Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
8
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
9
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
10
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
11
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
12
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
13
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
14
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
15
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
16
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
17
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 25)
1794
18
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
19
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
20
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
21
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
22
George Romney, 1734–1802
Figure Composition Study 44
undated
23
George Romney, 1734–1802
Figure Composition Study 50
undated
24
George Romney, 1734–1802
Figure Composition Study 48
1793
25
George Romney, 1734–1802
Mother and Children
undated
26
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
27
George Romney, 1734–1802
Manuscript Notes
1773
28
George Romney, 1734–1802
Manuscript Notes
1773
29
George Romney, 1734–1802
Manuscript Notes
1773
30
George Romney, 1734–1802
Manuscript Notes
1773
31
George Romney, 1734–1802
Manuscript Notes
1773
32
George Romney, 1734–1802
Manuscript Notes
1773
33
George Romney, 1734–1802
Manuscript Notes
1773
34
George Romney, 1734–1802
Manuscript Notes
1773
35
George Romney, 1734–1802
Manuscript Notes
1773
36
George Romney, 1734–1802
Manuscript Notes
1773
37
George Romney, 1734–1802
Manuscript Notes
1773
38
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
undated
39
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
40
George Romney, 1734–1802
Standing Figure
undated
41
Richard Wilson, 1713/4–1782
An Underground Shrine with Two Figures Kneeling before a Pieta
undated
42
Isaac Weld, 1774–1856
Canadian Calash or Marche-Donc
between 1795 and 1797
43
Jacques Christophe Le Blon, 1667–1741
Alexander Pope, Poet 1744
1744
44
Angelica Kauffmann, 1741–1807
Hope. Le Blanc 11
ca. 1765
45
unknown artist
Maria Countess of Waldegrave and Her Child
ca. 1762
46
unknown artist
Shakespear Chair
1799
47
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
48
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
49
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
50
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
51
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
52
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
53
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
54
James Seymour, 1702–1752
A Boar Hunt
undated
55
James Seymour, 1702–1752
Rider on a Horse, Rearing to Left
undated
56
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
57
James Seymour, 1702–1752
Schooling Horses: Three Studies on a Page
undated
58
James Seymour, 1702–1752
Coursing - After the Kill
undated
59
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
60
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
61
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
62
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
63
John Warwick Smith, 1749–1831
View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire
1764-1831
64
unknown artist
Charley Boy Crying for the Loss of his Political Father
ca. 1788
65
Print made by William Dent, active 1784–1793
The Effect of French Wine and French Spirits at a Revolution Drinking bout
1791
66
William Dent, active 1784–1793
The Flattering Glass, or Nell's Mistake
1791
67
Capt. Francis Grose, 1731–1791
A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire
undated
68
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 1
1757
69
Isaac Cruikshank, 1764–1811
Bachelor's Hall
1791
70
James Gillray, 1756–1815
A Portrait ------------
1799
71
John Nixon, ca. 1760–1818
How to Avoid the Horse Duty
1791
72
Print made by Placido Columbani, born ca. 1744, active 1801
At the Minerva at Rome
undated
73
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
74
unknown artist
Wet Souls
1790
75
unknown artist
Mars and Venus Discover'd by Phaeton, etc..
1784
76
Print made by unknown artist
A Lack Water Canal
1794
77
unknown artist
Shakespeare Illustration: "Henry VIII"
undated
78
Francesco Bartolozzi, 1728–1815
James Harris
1776
79
Isaac Cruikshank, 1764–1811
The Origin of Cockney
1798
80
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
81
unknown artist
The Queens Palace
1794
82
unknown artist
Buckingham House in St. James's Park
undated
83
unknown artist
General's Hall in Baxing Lane, Bread St., Cheapside
1795
84
unknown artist
The Royal Hospital at Chelsea
undated
85
Print made by John Faber the Younger, ca. 1695–1756
Queen Anne, Queen Consort to King James the First
1731
86
Sawrey Gilpin, 1733–1807
Two Tigers
1760
87
Rev. William Gilpin, 1724–1804
Landscape with Fisherman
between 1762 and 1783
88
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
89
Rev. William Gilpin, 1724–1804
Landscape
between 1762 and 1783
90
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene