Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
12
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
13
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
14
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
15
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
16
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
17
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
18
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
19
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
20
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
21
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
22
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
23
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
24
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
25
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
26
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
27
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
28
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
29
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
30
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
31
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
32
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
33
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
34
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
35
George Romney, 1734–1802
Study of a Reclining Nude, and Seated Woman Comforted by a Child
mid- 1770s
36
George Romney, 1734–1802
Anger, Envy, and Fear
late 1780s
37
George Romney, 1734–1802
Lady Hamilton as Cassandra
undated
38
George Romney, 1734–1802
Two Children Embracing
late 1770s
39
George Romney, 1734–1802
Prison Scene
1790-1791
40
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
mid- 1770s
41
George Romney, 1734–1802
Miss Woodley
undated
42
George Romney, 1734–1802
Woman Playing the Lyre
undated
43
George Romney, 1734–1802
Standing Girl
undated
44
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
45
William Marlow, 1740–1813
Oxcart in the Grotto at Posillipo
ca. 1770
46
John Singleton Copley, 1738–1815
Figure Study for the Painting of the Victory of Lord Duncan: Study for Sailor Bearing the Dutch Flag
undated
47
Johan Joseph Zoffany, 1733–1810
A Hindu Brought to the River Ganges to Die, at Ghazipur
1788
48
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
49
Jonathan Skelton, active 1754, died 1758
The Refectory, St. Augustine's Monastery, Canterbury
1757
50
William Marlow, 1740–1813
Tivoli
ca. 1768
51
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
52
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
53
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
54
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
55
Richard Wilson, ca. 1712–1782
The Falls at Tivoli
between 1752 and 1757
56
Francis Wheatley, 1747–1801
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
undated
57
Paul Sandby, 1731–1809
Halfway House, Sadler's Wells
1780
58
Paul Sandby, 1731–1809
Iron Forge on the River Kent, Westmorland
undated
59
Johan Joseph Zoffany, 1733–1810
A River by a Rocky Bank with Figures, Possibly in India
between 1783 and 1789
60
Richard Wilson, ca. 1712–1782
Ponte delle Torri, Seen Through an Arch
undated
61
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
62
George Shepherd, active 1782–1830
A Distant View of Ampthill Park
1825
63
Sir Joshua Reynolds, 1723–1792
Study of a Seated Woman
undated
64
James Bruce, 1730–1794
No. 2. A. Table of Hieroglyphics found at Axum
1771
65
James Wyatt, 1746–1813
Cobham Hall, Kent: Chamber Floor Plan
ca. 1790
66
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Building with Design for New Roof
ca. 1790
67
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Fireplace and Overmantel
ca. 1790
68
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
69
unknown artist
The Tooth Drawer
undated
70
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
71
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
72
Hugh Douglas Hamilton, 1739–1808
Portrait of a Divine
after 1791
73
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
74
Charles Gore, 1729–1807
Lisbon from the Convent of St. Francis da Citadel
1774
75
William Thomas, active 1783– died 1800
Design for an Unidentifued House in the Palladian Style
undated
76
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Rear Elevation
undated
77
John Griffiths, active 1764–1774
The Open-Air Preacher
undated
78
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
79
William Kent, ca.1686–1748
Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
ca. 1733
80
George Barret, ca. 1728/32–1784
The Acacia Tree - Figures in a Park
undated
81
Bernard Lens III, 1682–1740
A West View of Hampton Court Ferry and Hampton Church at a Distance
1731 to 1733
82
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
83
James Bruce, 1730–1794
Weighing Scale
undated
84
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
85
Gangaram Chintaman Navgire Tambat, active 1790s
Do Thal Temple at Ellora
between 1793 and 1795
86
Robert Mabon, died 1798
View in Panvel
undated
87
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
88
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
89
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
90
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
91
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
92
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
93
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
94
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
95
unknown artist
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
undated
96
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
97
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
98
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
99
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime