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Period 18th century
Remove constraint Period: 18th centuryWork Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
1
- A Horse Affrighted by a Lion
- 1788
2
- A Sleeping Leopard
- 1791
3
- A Tiger and a Sleeping Leopard
- 1788
4
- A Tyger (Sleeping Leopard)
- 1788
5
- The Farmer's Wife and the Raven
- 1788
6
- Frontispiece and its Explanation (no.1)
- 1726
7
- Southwark Fair
- 1733
8
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
9
- Hogarth Painting the Comic Muse
- 1764
10
- A Midnight Modern Conversation
- 1733
11
- The Sleeping Congregation
- 1736
12
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
13
- Beer Street
- 1751
14
- Subscription Ticket for The March to Finchley
- 1746
15
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
16
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
17
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
18
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
19
- The Bruiser
- 1763
20
- Auction of Pictures, &c
- 1799
21
- The Invasion, Plate II, England
- 1768
22
- The Invasion, Plate I, France
- 1768
23
- Chairing the Members
- 1766
24
- The Polling
- 1766
25
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
26
- Concert Ticket, Mary's Chappel
- 1799
27
- Concert Ticket, Mary's Chappel
- 1799
28
- Prints Publish'd by the Late W. Hogarth
- 1765
29
- Copyright - Act of Parliament
- 1767
30
- Simon Lord Lovat
- 1746
31
- Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
- 1747
32
- Plate 1, The Fellow 'Prentices at their Looms
- 1747
33
- Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
- 1747
34
- Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
- 1747
35
- Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
- 1747
36
- Plate 11, The Idle 'Prentice Executed at Tyburn
- 1747
37
- Plate 12, The Industrious 'Prentice Lord Mayor of London
- 1747
38
- Columbus Breaking the Egg
- 1752
39
- The Five Orders of Periwigs
- 1761
40
- Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
- 1747
41
- Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
- 1747
42
- Concert Ticket, Mary's Chappel
- 1799
43
- Concert Ticket, Mary's Chappel
- 1799
44
- Concert Ticket, Mary's Chappel
- 1799
45
- Satire on False Perspective
- 1799
46
- Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
- 1768
47
- Auction of Pictures, &c
- 1799
48
- The Chorus
- 1768
49
- The Laughing Audience
- 1768
50
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
51
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
52
- Concert Ticket, Mary's Chappel
- 1799
53
- Concert Ticket, Mary's Chappel
- 1799
54
- Satire on False Perspective
- 1799
55
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
56
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
57
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
58
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
59
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
60
- Strolling Actresses Dressing in a Barn
- 1738
61
- Marriage à la Mode, Plate 6
- 1745
62
- Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
- 1747
63
- Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
- 1747
64
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
65
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
66
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
67
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
68
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
69
- Water (Plate 4)
- 1793
70
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
71
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
72
- Romeo and Juliet, Act IV, Scene V
- 1799
73
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
74
- The Christian Triumph; Title Page
- ca. 1797
75
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
76
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
77
- What is Man!, Frontispiece (Plate 1)
- 1793
78
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
79
- I Found Him Beneath a Tree (Plate 3)
- 1793
80
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
81
- Night the Third. Narcissa; Title Page
- ca. 1797
82
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
83
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
84
- Fire (Plate 7)
- 1793
85
- Help! Help! (Plate 12)
- 1793
86
- Alas! (Plate 9)
- 1793
87
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
88
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
89
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
90
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
91
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
92
- 'O treacherous conscience!' (Page 27)
- ca. 1797
93
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
94
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
95
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
96
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
97
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
98
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
99
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
100
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797