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Period 18th century

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Subject Terms shepherds

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Lake Albano
Creator:
George Lambert, 1700–1765
Date:
ca. 1760
Materials & Techniques:
Oil on canvas
Dimensions:
30 3/8 x 48 1/8 inches (77.2 x 122.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Morning: Landscape with Mares and Sheep
Creator:
George Barret, ca. 1728/32–1784
Date:
ca. 1775
Materials & Techniques:
Oil on canvas
Dimensions:
18 × 26 inches (45.7 × 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Shepherd, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Creator:
Print made by Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/8 x 12 5/8 inches (46.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Window of the Chapel, New College Oxford:
Creator:
Richard Earlom, 1743–1822
Date:
1785
Materials & Techniques:
Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 1/16 × 19 1/8 inches (66.2 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Brothers of Joseph Showing his Bloody Coat
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1782
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:
Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Landscape with Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1775
Materials & Techniques:
Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View of a Portico by the Side of a River, with Herdsmen and Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer
The Peasant's Dream, Paradise Lost, Book 1, 781-8
Creator:
Henry Fuseli, 1741–1825
Date:
1793 to 1800
Materials & Techniques:
Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lake of Albano and Castle Gandolfo
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1779
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 25 1/8 inches (44.5 x 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Frontispiece: Shepherds with Flock
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen in black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 3/8 × 11 1/8 inches (28.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lake of Albano and Castel Gandolfo
Creator:
John Robert Cozens, 1752–1797
Date:
between 1783 and 1785
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 24 3/8 inches (43.2 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Thames from Richmond Hill Looking Southwest
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1791
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 20 5/8 inches (36.2 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lake of Nemi
Creator:
John Robert Cozens, 1752–1797
Date:
between 1783 and 1785
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 21 1/8 inches (37.1 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection