The North View of the Summer Palace of Her Imperial Majesty at St. Petersburg
18th century
1303
unknown artist
Bishop Bonner's House, formerly in Lambeth Marsh in 1780
1780
1304
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Sportsman'
1305
Print made by John Robert Cozens, 1752–1797
Aspin
1789
1306
Print made by John Robert Cozens, 1752–1797
Weeping Willows
1789
1307
Print made by John Robert Cozens, 1752–1797
Hawthorn
1789
1308
Print made by John Robert Cozens, 1752–1797
Birch
1789
1309
Print made by John Robert Cozens, 1752–1797
Beech
1789
1310
Print made by John Robert Cozens, 1752–1797
Poplar
1789
1311
George Edwards, 1694–1773
[Blue Bird]
ca. 1758
1312
John Whessell, 1760–ca. 1823
Racing: "Hambletonian" / Sir Harry Tempest Vanes [sic] Horse, Hambletonian, Preparing to start against Mr. Cookson's Diamond, over the / Beacon Course at Newmarket, ..
1800
1313
Print made by Richard Houston, ca. 1721–1775
Racing [set of twelve]: 1. Childers 2. Babraham 3. White-Nose 4. Fine Chesnut Arabian 5. Old Partner 6. Sedbury 7. Dormouse 8. Cullen Arabian 9. Lamprey 10. Bay Bolton 11. Bald Charlotte 12. Crab
1756
1314
John Ingram, 1767–1841
Trade Card for John Ingram, Stationer at the Lamb, London
undated
1315
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Old Partner'
1316
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Lamprie'
1317
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bald Charlotte' or 'Lady Legs'
1318
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Crab'
1319
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bonny Black'
1320
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Starling'
1321
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Fearnought'
1322
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Old Cartouch'
1323
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Young Cartouch'
1324
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Conqueror'
1325
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Squirril'
1326
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Second'
1327
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Regulus'
1328
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Babraham'
1329
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Whynot'
1330
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Othello' or 'Black & All Black'
1331
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Silver Leg'
1332
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Sampson'
1333
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Victorious'
1334
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Bay Arabian'
1335
James Roberts the Elder, 1725–1799
One of a Set of Twenty-Two Portraits of Horses: 'Cato'
1336
Print made by John Robert Cozens, 1752–1797
Cedar
1789
1337
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789
1338
George Edwards, 1694–1773
[Brown Bird]
ca. 1758
1339
George Edwards, 1694–1773
[Red-Breasted Bird]
ca. 1758
1340
George Edwards, 1694–1773
[Bird]
ca. 1758
1341
George Edwards, 1694–1773
[Beetle]
ca. 1758
1342
George Edwards, 1694–1773
[Bird]
ca. 1758
1343
George Edwards, 1694–1773
[Cock Sparrow]
ca. 1758
1344
Print made by John Robert Cozens, 1752–1797
Italian Pine and Cypress
1789
1345
George Edwards, 1694–1773
Yellowhammer
ca. 1758
1346
George Edwards, 1694–1773
[Black Bird]
ca. 1758
1347
George Edwards, 1694–1773
[Song Thrush]
ca. 1758
1348
George Edwards, 1694–1773
[Insect]
ca. 1758
1349
George Edwards, 1694–1773
[Spiders]
ca. 1758
1350
Print made by unknown artist
The Buildings of the Imperial Colleges in St. Petersburg on the left side. And the Ware houses for Merchants on ye right
1351
Possibly Bernard Lens III, 1682–1740
Huntsman and Two Dogs in a Landscape
undated
1352
Francesco Bartolozzi, 1728–1815
Three Monks having a Vision
1353
Francesco Bartolozzi, 1728–1815
John the Baptist in the Wilderness
1354
Francesco Bartolozzi, 1728–1815
Two Men, a Youth, and a Boy Praying
1355
Francesco Bartolozzi, 1728–1815
A Man Offering Apples to Virgin and Child and an Angel
1356
Francesco Bartolozzi, 1728–1815
Virgin and Child and Angels
1357
Francesco Bartolozzi, 1728–1815
Men about to Sacrifice a Ram
1358
Francesco Bartolozzi, 1728–1815
Four Women and a Baby
1359
Francesco Bartolozzi, 1728–1815
Joseph, Virgin Mary, and Child who is Leaning on a Globe
1360
Francesco Bartolozzi, 1728–1815
St. John Baptist Holding His Reed Cross
1361
Valentine Green, 1739–1813
Aegisthus discovers the body of Clytemnestra
1786
1362
Print made by Mathieu Liart, 1736–1782
Cephalus lamenting the Death of Procris
1783
1363
Valentine Green, 1739–1813
The Cave of Despair, from Spenser
1775
1364
Valentine Green, 1739–1813
Erasistratus, the Physician, discovers the love of Antiochus for Sratonice
1776
1365
Valentine Green, 1739–1813
The Golden Age
1777
1366
Valentine Green, 1739–1813
Jacob blesses Joseph's two Sons
1367
Valentine Green, 1739–1813
Elisha restores to Life the Shunamites Son
1368
Print made by Mathieu Liart, 1736–1782
Venus Lamenting the Death of Adonis
1783
1369
Haveill Gillbank, 18th–19th centuries
Rustic Hours: Morning
1800
1370
Samuel William Reynolds, 1773–1835
The Smitten Clown
1795
1371
Francesco Bartolozzi, 1728–1815
Banditti Quarreling with Daggers, One Looking On
1372
James McArdell, ca. 1729–1765
John Earl of Rothes
1763
1373
Thomas Watson, 1743–1781
The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's