
'Protector'
1794
George Townly Stubbs 'Pumpkin'
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
Richard Earlom Labourers
Richard Earlom, 1743–1822
Labourers
1790
Richard Earlom Game Keepers. To the Right Honorable. Lord Viscount Torrington
Richard Earlom, 1743–1822
Game Keepers. To the Right Honorable. Lord Viscount Torrington
1790
William Woollett Shooting, Plate I
William Woollett, 1735–1785
Shooting, Plate I
1769
Elizabeth Judkins Mrs. Abington
Print made by Elizabeth Judkins, active 1772–1775
Mrs. Abington
1772
Peltro W. Tomkins Sylvia
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
John Jones Mrs. Edwards
Print made by John Jones, ca. 1745–1797
Mrs. Edwards
1780