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Period 18th century

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Creator Watson, Thomas, 1743–1781

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Subject Terms trees

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Lady Bampfylde
Creator:
Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 × 15 1/4 inches (63.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Catherine, Lady Bampfylde
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Mount: 25 3/4 × 18 1/4 inches (65.4 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Catherine, Lady Bampfylde
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 7/8 × 15 3/4 inches (65.7 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Rushout and her Children
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1778
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 19 1/2 × 21 5/8 inches (49.5 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/16 × 28 1/2 inches (58.9 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund