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Period 18th century

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Height [cm] 27

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George Stubbs Self-Portrait
George Stubbs, 1724–1806
Self-Portrait
ca. 1759
Not on view
Benjamin Marshall Joshua Rose of Liverpool
Benjamin Marshall, 1768–1835
Joshua Rose of Liverpool
ca. 1795
Not on view
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth Hudibras Sallying Forth (no.2)
William Hogarth, 1697–1764
Hudibras Sallying Forth (no.2)
William Hogarth Hudibras Vanquish'd by Trulla (no.5)
William Hogarth, 1697–1764
Hudibras Vanquish'd by Trulla (no.5)
William Hogarth Hudibras Catechiz'd (no.9)
William Hogarth, 1697–1764
Hudibras Catechiz'd (no.9)
William Hogarth Hudibras's First Adventure (no.3)
William Hogarth, 1697–1764
Hudibras's First Adventure (no.3)
William Hogarth Hudibras and the Lawyer (no.7)
William Hogarth, 1697–1764
Hudibras and the Lawyer (no.7)
William Hogarth Hudibras in Tribulation (no.6)
William Hogarth, 1697–1764
Hudibras in Tribulation (no.6)
William Hogarth Hudibras Encounters the Skimmington (no.12)
William Hogarth, 1697–1764
Hudibras Encounters the Skimmington (no.12)
William Hogarth Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
William Hogarth Plate 11, The Idle 'Prentice Executed at Tyburn
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
William Hogarth Benjamin Read
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
William Hogarth Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
William Hogarth Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
William Hogarth Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
William Hogarth Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
William Hogarth Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
William Hogarth Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
William Hogarth Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
William Hogarth Plate 12, The Industrious 'Prentice Lord Mayor of London
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
William Hogarth Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
George Romney Study of a Reclining Nude, and Seated Woman Comforted by a Child
George Romney, 1734–1802
Study of a Reclining Nude, and Seated Woman Comforted by a Child
mid- 1770s
George Romney Anger, Envy, and Fear
George Romney, 1734–1802
Anger, Envy, and Fear
late 1780s
George Romney Lady Hamilton as Cassandra
George Romney, 1734–1802
Lady Hamilton as Cassandra
undated
George Romney Two Children Embracing
George Romney, 1734–1802
Two Children Embracing
late 1770s
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
1790-1791
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
mid- 1770s
George Romney Miss Woodley
George Romney, 1734–1802
Miss Woodley
undated
George Romney Woman Playing the Lyre
George Romney, 1734–1802
Woman Playing the Lyre
undated
George Romney Standing Girl
George Romney, 1734–1802
Standing Girl
undated
Charlotte Warren Wooded Landscape with Cattle, Figures and a House
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
William Marlow Oxcart in the Grotto at Posillipo
William Marlow, 1740–1813
Oxcart in the Grotto at Posillipo
ca. 1770
John Singleton Copley Figure Study for the Painting of the Victory of Lord Duncan: Study for Sailor Bearing the Dutch Flag
John Singleton Copley, 1738–1815
Figure Study for the Painting of the Victory of Lord Duncan: Study for Sailor Bearing the Dutch Flag
undated
Johan Joseph Zoffany A Hindu Brought to the River Ganges to Die, at Ghazipur
Johan Joseph Zoffany, 1733–1810
A Hindu Brought to the River Ganges to Die, at Ghazipur
1788
Alexander Cozens A Valley
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
Jonathan Skelton The Refectory, St. Augustine's Monastery, Canterbury
Jonathan Skelton, active 1754, died 1758
The Refectory, St. Augustine's Monastery, Canterbury
1757
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
William Pars The Falls at Powerscourt, Co. Wicklow, Ireland
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
Henry Hulsberg Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
unknown artist Study of a Woman Sewing and a Girl Reading
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Richard Wilson The Falls at Tivoli
Richard Wilson, ca. 1712–1782
The Falls at Tivoli
between 1752 and 1757
Francis Wheatley St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Francis Wheatley, 1747–1801
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
undated
Paul Sandby Halfway House, Sadler's Wells
Paul Sandby, 1731–1809
Halfway House, Sadler's Wells
1780
Paul Sandby Iron Forge on the River Kent, Westmorland
Paul Sandby, 1731–1809
Iron Forge on the River Kent, Westmorland
undated
Johan Joseph Zoffany A River by a Rocky Bank with Figures, Possibly in India
Johan Joseph Zoffany, 1733–1810
A River by a Rocky Bank with Figures, Possibly in India
between 1783 and 1789
Richard Wilson Ponte delle Torri, Seen Through an Arch
Richard Wilson, ca. 1712–1782
Ponte delle Torri, Seen Through an Arch
undated
Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
George Shepherd A Distant View of Ampthill Park
George Shepherd, active 1782–1830
A Distant View of Ampthill Park
1825
Sir Joshua Reynolds Study of a Seated Woman
Sir Joshua Reynolds, 1723–1792
Study of a Seated Woman
undated
James Bruce No. 2. A. Table of Hieroglyphics found at Axum
James Bruce, 1730–1794
No. 2. A. Table of Hieroglyphics found at Axum
1771
James Wyatt Cobham Hall, Kent: Chamber Floor Plan
James Wyatt, 1746–1813
Cobham Hall, Kent: Chamber Floor Plan
ca. 1790
James Wyatt Cobham Hall, Kent: Elevation of Building with Design for New Roof
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Building with Design for New Roof
ca. 1790
James Wyatt Cobham Hall, Kent: Elevation of Fireplace and Overmantel
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of Fireplace and Overmantel
ca. 1790
Samuel Buck The Southwest view of Hertsmonceux Castle in the County of Sussex
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
unknown artist The Tooth Drawer
unknown artist
The Tooth Drawer
undated
John Flaxman Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
Rev. William Henry Barnard The Coal Wharf, Oxford
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
Hugh Douglas Hamilton Portrait of a Divine
Hugh Douglas Hamilton, 1739–1808
Portrait of a Divine
after 1791
Thomas Jones The Claudian Aqueduct and Colosseum
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
Charles Gore Lisbon from the Convent of St. Francis da Citadel
Charles Gore, 1729–1807
Lisbon from the Convent of St. Francis da Citadel
1774
William Thomas Design for an Unidentifued House in the Palladian Style
William Thomas, active 1783– died 1800
Design for an Unidentifued House in the Palladian Style
undated
John Sanderson Unidentified Country House: Rear Elevation
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Rear Elevation
undated
John Griffiths The Open-Air Preacher
John Griffiths, active 1764–1774
The Open-Air Preacher
undated
Thomas Hearne View from Skiddaw over Derwentwater
Thomas Hearne, 1744–1817
View from Skiddaw over Derwentwater
between 1772 and 1782
William Kent Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
William Kent, ca.1686–1748
Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
ca. 1733
George Barret The Acacia Tree - Figures in a Park
George Barret, ca. 1728/32–1784
The Acacia Tree - Figures in a Park
undated
Bernard Lens III A West View of Hampton Court Ferry and Hampton Church at a Distance
Bernard Lens III, 1682–1740
A West View of Hampton Court Ferry and Hampton Church at a Distance
1731 to 1733
Joseph Powell Winchester Cross
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
James Bruce Weighing Scale
James Bruce, 1730–1794
Weighing Scale
undated
James Bruce Section of arches and stairs of the temple at Baalbec
James Bruce, 1730–1794
Section of arches and stairs of the temple at Baalbec
undated
Gangaram Chintaman Navgire Tambat Do Thal Temple at Ellora
Gangaram Chintaman Navgire Tambat, active 1790s
Do Thal Temple at Ellora
between 1793 and 1795
Robert Mabon View in Panvel
Robert Mabon, died 1798
View in Panvel
undated
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
unknown artist Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
unknown artist Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
unknown artist
Le Port de Brest: Dessiné du Point I Marqué sur Le Plan
undated
unknown artist Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
unknown artist
Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
undated
unknown artist Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
unknown artist Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
unknown artist
Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
undated
unknown artist Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
unknown artist Le Port de Rochefort: Vu Du Point A Marque sur le Plan:
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
unknown artist Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:
unknown artist
Le Port de L'Orient: Dessine du Point B. Marque fur la Carte
undated
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin Position de la Garde Italienne de L'Epée & Poignard
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
unknown artist Westminster Bridge from Lambeth Walk
unknown artist
Westminster Bridge from Lambeth Walk
undated