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Period 18th century
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1
- A Conversation (The Artist's Brothers Peter and James Romney)
- 1766
- Not on view
2
- Tobias Smollet
- ca. 1764
- Not on view
3
- William Lowndes, Auditor of His Majesty's Court of Exchequer
- 1771
- Not on view
4
- William Weddell
- between 1765 and 1766
- Not on view
5
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
6
- Eleanora Frances Murray
- in or before 1768
- Not on view
7
- View of Horse Guards and Whitehall
- ca. 1750
- Not on view
8
- Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
- 1763
- Not on view
9
- Portrait of Two Boys, probably Joseph and John Joseph Nollekens
- ca. 1745
- Not on view
10
- An Unknown Man Seated at a Table
- between 1744 and 1746
- Not on view
11
- The Barber
- between 1760 and 1769
- Not on view
12
- Edward George Lind and His Son, Montague
- ca. 1800
- Not on view
13
- Jean Grant (née Duff), Lady Grant
- ca. 1775
- Not on view
14
- David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- Not on view
15
- The Mistletoe Bough
- ca. 1790
- Not on view
16
- Paetus and Arria
- 1766
- Not on view
17
- William Wheatley
- 1786
- Not on view
18
- Frances Abington (née Barton) as Miss Prue in William Congreve’s “Love for Love”
- 1771
- Not on view
19
- The Thistlethwayte Family
- ca. 1758
- Not on view
20
- Portrait of an Elderly Lady and a Girl
- 1747
- Not on view
21
- The Buckley-Boar Family
- between 1758 and 1760
- Not on view
22
- Daniel Cunyngham
- 1766
- Not on view
23
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
24
- Emily and George Mason
- between 1794 and 1795
- Not on view
25
- Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti
- between 1759 and 1760
- Not on view
26
- Margot Wheatley
- 1786
- Not on view
27
- An Unknown Woman in a Drawing Room
- between 1740 and 1741
- Not on view
28
- Portrait of a landscape painter, possibly George Lambert
- between 1740 and 1750
- Not on view
29
- Thomas Graham
- ca. 1790
- Not on view
30
- Market Day, Roseau, Dominica
- ca. 1780
- Not on view
31
- William Strahan
- ca. 1775
- Not on view
32
- John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
- 1796
- Not on view
33
- Portrait of a Man and a Boy Looking at Prints
- between 1765 and 1770
- Not on view
34
- Mary Adam
- 1754
- Not on view
35
- Charles Pinfold
- 1756
- Not on view
36
- Hogarth Painting the Comic Muse
- 1764
37
- Simon, Lord Lovat
38
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
39
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
40
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
41
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
42
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
43
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
44
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
45
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
46
- A Cradle Song (Plate 18)
- 1789
47
- Laughing Song (Plate 14)
- 1789
48
- A Cradle Song (Plate 26)
- 1789
49
- The Accusation of Susanna by the Elders
- undated
50
- Mother and Son
- undated
51
- Woman and Child
- undated
52
- The Virgin
- 1778
53
- Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
- 1765
54
- Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
- undated
55
- The Affectionate Daughter
- 1792
56
- Sir Thomas Harrison
- 1765
57
- William Robertson, D.D
- 1772
58
- Reading by a Paper-Bell Shade
- 1768
59
- George Graham, Clockmaker
- undated
60
- Mr. Ramsden, Optician to His Majesty
- 1790
61
- Virtuous Love
- 1793
62
- Study of a Seated Lady
- ca. 1740
63
- Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
- undated
64
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
65
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
66
- Dr. George Berkley, Bishop of Cloyne
- undated
67
- Thomas Sutton
- 1714
68
- Damn Mambrino
- 1799
69
- A French Physician with His Retinue Going to Visit His Patients
- 1771
70
- The Relief
- 1781
71
- The Discovery
- 1788
72
- Domestick Employment Ironing
- ca. 1769
73
- Potus Calidæ Theiæ
- undated
74
- Reverend Edward Fowler, Lord Bishop of Gloucester
- 1717
75
- John Home, Esq
- 1799
76
- Richard Robinson, Bishop of Kildare
- 1764
77
- William Robertson
- 1772
78
- The Earl of Mansfield
- 1786
79
- Francis Grose Asleep in a Chair
- undated
80
- Lady Hamilton as The Sempstress
- 1787
81
- Lady Hamilton as the Spinster
- 1789
82
- Catherine Hunter
- 1771
83
- La petite musicienne
- undated
84
- Ornatus Corporis et Animi
- undated
85
- Medicus Alchemista
- undated
86
- Dr. Thomas Sherlock, Lord Bishop of London
- 1757
87
- Mrs. Cosway
- 1787
88
- Lady Mary Coke
- 1762
89
- Reading by a Paper-Bell Shade
- 1768
90
- Miss Polly Jones
- 1771
91
- Mrs. Gulston
- 1771
92
- George Stubbs: A Sketch
- undated
93
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
94
- A Man Asleep with Hands Crossed in a Chair
- undated
95
- Man Asleep in a Long Blue Coat
- undated
96
- Industrious Jenny
- undated
97
- Embassy of Hyderbeck to Calcutta
- 1800
98
- Portrait of Joseph Haydn
- 1791
99
- Joseph Deane Bourke, 3rd Earl of Mayo
- 1784
100
- Fille d'Auberge
- 1774