Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
913
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
914
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
915
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
916
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
917
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
918
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
919
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
920
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
921
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
922
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
923
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
924
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
925
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
926
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
927
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
928
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
929
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794 (Version A)
1794
930
Thomas Rowlandson, 1756–1827
Review of Light Horse Volunteers on Wimbledon Common
1798
931
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
932
Print made by Michael "Angelo" Rooker, 1746–1801
A View of the Prince's House at Kew
1776
933
Print made by Michael "Angelo" Rooker, 1746–1801
Seat of the Right Honorable, the Earl of Harcourt at Nuneham, with a distant View of Oxford
1775
934
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
935
John Nixon, ca. 1760–1818
Bathing Machine on the Common, near Southsea Castle
1788
936
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
937
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
938
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
939
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
940
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
941
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
942
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
943
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
944
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
945
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
946
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
947
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
948
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
949
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
950
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
951
Isaac Johnson, 1754–1835
A Map of Hardwick-Hall Farm
undated
952
Isaac Johnson, 1754–1835
A Map of the Farm in Mr. Briten's Use
undated
953
Isaac Johnson, 1754–1835
A Map of the Land in Starson
undated
954
Isaac Johnson, 1754–1835
A Map of Pulham Farm
undated
955
Isaac Johnson, 1754–1835
A Plan of the Mansion-house and Paddock of Edward Bacon
undated
956
Isaac Johnson, 1754–1835
Earlham, Norfolk
undated
957
Isaac Johnson, 1754–1835
Earlham Park, Norfolk
undated
958
Isaac Johnson, 1754–1835
Earlham House, Norfolk
undated
959
Isaac Johnson, 1754–1835
Earlham House, Norfolk
undated
960
Isaac Johnson, 1754–1835
Earlham House, Elevation Plan with Dimensions
undated
961
Isaac Johnson, 1754–1835
A Map of Redenhall Farm or Clyntegate Farm
undated
962
Isaac Johnson, 1754–1835
A Map of the Land in Needham
undated
963
Isaac Johnson, 1754–1835
Earlham House, Front Elevation and Footprint
undated
964
Isaac Johnson, 1754–1835
Shelton Hall Lands
undated
965
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
966
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
967
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
968
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
969
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
970
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
971
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
972
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
973
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
974
Print made by Thomas Chambars, ca. 1724–1789
Edward Courtney, Earl of Devonshire
undated
975
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
976
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
977
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
978
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
979
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
980
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
981
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
982
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey