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Period 18th century

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Genre religious and mythological subject

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Subject Terms books

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The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Creator:
Attributed to Michael Chuke, 1679–1742
Date:
ca. 1715
Materials & Techniques:
Bronzed limewood
Dimensions:
Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Creator:
Attributed to Michael Chuke, 1679–1742
Date:
ca. 1715
Materials & Techniques:
Bronzed limewood
Dimensions:
Overall: 54 5/16 x 37 13/16 inches (138 x 96 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Classical Scene: Minerva as the Goddess of Arts and Sciences
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
Creator:
James Gillray, 1756–1815
Date:
1790
Materials & Techniques:
Etching, aquatint and stipple engraving, proof before letters
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Virgin
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper laid on modern mount
Dimensions:
Mount: 15 1/4 x 11 1/16 inches (38.7 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richard Robinson, Bishop of Kildare
Creator:
Richard Houston, ca. 1721–1775
Date:
1764
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 × 11 13/16 inches (41.3 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. George Berkley, Bishop of Cloyne
Creator:
John Brooks, active 1730–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 9 13/16 inches (35.2 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hugh Boulter, Archbishop of Armagh
Creator:
Thomas Beard, op. 1728?
Date:
1728
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/2 × 10 1/4 inches (36.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Robertson
Creator:
John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 3/8 inches (53 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Isaac Watts
Creator:
Simon François Ravenet, 1706–1774
Date:
undated
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Archbishop of Canterbury
Creator:
Edward Fisher, 1722–1785
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 3/16 inches (38.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Archbishop of Canterbury
Creator:
Edward Fisher, 1722–1785
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 1/2 × 14 1/2 inches (47 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Britannia Allegory
Creator:
Charles Grignion, 1717–1810
Date:
between 1743 and 1747
Materials & Techniques:
Etching and line engraving; verso: letterpress on medium, slightly textured, cream laid paper (page in book)
Dimensions:
Sheet: 6 1/4 x 6 1/16 inches (15.8 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Frontispiece design for John Fayram's "Eight Views after Nature"
Creator:
John Fayram, op.1713–1743
Date:
ca. 1739
Materials & Techniques:
Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Johann Kenckel, 1688–1722
Date:
between 1708 and 1722
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Johann Kenckel, 1688–1722
Date:
between 1708 and 1722
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 12 3/8 inches (46 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving with etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 × 7 1/2 inches (14.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection