Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
4
James Gillray, 1756–1815
The Triumphant Britons
1780
5
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
6
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
7
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
8
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
9
James Gillray, 1756–1815
Jack A Both Sides!
1783
10
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
11
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
12
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
13
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
14
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
15
James Gillray, 1756–1815
The Soliloquy
1782
16
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
17
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
18
Print made by James Gillray, 1756–1815
The Sick Prince
1787
19
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
20
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
21
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
22
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
23
James Gillray, 1756–1815
The Tottering Pyramid
1784
24
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
25
James Gillray, 1756–1815
The Battle of Bow-Street
1788
26
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
27
James Gillray, 1756–1815
The English Regency
1789
28
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
29
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
30
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
31
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
32
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
33
James Gillray, 1756–1815
Hounds in Finding
1800
34
James Gillray, 1756–1815
Coming-In at the Death
1800
35
James Gillray, 1756–1815
Hounds Throwing-Off
1800
36
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
37
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
38
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
39
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
40
James Gillray, 1756–1815
Hounds in Full-Cry
1800
41
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
42
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
43
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
44
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
45
James Gillray, 1756–1815
The Royal Academy
1786
46
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
47
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
48
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
49
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
50
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
51
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
52
James Gillray, 1756–1815
John Bull Triumphant
1780
53
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
54
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
55
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
56
James Gillray, 1756–1815
Evacuation Before Resignation
1782
57
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
58
James Gillray, 1756–1815
A Uniform Whig ---
1791
59
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
60
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
61
James Gillray, 1756–1815
The Friendly Agent
1787
62
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
63
James Gillray, 1756–1815
The Bubbles of Opposition
1788
64
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
65
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
66
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
67
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
68
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
69
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
70
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
71
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
72
James Gillray, 1756–1815
Independence
1799
73
James Gillray, 1756–1815
A Man of Importance
1799
74
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
75
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
76
James Gillray, 1756–1815
A Portrait ------------
1799
77
James Gillray, 1756–1815
A Hackney Meeting
1796
78
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
79
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
80
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
81
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
82
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
83
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
84
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
85
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
86
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
87
James Gillray, 1756–1815
Patience on a Monument
1791
88
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
89
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
90
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
91
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
92
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
93
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
94
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
95
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
96
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
97
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
98
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
99
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
100
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding