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Period 18th century
Remove constraint Period: 18th centuryWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms grass
Remove constraint Subject Terms: grassSearch Results
1
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
2
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
3
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
4
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
5
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
6
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
7
- The Tyger (Plate 42)
- 1794
8
- The Lamb (Plate 18)
- 1789
9
- Spring (Plate 12)
- 1789
10
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
11
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
12
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
13
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
14
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
15
- Spring (Plate 26)
- 1789
16
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
17
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
18
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
19
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
20
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
21
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
22
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
23
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
24
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
25
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
26
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
27
- Nîmes from the Tour Magne
- ca. 1765
28
- Eragrostis Tef
- 1775
29
- From Hampstead
- 1730
30
- The Sporting Lady
- undated
31
- Unidentified Country House
- between 1700 and 1715
32
- Donnybrook Fair, 1782
- 1782
33
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
34
- Temple of Venus and Rome from the Colosseum
- 1781
35
- Tree Study with Stags (Landscape)
- undated
36
- Kirkstall Abbey from the N.W
- ca. 1792
37
- Tynemouth Priory, Northumberland
- ca. 1793
38
- Pevensey Castle, Sussex
- ca. 1795
39
- Guisborough Priory
- undated
40
- The Meeting of the Rivers Severn and Wye, near Chepstow
- 1795
41
- Classical Composition
- 1798 to 1799
42
- View of Rochester
- 1791
43
- Pluscardine Abbey, Elgin
- ca. 1793
44
- View of Winchelsea, Sussex
- ca. 1795
45
- Rievaulx Abbey, Yorkshire
- ca. 1796
46
- London from Highgate Hill
- 1792
47
- Rochester, Kent: from the North
- ca. 1790
48
- Jedburgh Abbey, Roxburghshire
- ca. 1793
49
- Lichfield Cathedral, Staffordshire
- 1794
50
- A Devonshire Farm
- ca. 1798
51
- Tempio d' Antonio e Faustina
- between 1798 and 1799
52
- Chapel Church, Surrey
- ca. 1799
53
- Glasgow Cathedral
- between 1794 and 1795
54
- The New Walk, York
- ca. 1798
55
- Country House
- ca. 1797
56
- Tolleshunt-Beckingham, Essex
- ca. 1795
57
- Carlisle Cathedral, Cumberland, from the South-west
- ca. 1795
58
- Melville Castle, Midlothian
- ca. 1796
59
- Open Landscape with Horsemen and Covered Cart
- between 1780 and 1788
60
- Wooded Landscape with Herdsman and Cows
- undated
61
- Wooded Landscape with Country Cart and Figures Walking down a Lane
- ca. 1760
62
- Landscape with Cows
- undated
63
- Sirree
- July 1793
64
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
65
- A Woodland Pool with Rocks and Plants
- between 1765 and 1770
66
- Wooded Landscape with Shepherd and Sheep
- between 1765 and 1770